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Art history survey 1 syllabus
Art history survey 1 syllabus
Essay about artworks in the past
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I chose the painting Mexican Landscape to write about. Bror Anders Wikstrom painted Mexican Landscape in 1898. He was active in New Orleans from 1884-1909. He died when he was 47 years old, living from 1854-1909. The medium is watercolor on paper. The size of this painting is approximately 22in x 28in. I see trees, a big brown building, people working in the field, and mountains in the background. The subject of Mexican Landscape is a scene of a big building, with smaller buildings below it. There are also some mountains in the back that make the scene complete. The genre of this painting would be landscapes because this is an outdoor setting that has trees and other things you would commonly see outside. This painting was lent to the New Orleans Museum of Art in City Park by the Collection of Henri Schindler. …show more content…
I found most of these lines in the brownish-tan building in the background. Horizontal and vertical lines mostly make up the building. The trees are made of curved and diagonal lines to make the painting look more realistic. There are many organic shapes in Mexican Landscape. All of the leaves are different colors, shapes, and sizes. As I look at this painting, I see secondary and tertiary colors. There are greens, tans, and light blue. Warm colors take over this piece. I do not see any primary colors in this painting. The further the trees are, the darker and duller the shade of green is. The closer the trees are, the lighter and brighter the shade of green is. Bror Anders Wikstrom did a good job filling in the background with the sky and clouds. The brush strokes the artist used for the trees gave the trees heavy, actual texture. The texture of the ground looks rough and hard which is another example of actual texture in this
The house is surrounded by green grass which makes the image more realistic and the trees in the background and the tree in the foreground create a sense of depth. The image is quite well spaced out, due to a vast amount of area situated between objects. There is a visual equality in the symmetrical image. There is a contrast between the colours of the image to draw attention to the house. The image looks to be taken in the dusk of the afternoon, where there is not much natural light, which creates a darker tone. The main emphasis of the image is the house, which seems to be quite different when the image is first seen by a viewer. The texture helps emphasize the main focal point seeing though it is quite smooth, the colour also creates a mood towards the image and atmosphere in the image. The line helps develop structure due to the tone being a medium darkness. In some places (the area surrounding the house) is a degree lighter and shadows are present to help form the line throughout this part of the
The print of art is a Hiroshige, Plum Garden at Kameido, 1857, woodblock print. The print shows a calm and peaceful color of a regular day. The background consists of wash colors like reddish-pink that fades into white, and transfers once more in a green hue of the greenish ground. The image is showing a view of a several plum trees, with the stems, the flower, and the people on the other side of the fence. This work has a light pink background symbolizing the sunset and warm colors of the spring. The middle ground in the light white color shows the piece where there are people on the other side of the fence and appears to be walking around the garden or going throughout their daily business. The middle ground also has a view of several plum trees, which all of them seem to be inside of the fence. The focal point of the piece is the main plum tree with its branches swinging from the left at a sharp angle and moving to the right.
Again, I had difficulty selecting which piece to use for my second piece. Ultimately I selected Temptation, 1880 William-Adolphe Bouguereau. The dimensions are 39x52 inches and is oil on canvas.
To begin, he uses an array of colors that allows each color in the sky to blend and transition harmoniously. Church also uses primary and secondary colors within the sky that consists of teal-green, reds, and bright yellow next to each other. This creates a contrast between the darker red shades in the cloud and the lighter shades of bright yellow in the sun. Besides the different shades that are being used, Church uses both neutral values and saturation. The neutral scheme can be seen in the black and gray-brown values of the trees and shadows in the bottom part of the painting. This, in comparison to the high saturation levels of the colors in the sky create a contrast. The colors in the sky are in their purest hue which means they are bright, and this being next to the dull and dark colored mountains and trees creates a contrast and more of an emphasis on the brightly colored sky. Those different colors also fall under complementary and analogous colors. The red cloud complement the blue-green colors of the sky they are in. There is also a heavy use of reds, oranges and yellows, all falling next to each other on the color wheel shows Church’s use of analogous
This work uses diagonal and zigzag lines on the limbs and branches of the trees. These are good line types to use since they resemble nature. Curved lines are
The colors he uses to create this harmony are green, blue-green, and blue. The green color is mostly located on the bottom part of the painting and the left side, while the blues are present at the top in the sky and the middle as the river. Derain’s piece has complementary color harmony, which is when one or more pairs of colors that are located directly opposite of each other on the color wheel, dominating the painting. The colors used are yellow-orange, green, red-orange, and blue. The red-orange and yellow-orange draw your eye instantly in this painting and are located mostly in the middle, while the blue and greens are along the
The texture of the canvas works very well with the subject matter portrayed in the painting. The grassy hill side and the leaves of the trees are especially complimented by the canvas. It makes the leaves feel like they are slightly moving, this combined with the lack of detail itself the leaves. This is contrasted nicely with the very detailed renderings of the trunks and branches of the trees, the conscious decision to put so much effort into the tree itself and then to use obvious brushwork in the leaves makes the trees much more firm and immovable in the landscape. The brushstrokes are very clean and precise on the trees in the background.
The title Young Plains Indian is simple and to the point in terms of explaining what the painting is emphasizing; a young plains indian. Beginning with the
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
The main painting is located in Tepeyac Hill,Mexico. It is a roman catholic painting. The painting is a very oily painting. Man at the crossroads is another important piece of art that is also very important. This Piece of art was created in 1934.
The most prominent color in this painting is blue; it is used in the walls, the doors the articles of clothing hanging on the wall hook and some of the items resting on the nightstand. The other prominent color is green, used on parts of floorboards, the window, a part of one of the doorframes, parts of the hanging paintings and the empty vase on the nightstand. Brown is the only ...
Self-portrait on the Borderline Between Mexico and the United States was painted by Frida Kahlo, a Mexican self portrait artist in 1932 while being homesick as she accompanied her husband on his mission to paint murals in the United States. My first general impression of this painting is that it is very chaotic. On one side of the painting you can see machines with their cable lines buried into the ground, skyscrapers and smoke stacks while on the opposite side, flowers with their roots buried in the ground, figurines, what looks to be a pile of rock with cloud formations showing both sun and moon. This painting depicts representation for both Mexico, in which Kahlo is originally from and the United States, in which she was currently residing during the creation of this painting. Mexico is represented by the bright wild plants, flowers and cacti on one side, while the United States is represented with tall, dull colored buildings on the other side. The Mexican flag is held in her hand, while the United States flag is seen in the
I will first look at Diego Rivera. There are a plethora of works by Rivera that encapsulate Mexicanidad, such as the famous Sueño de una tarde dominical en la Alameda Central and The History of Mexico. However, I will be looking at the lesser known Fiesta del Maiz . On the surface this painting
All the shapes used in this painting are more organic than linear, showing little human interference in their environment. He adds small strokes in the bundles and field of harvested and unharvested hay to distinct one strand from another so they are read as hay instead of masses of yellow lying around on the ground. The small strokes also illustrate the texture of the field. Because the artist is on higher grounds than the workers, the view of the landscape is more visible and massive. To recreate how grand the view is he uses sfumato to give a sense of depth in the painting.
When I first looked at the picture, it looked like there were only two colors green and blue. When I got closer to the picture I noticed there were many other colors used. I loved the way the colors were mixed into each other where you have to really look at the picture to see the colors. The other colors, other then green and blue, were pink, white, orange, red, and yellow. There were also different shades of green and blue. There was only one solid color in the picture; it was black.