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Abstract expressionism critical essay
Frida kahlo brief biography
Frida kahlo brief biography
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Frida Kahlo was a Mexican painter, born on the July the 6th, 1907. She was born in small town on the outskirts of Mexico, called Couyocan. Her family lived in a house they built themselves, La Casa Azul, or “The Blue House”. It’s name comes from the structures bright blue walls, and now stands as the Frida Kahlo Museum. At the age of fifteen, Kahlo was enrolled in the National Prepatory School of Mexico, where she was one of only a thirty-five female students. With the dream of becoming a medical doctor, Kahlo studied sciences at the school. But, on Septemer 17th, 1925, Kahlo experienced the fateful accident which changed her life forever. She had been riding on a bus with her boyfriend, Alejandro Gomez Arias, when the vehicle collided with a tram. The accident had left several people dead, and Kahlo with many injuries. Some of which were broken collar bone, fractures in her right leg, a crushed foot and a broken spinal column. The injuries left her in a full-body cast for months on end and was confined to her bed for this time. Kahlo also was left with fertility complications after handrail had pierced her uterus. The tragic event left Kahlo in a world of unbearable pain and also boredom. It was during her bed-ridden recovery where she took up the practice of painting, with herself as the subject. Her mother had made her an easel to paint in bed, where she developed her skills of painting. Her first self portrait, “Self Portrait in a Velvet Dress”, was her first serious piece which she painted in 1926. She painted it as a present to her boyfriend, Alejandro Gomez Arias. The artwork was fairly muted in colour and was quite a traditional European-style artwork. But, as Kahlo continued painting her works transitioned from the acade...
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...her face, and instead the viewer finds it in complex symbolism. She has said that “I paint whatever passes through my head without any consideration”, but this is not quite true as it is obvious that her works have been extremely thought-out and are all very complex. Kahlo’s self-portraits are often categorised as “expressionist” portraits. This is when an artwork depicts emotional experiences rather than reality. However, Kahlo’s works are more of a mixture between expressionism and realism, because they emphasise emotional experiences and physical experiences.
Through Frida Kahlo’s extensive self-portrait pieces, audiences are able to view her life in an almost biographical way. Each portrait conveys deep emotion and meaning, and carry a story which Kahlo has experienced. Her self-portraits are very personal, and overall show just how tragic her life had been.
Ester Hernandez is a Chicana artist, best known for her works of Chicana women. Ester’s goal is to recreate women’s lives to produce positive images of women’s lifestyle and to create icons. Her piece, Frida y Yo, contains the iconic painter Frida Kahlo. Frida, after being in multiple accidents causing long-term pain and suffering, began painting, mostly self-portraits, to portray her reality and glorify the pain. Similar to how Hernandez's goals are a juxtaposition to Frida’s artwork, the art piece Frida y Yo creates a juxtaposition between life and suffering and death and fortune.
Frida Kahlo is known for the most influential Latin American female artist. She is also known as a rebellious feminist. Kahlo was inspired to paint after her near-death bus incident when she was 17. After this horrendous incident that scarred her for life, she went under 35 different operations. These operations caused her extreme pain and she was no longer able to have kids. Kahlo’s art includes self portraits of her emotions, pain, and representations of her life. Frida Kahlo was an original individual, not only in her artwork but also in her
Frida Kahlo nació el 6 de Julio 1907 en la ciudad de México. Ella les dijo a muchas personas que nació el 7 de Julio 1910 porque quiso parecer más joven a los otros. Aunque sus padres fueron judíos, Frida nació en México. Frida fue una artista surrealista y sus obras vió de sus emociones de la tristexa y la cólera de su vida. Ella le encantó decir los chistes, reír, y sonreír. Frida Kahlo llevó las ropas de la cultura tradicional de México porque pensó que las ropas fueran una forma del arte. Todo el mundo admiró mucho a Frida, a causa de sus obras y su actitud.
