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Dance as an art essay
Dance as an art essay
Dance as a form of art
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Bob Fosse
Robert Louis Fosse , also known as Robert Fosse and Bob Fosse, was born in Chicago Illinois June 23 , 1927 . He had many great professions such as directing , choreographing , acting , screenwriting , and most importantly dancing . Fosse was one of six children growing up from his father who came from a Norwegian background and his mother who was Irish. They were all surrounded by dance and theatre growing up. Fosse began studying dance at age eight when he would accompany his sister to dance lessons such as ballet, tap, and aerobatic dance . He took such an early interest in dance with an unusual skill which his parents supported. They then enrolled him in a formal dance training and by the time
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Not only did he revolutionize the look of musical theatre in the 1950’s through the 80’s, but also his work continuing to influence choreographers as well as filmmakers . One of his famous dances was the “Pajama Game” which was directed by George Abbott. Fosse’s signature style was instantly popular because of his complex moves and imagery drawn from Vaudeville . His dynamic choreography often showed dark humor and was sharp influenced by his early experiences in Vaudeville and Burlesque. His flashy style of dance was entrancing and showed off his personality . However, he didn't just wear gloves and hats in dancing methods because of style, but he also wore them because of his increasing baldness and insecurity of how his hands looked. Bob Fosse had wrote three additional stage musicals before his death. He survived a heart attack, suffered during rehearsals for Chicago , just to write and choreograph his film “ All that Jazz .” He then died outside of the Willard hotel on September 23 , 1987 in Washington D.C . His reason for death was caused by a heart attack causing him to die before he had even arrived to the hospital . He remains one of the most distinctive and influential choreographers in history , remembered through Broadway revivals and screenings of his hard
The earliest member of the Bohrer Family, of which we can locate on records, was a man named Abraham Bohrer. He was born in Germany on December 14, 1717. He had a wife, Anna Lucy Schuster, and four children all by the name of “John.” They boarded an unidentified immigration boat and docked in Baltimore, Maryland on September 11, 1750. His occupation was a farmer and hoped for a better life and in search for religious freedom. He died on October 12, 1759. He was just 42.
In many different scenes, dances were created to capture how each character felt in the scene that they were in. For example, when the crow was being bullied while he was tied up on the cross, Fatima created a dance to show him finding his inner courage and no longer having fear of the birds. I loved when Dorothy and Scarecrow sang walking down the yellow brick road because the dance gave the sensibility of people uniquely living the spirit of expression. The dance looked fun and vibrant like many of the jazz dances we see today. One of the styles of jazz that were engaged in the film was bebop. Bebop is characterized during the 1940s as having a fast tempo and improvisation based on the structures of a situation that inspired the movement. I noticed that bebop was displayed well when Ne-Yo danced because of its complex technique, fast tempo, and improvisation while singing at the same time. This style of jazz was suitable for the presentation of the film because it kept me as an audience engaged in every dance that was choreographed. With the tempo being very fast, it allowed for the movement to be big and easily
Famous choreographer George Balanchine once said, “He is the most interesting, the most inventive, the most elegant dancer of our times” and noted dancer Rudolph Nureyev also said, “He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time.” These famous dancers were referring to Fred Astaire, who has been known as one of the greatest dancers of all time. His light, artistic joyful style of dancing has impacted dance in an extremely unique way. Astaire used techniques in films as well as in dance that have shaped society. Astaire was mostly prominent throughout the 1930s during the Great Depression. Everywhere, Americans were looking for some joy in their lives, and Astaire was able to give them hope in a period of history that lacked optimism. Fred Astaire’s carefree dance movement style and techniques, specifically in the films Swing Time and The Gay Divorcee, help America through the Great Depression and signifies the importance of art in this time period.
Mark Morris was born and raised in Seattle, Washington; a location very receptive to fine art and free expression. Unlike the stereotypic rise through adversity with unaccepting parents Morris’ parents were actually incredibly supportive of his dreams. Morris’ decided early on that he wanted to be a performer, and not say an accountant. Being born in 1956 he was very heavily influenced by his intensely amateur musical family, instilling in him a great appreciation for opera and classical music; this would later show up in his choreography. He danced for the Koleda Balkan Dance Ensemble dance company early on, establishing himself in 1973.He managed to garner enough respect to choreograph his first major performance in 1978 at the age of 22.
The music of jazz became an important aspect of American culture in the early 20th century. The crisp syncopation of ragtime and the smooth tunes of the blues seeped into American mainstream music through dance halls and saloons and later through ballrooms. Instruments like the piano, trumpet, trombone and clarinet became important and symbolized the “swing-feel” of jazz because of their capability to syncopate and improvise precisely. With the help of the booming recording industry, musical geniuses were discovered and their talent and contributions to the emergence of jazz spread throughout the entire country. Such musicians include composer, arranger and pianist Jelly Roll Morton who heavily influenced the development of early jazz by his unique piano style, his “invention” of musical notation for jazz, and his compositions that have become the core in the jazz repertory. Because the style was new and different and so successful in drawing in large audiences, musicians around the world tried to mimic it. Furthermore, Morton’s masterpieces were the first to show notation for complicated jazz music and thus, formed the basis for standard notation in jazz compositions today.
