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Essay about frida kahlo painting
Cultural tensions between Mexican Americans
Frida kahlo portrait analysis
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Self-portrait on the Borderline Between Mexico and the United States was painted by Frida Kahlo, a Mexican self portrait artist in 1932 while being homesick as she accompanied her husband on his mission to paint murals in the United States. My first general impression of this painting is that it is very chaotic. On one side of the painting you can see machines with their cable lines buried into the ground, skyscrapers and smoke stacks while on the opposite side, flowers with their roots buried in the ground, figurines, what looks to be a pile of rock with cloud formations showing both sun and moon. This painting depicts representation for both Mexico, in which Kahlo is originally from and the United States, in which she was currently residing during the creation of this painting. Mexico is represented by the bright wild plants, flowers and cacti on one side, while the United States is represented with tall, dull colored buildings on the other side. The Mexican flag is held in her hand, while the United States flag is seen in the …show more content…
background shadowed in grey and white smoke clouds produced from the industrial chimneys coming off one of the buildings. You can see the difference in depictions of both sides as the Mexican side delineates very terrestrial, natural and bright where the United States is portrayed dull, developed and polluted. “I paint myself because I am so often alone and because I am the subject I know best” (Kahlo).
This painting makes me think that Kahlo is thinking about the both sides of her life, her life that she new in Mexico and her life living in the United States with her husband. The picture shows Kahlo in the middle of both sides of the countries she is portraying as all the objects orbit around her. I feel this portrait shows her exploring her feelings and she may feel torn between the two countries. She wants to support her husband and may enjoy the big city as she can progress in her own art work as well, yet misses her earthly, natural home town. I think this portrait also shows her inner sorrows as she “desperately wanting to have a child, she again experienced heartbreak when she miscarried in 1934” (The Biography.com). We can see this from the dolls that lie next to her in “the juxtaposition suggesting the cycle of life and death”
(pbs.org). I think the element of surrealism that we see in this painting is dominated by the inorganic, industrial, stereotypical big city. This is shown by tall buildings, machines requiring power and the smog and pollution from the smoke stacks. On the bottom right of the picture we can see what appears as three power operating machines with their cords buried into the earth. On the other hand we can see the element of indigenous is dominated by the organic vegetation and landscape that is exhibited with the flowers and plants. Both the surrealism and indigenous of this painting come together because you can see that she is torn between the two and how different she views both sides. This painting is divided in half by her. I think this painting is a true meaning of her inner feelings portrayed with her imagination. As Kahlo pursued your own path in art, being married to a famous artist can have its advantages, but can also have its disadvantages. I believe that being married to a Diego Rivera could have affected her work because the attention all went to her famed muralist husband’s work verses her own. There may have been some that thought she was just attempting to follow in his lead and might not have taken the time to see her artistic side. I think this has affected her life in a way that she may have done things in support of him that she may not have wanted to do herself, as in move to the United States and possibly put her owns needs further down in her priorities. You can see the relevance in this painting to her position as a famous artist’s wife written on the block of concrete she is standing on which she inscribes her married last name. I do agree that this piece of art is valuable and important. All works of art, including this piece, tell us a time line of history and captures emotions that occurred during the time it was being created. In the Self-portrait on the Borderline Between Mexico and the United States we can see Kahlo’s interpretation and feelings of the two countries she is torn between. Kahlo shows us the difference between both traditional and modern Mexican and American culture using all the different objects scattered around. She illustrates one nations relationship to the earth and the others connection to industrialism. I feel that we have understood a lot of Kahlo’s feeling from her Self-portrait on the borderline between Mexico and the Unites States.
Ester Hernandez is a Chicana artist, best known for her works of Chicana women. Ester’s goal is to recreate women’s lives to produce positive images of women’s lifestyle and to create icons. Her piece, Frida y Yo, contains the iconic painter Frida Kahlo. Frida, after being in multiple accidents causing long-term pain and suffering, began painting, mostly self-portraits, to portray her reality and glorify the pain. Similar to how Hernandez's goals are a juxtaposition to Frida’s artwork, the art piece Frida y Yo creates a juxtaposition between life and suffering and death and fortune.
The author of Mexican Lives, Judith Adler Hellman, grapples with the United States’ economic relationship with their neighbors to the south, Mexico. It also considers, through many interviews, the affairs of one nation. It is a work held to high esteem by many critics, who view this work as an essential part in truly understanding and capturing Mexico’s history. In Mexican Lives, Hellman presents us with a cast from all walks of life. This enables a reader to get more than one perspective, which tends to be bias. It also gives a more inclusive view of the nation of Mexico as a whole. Dealing with rebel activity, free trade, assassinations and their transition into the modern age, it justly captures a Mexico in its true light.
Vendidos or the sold out ones by Luis Valdez is an enlightening film about the Mexican struggle for survival in the United States. It is thought provoking and challenges the viewer to question some of the history and values that American education has engrained into our lifestyle. Although, the film is only about twenty-five minutes long, it is packed with symbolism and information about the Mexican history in the US. In particular, the film explores the Mexican identity issue.
“The conquest of Western America through the U.S.-Mexico War of 1846-48 forged a new pattern of racialized relations between conquerors, conquered, and the numerous immigrants that settled in the newly acquired territory” (1). In the novel, “Racial Fault Lines” by Tomas Almaguer I am going to identify the Mexican experience in nineteenth-century Anglo California and how it differed significantly from that of other racialized groups.
