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What is vernacular architecture essay
What is vernacular architecture essay
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Mali is an African country. It is located in the hot desert in West Africa. The capital is Bamako .Mali has different type of Climate: tropical climate in the south and arid climate in the north. Droughts are frequent and the rainfall all over the country is negligible. It has two main seasons, the wet season from June to October and the cool and hot dry season the remainder of the year. We find some species of trees such as the doom palm, the baobab, and leguminous fruit bearing plants.
History of Mali is very rich because of its very heterogeneous ethnic groups who did a lot in the past. Among them, the Songhai, the Bambara, the Mande, the Fula, the Dogon,etc There are 32 languages spoken in Mali, but the official national language is French, although 60% of the population speaks Bambara.
The majority of the population is Muslim. The Islam influence in the past centuries is what made Mali inherit some of the Islamic architectural patrimony, such as the Djenne Mosque, which has more than 600 years of sustainability, although it was made with “clay and wood” . Mali is also well known for its vernacular architectural patrimony from the Dogon, who in the past developed a certain kind of lifestyle, which up to now few people hardly understand. The vernacular architecture that creates curiosity attracts large number of tourists from around the world.
THE DOGON TRIBE OF MALI
The Dogon is a big tribe in Mali although their origin is unknown, but according to their own oral literature the Dogon are the ancestors of ancient Egyptians, who migrated from their actual settlement area in Ghana to the cliffs of Bandiagara along River Niger, to escape from the “Arab Muslim conquest” to Mali, in the 11th and 15th centuries. The Dog...
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...sformation, McGraw-hill, p 87, 252,254)
BEIERLE, J. 1996, "Dogon” Encyclopaedia of World Cultures. Retrieved September 20, 2011
PAUL, G. McHenry, 1996, the Adobe Story, American Association for International Aging
HYDE, N, population patterns, what factors determine the location and growth of human settlements? Crabtree publishing Company, Social science, P 21
GERSTER, G. TRUMPLER, C. 2007, the Past from Above: Aerial Photographs of Archaeological Sites, Getty Publications, P 67
B. RUDOFSKY, 1905, architecture without architects, a short introduction to non pedigreed architecture, university of New Mexico press, Albuquerque, p. 40, 41 PEARSON, D. 2000, Earth to spirit, in search of natural architecture, Gaia books limited
SKIDMORE, E. 1995, the world of spirits and ancestors in the art of western sub-Saharan Africa, Texas Tech University press, Texas, p30-33
James F. O'Gorman, Dennis E. McGrath. ABC of Architecture. Philadelphia: University of Pennsylvania Press, 1998. Document. October 2013.
Hunt, William Dudley Jr. “Beaux Arts, Ecole Des.” Hunt Encyclopedia of American Architecture, 1980 ed.
Many African cultures see life as a cycle we are born, we grow and mature, enter adulthood, and one day we will eventually die but the cycle continues long after death. In Africa art is used as a way to express many things in their society, in this paper I will focus on different ways traditional African art are used to describe the cycle of one’s life. Since Africa is such a large continent it is important to keep in mind that every country and tribe has different rituals and views when it comes to the cycle of life. It is estimated to be well over a thousand different ethnic groups and cultures in Africa today. Thousands of cultures in Africa see the stages of life bound together in a continuous cycle; a cycle of birth, growth, maturity,
Western attitudes to African people and culture have always affected how their art was appreciated and this has also coloured the response to the art from Benin. Over time, concepts of ‘Race’, defined as a distinct group with a common lineage, and ‘Primitive’ which pertains to the beginning or origin,, have been inextricably linked with the perception of Africa. The confusion of the two in the minds of people at the end of the 19th century, and some of the 20th, caused a sense of superiority amongst the ‘White Races’ that affected every aspect of their interaction with ‘the Black’. The ‘Civilisation’ of Africa by conquest and force is justified by these views.