Each artist is an individual with a unique style, and although these styles can be similar in practice – the individuality of the artist often proves the discriminating factor for a successful artwork. Self-portraits are beneficial when looking at the individuality of the artist as there are two aspects to look at – the artist’s style, and the artist’s view of him/herself. The latter can provide a brief insight into the mental situation of the artist as well as any apparent influencing factors of the artwork. This view can often also include fragmental insights into the society and culture of the time. Rembrandt van Rijn and Vincent van Gogh are 2 artists of whom are well represented by this statement.
Thesis Statement: I want to share the Life of Frida Kahlo that led to her recognition as an Iconic artist even today.
Each respective piece of art is no doubt a self portrait, but how each artist is represented in the two pieces is where the contrasting elements come into play. In Portrait
Throughout history art has played a major role in society. It started out with paintings and went to photography and eventually to films. Artistic interpretation depended on whom the artist was and what he or she wanted to present to the audience. When it came to portraiture, whether it was paintings or photography, the idea of mimesis was very important. However important this may have been, the portraits were mostly products of the media and fashions during that time period. Whatever was popular during the time was used such as columns or curtains in the background. The face was the main focus in the painting and there was little focus on the body. Later on during photography the body was focused on more. Even though photography was used much later after paintings were used, it allowed the artist even more artistic interpretation because of the ability to play a different role and not having to be ones self. The artists that will be focused on are Frida Kahlo and Cindy Sherman. They lived during different periods and their artistic intentions varied because of that. They also had similarities in that they thought outside of the conventional roles. These women were both self-portraiture artists and although they were considered that their interpretations did not always make their portraits self-portraits. Traditionally the artist was an outsider, but when it came to self-portraiture they became the subject and the audience became the outsider. The similarities and differences of Frida Kahlo and Cindy Sherman’s art were tied into the strength and also vulnerability they had because of their roles as women. They wanted the audience to see a background story to the portraits and not just an image of a beautiful face.
Diego Rivera and his wife Frida Kahlo are an important aspect of the Hispanic World and well-known names in Latino art. Rivera and Kahlo knew many famous painters such as Duchamp, Siqueiros, Orozco and Picasso. Picasso became a great friend of the family. Kahlo has influenced many places in Mexico. There are many land marks not only in Mexico but around the world. The Frida Kahlo Museum is located in Coyoacan Mexico in her Casa Azul home (blue house), this is the same place Kahlo was born, grew up, lived with her husband Rivera and died (Gale, 1996). The museum holds collections and embraces the personal effects of both artists shining light on the way of life for affluent Mexican writers and artist during the first half of the century. The Dolores Olmedo Museum at Hacienda La Noria is another museum-house from the 16th century monastery, includes many of Kahlo’s famous paintings such as “The Broken Column,” “Luther Burbank,” and holds a large amount of Rivera’s works of art (Gale, 1996). Rivera’s murals of his wife Frida, himself, and various members of their family and friends can be found at the Secretariat of Public Education (where he met his wife), the Mexico City’s National Palace, the Museo de la Alameda, and the Palace of Fine Arts (Gale, 1996).
I think that Frida's life greatly influenced her paintings. Most of her paintings have some form of nature or wildlife featured in them. Not only did she display a theme of nature, she also liked to wear indian women clothing. Her style is realistic and lifelike. She has many paintings that fall into the categories of symbolism, surrealism, cubism, modern art, and magical realism. Not only that, a lot of her paintings have herself in them. The color use of Frida Kahlo is very lifelike, she uses natural colors; she doesn't use many bright colors. She uses many primary colors. I have also noticed that a few of her paintings exhibit monkeys. Her paintings remind me of the Mexican culture that I studied in my two year Spanish class. Artemisia’s paintings are very feministic. I believe that Artemisia put her life into her paintings as well. The paintings of Artemisia Gentileschi that I have seen all have women displayed in them; whether they are her, or other women. I would recognize her paintings because almost all of her artwork features a woman reaching out for something. Women in these paintings have a facial expression, that is the same in almost all of her works. Artemisia had very lifelike paintings, they were beautiful but also displayed a tense mood. Her paintings were very striking as were Fridas. Artemisia's paintings are historical and display a tone of hurt. In comparison, both Fridas and Artemisia’s paintings
Art is a very important part of humanity’s history, and it can be found anywhere from the walls of caves to the halls of museums. The artists that created these works of art were influenced by a multitude of factors including personal issues, politics, and other art movements. Frida Kahlo and Vincent van Gogh, two wildly popular artists, have left behind artwork, that to this day, influences and fascinates people around the world. Their painting styles and personal lives are vastly different, but both artists managed to capture the emotions that they were feeling and used them to create artwork.