Frida Kahlo is known for the most influential Latin American female artist. She is also known as a rebellious feminist. Kahlo was inspired to paint after her near-death bus incident when she was 17. After this horrendous incident that scarred her for life, she went under 35 different operations. These operations caused her extreme pain and she was no longer able to have kids. Kahlo’s art includes self portraits of her emotions, pain, and representations of her life. Frida Kahlo was an original individual, not only in her artwork but also in her
Frida Kahlo nació el 6 de Julio 1907 en la ciudad de México. Ella les dijo a muchas personas que nació el 7 de Julio 1910 porque quiso parecer más joven a los otros. Aunque sus padres fueron judíos, Frida nació en México. Frida fue una artista surrealista y sus obras vió de sus emociones de la tristexa y la cólera de su vida. Ella le encantó decir los chistes, reír, y sonreír. Frida Kahlo llevó las ropas de la cultura tradicional de México porque pensó que las ropas fueran una forma del arte. Todo el mundo admiró mucho a Frida, a causa de sus obras y su actitud.
If one were to visit different countries and societies throughout the world, they may notice the many differences and similarities each region shares. This makes the world a very unique place because there is constant change and diversity everywhere we look, no matter the distance traveled. A prime example of this would be the similarities and differences between the United States of America and Mexico. Although the two are neighboring countries, there is a great deal of diversity amongst them that deserve a thorough examination.
The state of Texas faces several issues year round. The state and government agencies pursue to find solutions for these problems. One of the solutions is to finish the border wall to prevent this from happening. Since Texas borders with Mexico one of the main issues it faces is immigration and the trafficking of drugs. The borders along the south side of Texas are an easy pathway to get the immigrants and drugs into the country.
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
The eternal endeavor of obtaining a realistic sense of selfhood is depicted for all struggling women of color in Gloria Anzaldua’s “Borderlands/La Frontera” (1987). Anzaldua illustrates the oppressing realities of her world – one that sets limitations for the minority. Albeit the obvious restraints against the white majority (the physical borderland between the U.S. and Mexico), there is a constant and overwhelming emotional battle against the psychological “borderlands” instilled in Anzaldua as she desperately seeks recognition as an openly queer Mestiza woman. With being a Mestiza comes a lot of cultural stereotypes that more than often try to define ones’ role in the world – especially if you are those whom have privilege above the “others”.
Diego Rivera and his wife Frida Kahlo are an important aspect of the Hispanic World and well-known names in Latino art. Rivera and Kahlo knew many famous painters such as Duchamp, Siqueiros, Orozco and Picasso. Picasso became a great friend of the family. Kahlo has influenced many places in Mexico. There are many land marks not only in Mexico but around the world. The Frida Kahlo Museum is located in Coyoacan Mexico in her Casa Azul home (blue house), this is the same place Kahlo was born, grew up, lived with her husband Rivera and died (Gale, 1996). The museum holds collections and embraces the personal effects of both artists shining light on the way of life for affluent Mexican writers and artist during the first half of the century. The Dolores Olmedo Museum at Hacienda La Noria is another museum-house from the 16th century monastery, includes many of Kahlo’s famous paintings such as “The Broken Column,” “Luther Burbank,” and holds a large amount of Rivera’s works of art (Gale, 1996). Rivera’s murals of his wife Frida, himself, and various members of their family and friends can be found at the Secretariat of Public Education (where he met his wife), the Mexico City’s National Palace, the Museo de la Alameda, and the Palace of Fine Arts (Gale, 1996).
The culture I was born and raised on was that of Mexican-American culture. My parents were born and raised in Mexico, and when they came to America and had kids, they instilled a hybrid of their culture, and American culture, in us. They were each raised in the Mexican culture, but wanted us to be raised as Americans also, and added this to our upbringing.
For many years, unjust treatment of Mexicans and Mexican Americans has occurred in the United States. Over the years, people like Cesar Chavez, Dolores Huerta, and Emma Tenayuca have fought to improve civil rights and better treatment for farm workers. The textbook that I have been reading during the semester for my Chicano History class, Crucible of Struggle: A history of Mexican Americans from Colonial times to the Present Era, discusses some of the most important issues in history that Mexicans and Mexicans Americans have gone through. Some of these problems from the past are still present today. Not all of the racial problems were solved, and there is a lot to be done. I have analyzed two different articles about current historical events that have connections between what is happening today and what had happened in Mexican American History.
When Gloria Anzaldua writes in The Homeland Aztlan “this land was Mexican once, was Indian always and is and will be again” one can assume or conclude that she recognizes that the land was taken away from the Indians by Americans. Therefore, you can say that she catecterize the border as Indian Land. To my way of thinking,Gloria Anzaldua blends poetry, personal narrative and history to present the view and experiences of people affected by living in the borderlands and to establish credibility to the poem. On the other hand, this chapter and the two poems present a connection because the three of them express the drwabacks of being Mexican- American.
Using both English and Spanish or Spanglish the author Gloria Anzaldua explores the physical, cultural, spiritual, sexual and psychological meaning of borderlands in her book Borderlands/La Frontera: A New Mestiza. As a Chicana lesbian feminist, Anzaldua grew up in an atmosphere of oppression and confusion. Anzaldua illustrates the meaning of being a “mestiza”. In order to define this, she examines herself, her homeland and language. Anzaldúa discusses the complexity of several themes having to do with borderlands, mestizaje, cultural identity, women in the traditional Mexican family, sexual orientation, la facultad and the Coatlicue state. Through these themes, she is able to give her readers a new way of discovering themselves. Anzaldua alerts us to a new understanding of the self and the world around us by using her personal experiences.