A Critical Analysis Of Monet's Piece Of Art

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I think the color term objective (representational) best describes the painting by Monet. I believe this because we learned the artist records objective color without bias. The painting appears to be very natural and looks exactly how one would see it. The subject is looking out over the river and very soft blues and greens are used. These hues are considered cool colors and make me imagine a soft breeze coming off of the water. Monet does use some grey within his painting, which decreases the colors intensity but it portrays the clouds reflecting on the water and the realistic look of the houses in the back of the painting. Derain’s painting is more subjective I believe. Subjective color is colors that the artist chooses and not exactly …show more content…

The colors he uses to create this harmony are green, blue-green, and blue. The green color is mostly located on the bottom part of the painting and the left side, while the blues are present at the top in the sky and the middle as the river. Derain’s piece has complementary color harmony, which is when one or more pairs of colors that are located directly opposite of each other on the color wheel, dominating the painting. The colors used are yellow-orange, green, red-orange, and blue. The red-orange and yellow-orange draw your eye instantly in this painting and are located mostly in the middle, while the blue and greens are along the …show more content…

Monochromatic color harmony is when one color dominates the composition. He uses a lot of yellow-orange and it just takes over the work of art compared to the few other colors present in the painting. Renoir’s painting uses a triad harmony I believe. This means that three colors equidistant from each other on the color wheel are used. I think this because Renoir uses blue-green for multiple different things in the painting such as dresses. He then uses red-violet for women’s dresses, parts of the floor, and light fixtures, which is four spots away from blue-green on the color wheel. He then uses yellow-orange for chairs, pants, hats, hair, and the guests’ faces, which is four spots away from red-violet and blue-green on the color wheel. This harmony works well with everyone that is going on in this particular

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