The 1893 World’s Fair
A World’s Fair is an “[I]nternational exposition that features exhibits dealing with commerce, industry, and science.” (World Book Encyclopedia 412) Entertainment is also present along with cultural activities. In 1893, the World’s Columbian Exposition in Chicago, although inaugurated a year late, commemorated the discovery of America. I feel that the Exposition displayed some of the more beautiful architecture of its time; its immense buildings and sculptures drew heavily from Greek and other classical styles, and it could possible be because of the sweeping popularity in Beaux Arts architecture.
The Peristyle, one of the buildings that was constructed for the Fair, was designed by Charles B. Atwood. It was an ‘arcade of columns originally proposed by Augustus Saint Gaudens, the consultant on sculpture.” (Burg 79) The Perisytle was a beautiful building that followed in the traditional Greek pathway. It “was a series of forty-eight Corinthian columns, one for each of the American States and Territories, with an immense triumphal arch at the center. J The Peristyle itself was 500’ high, its top being a broad promenade populated by 85 allegorical figures in heroic scale.” (Burg 119) The Greeks used Peristyles in their architecture. A Peristyle was placed around the Greek Parthenon. Corinthian columns were created in the Hellenic era, but they had to wait until the Hellenistic era to reach their full development. J “They are distinguished by their ornate capitals with double rows of acanthus leaves and fernlike fonds rising from each corner and terminating in miniature volutes.” (Fleming 32)
The largest structure at the fair was the Manufactures and Liberal Arts Building. It housed many...
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...ssive of the greatest eras of human history.” (Burg 175) It’s a shame that after all the work, and all of the visitors, and all the critics’ reviews, in the end the buildings have to be torn down!
Bibliography
No author cited. “World’s Fair.” World Book Encyclopedia. 1896 ed.
Hunt, William Dudley Jr. “Beaux Arts, Ecole Des.” Hunt Encyclopedia of American Architecture, 1980 ed.
Books
Burg, David F. Chicago’s White City of 1893. Kentucky: The University Press of Kentucky, 1976.
No author cited. The Columbian World’s Fair Atlas. Ohio: W.F. Towns 1891.
Fleming, William. Arts and Ideas. 8th ed. Florida: Holt, Rinehart, and Winston, Incorporated, 1991.
No author cited. The American Heritage Dictionary. Boston: Houghton Mifflin Company, 1985.
Newspaper
No author cited. “A City of White Elephants.” New York Times 18 Sept. 1893, natl.ed.,8.
In the book, “The Devil in the White City,” Erik Larson tells the story of two formidable men and their activities during Chicago’s World Fair of 1893. Daniel Burnham is an architect and the fair’s brilliant director. The book takes the reader through the tremendous obstacles and tragedies that Burnham faces in an attempt to create a fair that will give America its fame. However, H.H Holmes is a young doctor, who uses the attraction of the great fair and his charms to lure dozens of young women to their inevitable and tragic deaths. Not only did Chicago’s World Fair of 1893 showcase Daniel Burnham’s success as an able director and H.H. Holmes cunning nature, it changed America as a whole, introduced some lasting inventions, and influenced many historical figures of both that time and our current time period.
Findling, John E., Historical Dictionary of World's Fairs and Expositions, 1851-1988 New York: Greenwood Press, 1990 Komendant, August, "Post-Modern on Habitat", Progressive Architecture 1968 March vol.49, p.138-147
Write an essay discussing the historical insights presented in Erik Larson’s Devil in the White City, being sure to answer the following questions: In what ways does the Chicago World’s Fair of 1893 represent the contrasts and conflicts of the Gilded Age? What is the Fair’s lasting imprint on American society & culture, & what new trends does it signal for the twentieth century?
. The Administration Building was conceived by a board of architects led by Daniel Burnham as part of the scheme for the Court of Honor, the major public space at the fair. As director of architecture and construction for the entire Columbian Exposition, Burnham was responsible for selecting designers for all the major buildings. After much debate, this group of mostly east coast practitioners decided that all the major buildings were to be cast in a pristine and highly decorative classical style based on the architecture of Antiquity. Burnham assigned the task of designing the most prominent building to arguably the most prominent man of the group, the New York architect Richard Morris Hunt.
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Holt, Elizabeth G. From the Classicist to the Impressionists: Art and Architecture in the 19th Century. New Haven, CT: Yale University Press, 1966.