Angeles, Los. (2009). African arts. Volume 28. Published by African Studies Center, University of California.
middle of paper ... ... Bolton, Arthur T. The architecture of Robert & James Adam. London, Country Life. 1922.
Sundiata developed into a great leader of Mali through hardships, religion, and core/tributary/periphery relationships of states. The djeli who transmitted this information to the translators, is also a manifestation of an institution important in Sundiata’s epic, because without djelis these stories would be lost forever. Sundiata learned about the formation, running and maintenance of African states through interactions with the communities he was introduced to.
Trupin, James E. West Africa - A Background Book from Ancient Kingdoms to Modern Times, Parent's Magazine Press. New York, 1991.
By the late 14th century, and early into the 15th century, disputes over territories and succession began to weaken Mali. In 1460, Gao, one of the great trading cities within the Kingdom of Mali, became the capital of the West African Kingdom of Songhai. For 200 years, the Kingdom of Mali was the center of wealth in North Africa, its governing style allowing for growth, peace and prosperity. Sundiata and Mansa Musa were rulers who were made great strides in society and education, but like all Empires, they rise and fall.
For the majority, the region of Mongolia is a high flat landmass with extreme temperature changes, strong winds and low levels of humidity; conditions of a continental climate. This climate brings about great seasonal differences with winter being long and cold while summer is short and warm. The harsh, open terrain of Mongolia is unsheltered from the winds and major storm systems, and as the latitude increases, precipitation is limited to smaller amounts where trees yield to grasslands and treeless plains. The local herders rely on breeding as a resource and do not exploit the land for agricultural purposes. A traditional dwelling suitable for the country’s climate and the local’s way of life is the ger, also know as yurt. Since the locals were regularly moving from one location to another with herds of animals, the ger had to be wheeled by their livestock. However, not long ago theses nomadic houses started being designed in a way to collapse and fold so that they can be transported on animals’ backs and unfolded, returning to their original form, when the herders arrive to their destination (Ministry of Tourism of Mongolia, 2002).
Centered along the Malian-Mauritanian frontier the empire of Ghana, one of Africa’s first empires, was prospering. As Ghana continued to reign over western Africa another empire was beginning to emerge. Under the leadership of Sundjata Keita the Malinke Empire, otherwise known as the empire of Mali, was being formed around the upper area of the Niger River. When the empire of Ghana was overtaken by Muslim Almoravids during the 11th century, the Malinke Empire was more than ready to take it’s place.
Frank Lloyd Wright has been called “one of the greatest American architect as well as an Art dealer that produced a numerous buildings, including houses, resorts, gardens, office buildings, churches, banks and museums. Wright was the first architect that pursues a philosophy of truly organic architecture that responds to the symphonies and harmonies in human habitats to their natural world. He was the apprentice of “father of Modernism” Louis Sullivan, and he was also one of the most influential architects on 20th century in America, Wright is idealist with the use of elemental theme and nature materials (stone, wood, and water), the use of sky and prairie, as well as the use of geometrical lines in his buildings planning. He also defined a building as ‘being appropriate to place’ if it is in harmony with its natural environment, with the landscape (Larkin and Brooks, 1993).
Kasfir, S. L. (2007) African Art and the Colonial Encounter: Inventing a Global Commodity, Bloomington: Indiana University Press.
Louis I. Kahn, 1985, John Lobell, Between Silence and Light: Spirit in the Architecture of Louis I. Kahn, Boston: Shambhala Publications, pp.44.
Vernacular architecture is a nineteenth-century invention but it still occupies a marginal position even in a time of rapid technological development and globalization. Today, as culture and tradition are becoming less place-rooted and more information-based in the twenty-first century, main problem about the meaning and function of vernacular traditions therefore arise. Will vernacular traditions be affected by the cultural, ecological and technological changes? What part they will play in them? Will they be able to adapt or response in order to come to terms with the new cultural and ecological circumstances, or will they be forced to disappear? Can certain changes more easily be incorporated than others, and will there be cultural or regional