Images splatter against the viewer's face like a moth on the windshield when gazing at the pigmented speckles dappled along the textured canvas hanging on the wall in the local gallery. Examining the seemingly incomplete picture before them, the viewer may inquire as to the perception of the painted figure from various angles as opposed to the solitary linear image presented by the artist. Mona Lisa's intriguing smile may birth more questions if the art critic could view it from a profile, or the back of her head, or even from the underside of the canvas as a whole. Although a picture may say a thousand words, a panoramic view of the same subject would utter a hundred thousand more. Realizing the human desire to know and understand what they witness in full, artists such as Pablo Picasso began a style known as cubism between 1907 and 1914. Cubism acknowledges the idea that objects (and perhaps ideas?) are three-dimensional and should therefore be expressed as that. The cubist theory drives itself into the minds of artists of numerous mediums including literature. But in bringing a prismatic feel to a two-dimensional topic, the audience is bombarded with more questions than answers given. This reader then is likely to draw a blank at the images forming in his mind as he pieces the angles together. By producing these multiple angles, whether it be in art or literature, the creator fails to emphasize any particular perspective and often leaves one of them open without explanation, that of the reader. Through its development in the literary cubism method, In the Skin of a Lion by Michael Ondaatje defies the reader's initial perception of a single story by trivializing the narrow linear view of the lead character and in turn completing the multidimensional view of the story by invoking the reader's own perspective.
A self portrait is normally a painting of the painter itself. The painting is a tangible piece of art because it is
I attended the College of Arts lecture series where the film Peggy Guggenheim: Art Addict was screened. The event was opened by Professor Marchi introduced the subject of Peggy Guggenheim to the audience and explaining the significance that Peggy Guggenheim has had on 20th century art. The film follows the story, chronologically, of Peggy Guggenheim through her life from a very young girl to the artist patron that she was known for all the way till her death. This film approaches the subject of this figure like a biography, by using interview segments of Peggy Guggenheim, pictures and interviews with different people who knew her intimately or studied her influence on the art scene. Her life was unique and astounding but also plagued with many tragedies and the movie works at uncovering each
Kahlo was not able to conceive a baby, so the arrows which are crossing her heart and womb is a manifestation and representation of her infertility. Also, The Little Deer is an oil on masonite painting, and the surface of the painting is an effective tool to represent the vibrant colors, such as green, red, and brown, which are balanced. Additionally, it is relatively large at 30 x 22.4 cm. The antlers can illustrates the artist’s experiences throughout her life, and those episodes forms her as a human being; moreover, it depicts Kahlo’s wisdom. Kahlo’s eyes show melancholy, sadness and deception because she is in the middle of this environment that gives her the opportunity to know about paradise and reality at the same time.
In this case analysis, I will be discussing the famous Mexican painter Frida Kahlo. In her film, Frida exhibits signs of post-traumatic stress disorder and alcoholism. I plan to explore her clinical difficulties through a cognitive-behavioral lens, as well as a psychodynamic lens. Frida Kahlo was born in 1907 in Mexico City, Mexico. Her father was a German photographer and artist that immigrated to Mexico to escape Nazi persecution, and her mother had indigenous roots in Mexico. Frida is one of four daughters, which meant she grew up primarily around women. When she was just six years old she contracted Polio, which left her right leg thinner than her left. She was often bullied for limping because of her leg; as a solution, Frida wore long