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Importance Of Cultural Heritage In Tourism
Importance Of Cultural Heritage In Tourism
Importance Of Cultural Heritage In Tourism
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Britain has around 370000 buildings and properties considered to be of historical and architectural interest. These, along with archaeological sites and monuments, make up the heritage sector. The buildings on the heritage list are broken down into three grades; I, II*, and II. Grade I makes up 2.5% of listed buildings and are of exceptional historic importance, some are even of international interest. Grade II* buildings are somewhat important, and Grade II are of special interest. The majority of listed buildings are Grade II, at 92%. (www.english-heritage.org.uk) The Historic House Association is responsible for about 1500 historic homes and gardens, with three hundred of these houses are available for the public to visit. All of the homes under the HHA are privately owned estates and some houses are still lived in. Many of the building and monuments have needed extensive repairs or renovations before they can be opened for the public. (Brine, Feather 2010).
Historic houses face a unique challenge that is not found in any other type of museum. In order for a house to attract more visitors, more time accurate furniture and art pieces need to be collected. More specifically, these pieces should have some relation to the house or to the people who lived there. Any time accurate pieces must also be held to the same conservation status as the structure and architecture of the house is. The success of historic house museums depends on the house as a whole with all of the objects displayed there. (Pinna) The reason historic houses need to be more careful than museums concerning the objects displayed are that the displays are meant to give visitors a glimpse of the past. A problem with this is it can only show one poin...
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...interest of society as it contributes to learning about proper heritage unlike the distasteful James Bond exhibit at the Imperial War Museum. However, all London boroughs are facing fiscal pressure from policies passed by parliament and the central London government that are going into effect now4¬. A direct consequence of this is that the Bexley Council must search for areas to reduce spending. According to the Cabinet Member for Leisure, Arts, and Tourism, Councillor Peter Catterall, “{We}[they] are also working closely with the Bexley Heritage Trust to reduce the cost of providing the substantial heritage offer in the Borough at Hall Place, Danson House and across the museum service. As well as reviewing the scope of the heritage offer, I am also working with the Trustees to consider other ways of generating extra business to underpin the core heritage function….”
In Stephen Weil’s essay, he argues “the museum’s role has transformed from one of mastery to one of service” (Weil, 196). According to him, museums have changed their mission from one that cultures the public to one that serves
The deterioration of residential homes is common throughout the years due to wear and tear from everyday usage. The cost to prevent this deterioration is usually minimal and does not skyrocket into the hundreds of thousands of dollars for routine maintenance. In addition, the construction of residential homes has improved throughout the years; hence, not as many repairs are required over time. Engineers have developed better concepts of how homes will stand up against the elements and big box stores encourage the homeowners to repair and do their own maintenance on their standard house. However, there are residential homes that are nonconforming and their architectural designs are of those who have brought these homes into the forefront of Modern Architecture. One who is most noteworthy and is synonymous with residential homes is Frank Lloyd Wright. Known for his unique style of residential design, Frank Lloyd Wright was ahead of his time, however, the materials he used in these designs have proven to be unsustainable and cost hundreds of thousands, even millions, of dollars to homeowners for their preservation.
"We're a charity that works to preserve and protect historic places and spaces – for ever, for everyone." (National trust 2013)
Duncan’s (1991) analysis of western museums is defined through the theme of “durable objects” as a criterion to judge the heritage of American and European art as a ritual of the modern state. In this manner western art museums are built like “temples” as a symbolic and figurative representation of greatness of western culture throughout the world: “[They] are more like the traditional ceremonial monuments that museum buildings often emulate—classical temples” (Duncan 90). This interpretation of American/European museums defines a dominant source of cultural heritage that ritualizes
The Elizabethan era was an era of art above all else. Elegance reflected in all areas of the peoples’ lives. From the entertainment and language to the churches and castles, beauty shone bright.There were many vents for artistic creativity during the Elizabethan era; countless instruments, painting, books, playwright, and last but not by any stretch the least, architecture. Elizabethan architecture has a vast amount of variety and personality, the buildings reflected the pride of both the inhabitants and the builders.
