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Oedipus Rex as a tragedy of fate
Fate and free will in Greek mythology
Sophocles intent in oedipus the king
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The Power of Fate in Oedipus the King
The concept of fate has existed since the time of the ancient Greeks. The Greeks believed very strongly in fate, which can be defined as either a power beyond human control that determines events, or the outcome or end. In "Oedipus Rex," King Oedipus lives and dies by fate. Fate influences the entire plot, thereby allowing for some interesting developments that may be unpredictable to the audience.
In Sophocles' "Oedipus Rex", fate truly is a huge factor in many scenes and events. According to ancient Greek belief, the word of God was fate, and fate was the word of God. Therefore, every event that ever happened was predetermined and unchangeable. Oedipus himself has been completely victimized by fate. In the beginning of the play, he was "fated" to kill his father and marry his own mother and conceive children with her. Since it was the word of Apollo, the god, to the Greeks it meant that it was unchangeable. Oedipus escaped Corinth, the supposed city of his birth, and ran far away. He happened upon an old man in the crossroads-a fated event. Though he did not know it at the time, when he killed the man, it turned out to be his own father-a prophecy he was destined by fate to fulfill (Elsom, 85).
"The heralds no sooner reported Laius dead than you appeared and they hailed you king of Thebes." (Sophocles, 187). Soon after he unwittingly killed his father, Oedipus happened upon a creature called the Sphinx, who posed a riddle for him. Though none of the other great minds in the entire world could do this, Oedipus answered her riddle and destroyed her, freeing Thebes. Thus he subsequently became king of Thebes. What a fated chain of events! (Elsom, 86).
Oedipus was ...
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...s the word of God himself, many ironic events occurred due to the twists of fate. Sophocles masterfully weaves pieces of a legend together to create a dramatic tale of fate and irony called "Oedipus Rex".
Works Cited and Consulted:
Abrams, M. H. A Glossary of Literary Terms, 7th ed. New York: Harcourt Brace College Publishers, 1999.
Elsom, John. "Fate and the Imperial Dream." World & I. February 2000. 82-90.
Ehrenberg, Victor. "Fate and Sophoclean Rulers." In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O'Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
Sophocles. The Three Theban Plays: Antigone, Oedipus the King, Oedipus at Colonus. Trans. Robert Fagles. NY: Penguin, 1984.
Yaeger, Werner. "Sophocles' Master of Fate." In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
Sophocles. Oedipus the King. Trans. Robert Fagles. The Norton Anthology of World Masterpieces. Ed. Maynard Mack et al. 6th ed. Vol. 1. New York: Norton, 1992.
The majority of blacks in America still live in extreme, deep poverty and a lot of them never receive a proper education. According to Phil Jackson’s article “Remembering the Millions the American Dream Left,” 30% black Americans in Illinois live in poverty while only 8% white Americans do. One way African Americans can move out of poverty is by getting a better education but because the blacks have such low income, they can’t afford a better education. Therefore, there is a rare chance they will ever get out of poverty.
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
Sophocles: A collection of critical essays edited by Thomas Woodward: Oedipus at Colonus. Whitman, Cedric H. Prentice-Hall, Inc. Englewood Cliffs, New Jersey. 1966.
Sophocles. Antigone, Oedipus the King, Electra. Trans. H. D. F. Kitto. New York: Oxford University Press, 1962.
...Sophoclean Rulers: Oedipus.” In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O’Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
...that fate. Events that lead to other events will eventually lead one to their fate. “Oedipus the King” is a great play that sets an example of what fate is. Oedipus chooses to flee from home, in attempt to avoid the god’s statement of his fate from coming true. However, Oedipus’s decision for fleeing is what was necessary to make his fate come true. Undoubtedly, this is what was meant to happen because Oedipus allowed it to. Perhaps if Oedipus ignored the god and never did a thing then perhaps the outcome could have been different for Oedipus. However it did not turn out that way and the choices that Oedipus made is what led him to his doom.
In all of the above negotiations, both parties could have created more values if we understood the big picture (broad rather than narrow goals) and manage the negotiation process by understanding what is really important and when negotiation is ready to move on to the next phase. In my own negotiations, especially at work with the inter-departmental meetings, I tried to be consciously aware when I started to drill down into detail very quickly, and tried to pull myself back to consider big picture, underlying concerns and motivations, and not on the detail. I learned that by focusing on interests rather than positions left me out of the need of being competitive in order to win the arguments and allow me to read where the negotiation is on the train journey, resulting in better outcomes for both parties.
In Ancient Greece the existence of gods and fate prevailed. In the Greek tragedy King Oedipus by the playwright Sophocles these topics are heavily involved. We receive a clear insight into their roles in the play such as they both control man's actions and that challenging their authority leads to a fall.
Negotiations and back-room dealings happen in any possible setting at any possible moment. Regardless of whether a bargain is two people negotiating a business deal, eighty people silently weighing the pros and cons of drawing attention to themselves, or one single person unconsciously deciding to give up individuality to wrest some semblance of power from the system, a choice is being made between various options.
Jaeger, Werner. “Sophocles’ Mastery of Character Development.” In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
In Oedipus The King, Sophocles presents a view of life fixed by fate. This fate, predetermined by the gods, is the sole factor in deciding human destiny. Tiresias expresses his understanding of the unchangeable fate of Oedipus, laid out by the gods, as he argues with the King about revealing the truth of all the Theban troubles. When Oedipus, frustrated by the lack of cooperation, insults Tiresias, he responds "I pity you, flinging at me the very insults / each man here will fling at you so soon."(322) Even more telling of the fated existence of Sophocles' characters is Jocasta's revelation of prophecies given before Oedipus' birth which foretold all that the gods had in store, which had indeed come to pass (332).
Sex is everywhere you turn. Victoria’s Secret is notorious for their ads that plaster billboards and the sides of buildings, featuring scantily-clad women suggesting an obvious sexual air. The bags you receive at Abercrombie feature half-dressed models, often two of which may be kissing or touching one another. These sexual images are far too present in the every day lives of young children, much younger than what used to be acceptable. Aside from this moral questionability, ads such as these often contain images of unrealistic body types, which exploit insecurity to make consumers use their product, the result of which can be dangerous to mental and physical health. Finally, when I see ads like the one to the right, and rack my brain trying to figure out how a shoe company could possibly make an advertisement that applies sexuality to the least sexual part of the body, I am forced to wonder if companies have gone too far? These ethical issues may leave you asking, “How can we allow this?” But the debate comes down to one major thing: they work. Sex sells. Corporate America spends millions of dollars devoted to studying the effectiveness of various types of advertising. The result of these studies is the discovery that sexuality in advertising can be, and has been, high on the list of effective forms of rhetoric. The success of rhetorical sexuality must outweigh the risks these companies take to go against those who find the use of sexuality a disturbing practice; it is worth it for these companies, and they constantly make sure of that. America loves sex.
Dodds, E. R. "On Misunderstanding the Oedipus Rex." Twentieth Century Interpretations of Oedipus Rex: A Collection of Critical Essays. Ed. Michael J. O'Brien.
In Oedipus Rex, fate is something that unavoidably befalls two characters. The gods decide Oedipus and Jocasta’s fate, even before they know it. Trying to avoid destiny is pointless because no matter what, it will catch up to you wherever you are. It is often thought that you can change your destiny, but in reality our fate was put into action the day we were born. Throughout the play, Oedipus tries to change his fate.