Camelot International “Tower Of London” Knight International Bulgarian Property Specialist 2001-2004. Copyright 2001 Hermien Jerian du’fort
The “superstar” museum gained this status by considering every important detail during its establishment and initial phases of conversion from royal palace to museum (Gombault, 2002). As the purpose of the building changed, each room addressed new functions with new requirements. Although the function of the Louvre is different from the building’s original intention, the building is still appears dignified and important enough to display priceless artifacts and painting (Steffensen-Bruce, 1998). This consideration was applied in designing the Met. The Met looked towards the South Kensington Museum (Victoria and Albert) and the “ideal role model” due to its extensive collections and international reputation (Heckscher, 1995). The Met found itself in a similar situation to the South Kensington, because it did not have a building or a collection to start with (Heckscher, 1995). When designing museums, architects strived to create monuments that “prepare and educate the mind of the visitor (Steffensen-Bruce, 1998).” Education is an essential function of a museum. Acquiring, preserving, and properly displaying materials, permits a museum to fulfill this duty (Steffensen-Bruce, 1998). For instance, lighting is a factor that affects the manner in which artwork is viewed and can be properly appreciated. When determining the proper lighting for the Louvre, Comte d’Angiviller, strongly believed that natural, overhead lighting was the most effective solution (McClellan, 1994, p. 72). The same determination impacted the decision to add skylights at the Met. During the initial phase, architects Vaux and Mould, added skylights to the upper floor, and windows to the lower floor that provided a natural light solution (Heckscher, 1995). Additionally, glass-roofed courtyards provided “unimpeded light” for displaying
...er is still an economic boost to the city of London as a must see. Because the structure was so impressive, it brought quite a bit of tourism to the city. The designs were extremely important to the people because it showed the greatness of their country and still held the conservative belief that was once lost in the past. It just goes to show just how important it was to the church, the people, and to the commonwealth of the cities and towns that had such amazing structures erected.
New museology is the modernisation of museums. New museums are made to be more interactive and more interesting for the visitors. Displays in the museums are no longer covered in glass and people are encouraged to look more closely and interact with displays. The museums are brighter are the displays...
...troversy as all countries have lost, to a great or lesser extent, treasures of national renown and significance over time. Wars, theft, treasure seeking, changing boundaries and migration have all in some way contributed to this diaspora of art. There is clear evidence that the historic placing of objects in locations remote from their origin has on occasion afforded protection and preservation, The Elgin Marbles in The British Museum being a case in point. However, given the overarching principle of self determination it is difficult to argue that serendipitous historic placement is sufficient reason for items of true national heritage to be kept indefinitely. A world-wide system of touring exhibitions and cultural exchange, with context being provided by the originating society may provide the natural progression to the accessible widening of people’s experiences.
What makes modern architecture? Before answering this, one would need to understand what the term “modern” exactly describes. In architecture, modernism is the movement or transition from one period to another, and it is caused by cultural, territorial, and technological changes happening in the world. In Kenneth Frampton’s Modern Architecture: A Critical History, he details these three major societal changes that impact and create modern architecture.
Mali is an African country. It is located in the hot desert in West Africa. The capital is Bamako .Mali has different type of Climate: tropical climate in the south and arid climate in the north. Droughts are frequent and the rainfall all over the country is negligible. It has two main seasons, the wet season from June to October and the cool and hot dry season the remainder of the year. We find some species of trees such as the doom palm, the baobab, and leguminous fruit bearing plants.
Sillito, D. (2011). Free museums: Visits more than double. Available: http://www.bbc.co.uk/news/uk-15979878. Last accessed 4th Nov 2013.
Buildings reflect the values and ideas of society within periods. The role of architecture in shaping society and vice versa largely depends on the period in question and who or what affects first. The Enlightenment, and the subsequent period the Post-Enlightenment, reflect the biggest change for current ideas regarding architecture and society and current theories. At the same time, individual identities and understanding of society, progress and truth all follow a similar evolving path. It is during this dramatic shift in thinking that the role of architecture to society and the idea of progress and truth becomes a more complex relationship. How this relationship works and its implications is based on the theory that there is a direct link between the two. One cannot develop without the other. Who leads whom and to what extent they influence each other is evident in architectural trends and pioneering works by architects such as Robert Venturi, Frank Gehry amongst others.
Museum defines as an institution housing collections of objects of artistic, historic, or scientific interest conserved and displayed for the educational and enjoyment of the public. Museums are places of memory that provides the link of distant past to the present generation which also help the society to know the path their forebears trod. The main purpose of museum is neither to educate nor entertain but rather creates a memory bank would remind us of the past. No wonder most societies in different parts of the world traced their origin through the works of arts history. There are many types of museum includes museum of Antiquities-in which are housed ancient pieces of furniture or objects of art such as sculptures, paintings, ceramics, textiles and other crafts. Public record office museum serving as collection centre for famous documents, War museum containing relics of national wars, Maritime museum for maritime history, museum for architecture, with types, structures and styles of building, etc., Museum for Local/Indigenous Technologies, Science Museum, with objects depicting history of science and engineering and Natural History Museum. However, all types of these have their own roles of information institutions in national development. The main roles are to identify, acquire, preserve, and exhibit unique, collectible, or representative objects. The role of museum in the life of a nation involves conducting research into the vast natural history heritage and biodiversity of the country, serving as a repository, of natural objects, source materials and taxonomists in that country, creating scientific awareness, on natural history resources of the nation through annotated exhibitions for public enlightenment in display ga...