Before this time the most common type of jazz was swing jazz which was a type of music that people were able to dance to. In the 1940’s the popularity of this type of jazz declined while a new type of jazz called “Bebop” became more popular which was a genre that was meant to be listened to instead of being danced to. When Keiko and Henry go to the Black Elk’s Club they listen to swing jazz and have a sweet time. Later in the story, Henry visits Keiko at the internment camp. Keiko tells him about a dream that she had where Henry was dancing “‘I don't know how to dance,’ Henry protested. ‘You knew how to dance in my dream. We were dancing in some club, with all kinds of people, and the music—it was the song he played for us.’” (Ford 162). In this part of the story Keiko is dreaming of the sweet times with Henry dancing to swing jazz. However, the bitter reality was that she was stuck in the internment camp and Henry is unable to dance. This reflects the shift of jazz music from sweet, swing jazz that people can dance to, to bitter, bebop jazz that people can only listen
Interview footage of her colleagues, fellow musicians, and friends such as Annie Ross, Buck Clayton, Mal Waldron, and Harry “Sweets” Edison look back on their years of friendship and experiences with the woman they affectionately call “Lady”. Their anecdotes, fond memories, and descriptive way of describing Holiday’s unique talent and style, show the Lady that they knew and loved. The film also makes interesting use of photographs and orignal recordings of Holiday, along with movie footage of different eras. With the use of these devices, we get a feel for what Holiday’s music meant for the audience it reached. The black and white footage from the thirties of groups of people merrily swing dancing, paired with a bumptious, and swingin’ number Billie Holiday performed with Count Basie called “Swing Me Count”, makes one wonder what it might have been like to actually be there. To wildly swing dance to the live vocals of Billie Holiday must have been an amazing experience, as this film demonstrates.
Ballet is one of the world's oldest and newest forms of dance. One man that created new audiences for ballet and mastered the dance to its fullest was none other than George Balanchine. He brought the standard ballet to levels no one has ever seen before. In the world of dance, there have been many wonderful and talented choreographers but Balanchine's work affected the dance world so much that he was a legend long before his death. Not only was he legendary worldwide but also his influenced American Ballet. George Balanchine's unique style of dance created the "American style" of Ballet.
In the mid 1930s, Benny Goodman sparked the beginning of the Swing Era of jazz music shortly after leading his first band, which was monumental to the development of jazz. This marked a transition from the early Jazz Age, which resulted from combining aspects of ragtime and blues music over the previous two decades. Through Goodman’s live performances at various gigs and NBC’s radio show Let’s Dance, he gained increased recognition as a jazz performer and band leader. Following his pivotal Palomar Ballroom gig in Los Angeles, Goodman’s music inspired teenagers to create dances to accompany his new jazz style. As a result, his music grew to gain national acclaim and popularity among many different types of people. Goodman greatly influenced
Popular dances like “crank that Soulja Boy” and “teach me how to dougie” wouldn’t exist today if it weren’t for the dance styles of the 1920’s. The 1920’s breathed new life into dancing due to prohibition and the rise of jazz in popularity. Before the 1920’s, dancing was seen as a formal event with but because of movies, dancing became more casual and gone were the restrictions of the early 1900’s. The dances in the 1920’s brought new styles and new rhythms to a variety of dance floors.
Martha Graham was born on May 11, 1894 in Alleghany County, Pennsylvania and tragically passed on April 1, 1994 in her home of cardiac arrest after being treated for pneumonia for two months. Graham was one of three daughters to a physician, her father Dr. George Graham, who was particularly interested in the bodily expression of human behavior. Her father’s profession is what influenced psychological emphasis of reflection and shedding light on an event (Freud) and dream timing, or important events that get more time than actual events (Jung), in her dances. In 1909, Graham’s family settled in Santa Barbara, California, where she became acquainted with oriental art, influences that were to be evident in her choreography throughout her career. In 1911, at age 17, Graham attended a Los Angeles concert for Ruth St. Denis, whose exotic dancing inspired Graham to imagine a career of dance for...
In the New York City neighbourhood of Harlem in particular attracted many african americans intellectuals and artists. Jazz first became popular in the nightclub cultures of big cities, but it wasn't Harlem clubs that one could see the artists fresh and uniquely american music. Jazz came to view in the African American. Jazz was from the mixed influences of ragtime, blues, hot jazz, and even band music that played in Funerals. Works produced during the Harlem Renaissance appealed not just to African Americans but it crossed over to white audiences as well as the musical “Shuffle Along” which in fact became a smash hit on Broadway. The rapid growing record industry who quickly became interested in performers such as Louis Armstrong, Bessie Smith, Fletcher Henderson, Cab Calloway, etc. One of the many great legends was Edward Kennedy Ellington but his friends simply called him Duke. Fletcher Henderson and Duke Ellington orthodoxe black jazz orchestras that began performing at nightclubs in Chicago and for a long run the Cotton Club in New York. They both employed some of the most accomplished Jazz Musicians such as Louis
Martha Graham was born in 1894 in Pennsylvania. Her father was a doctor who specialized in nervous disorders; he was also very interested in diagnosing the disorders through watching movement. Graham's desire to dance was sparked by the body being able to express its internal senses. Later in life, Martha repeated her father's words, “Movement never lies.” After watching a ballet in 1911, Martha, inspired by the performance, enrolled in a junior college that was centered around the arts. Afterwards she attended Denishawn school, where she studied under Ted Shawn. Shawn made a dance for her, “Xochital” in which Martha portrayed an attacked Azte...
The Jazz Singer, released in 1927, is a black and white film that centers on a young man who wishes to conquer his dreams in becoming a professional jazz singer. This film, directed by Alan Crosland, demonstrates new developments from the decade of the 1920’s. During the decade, many new advances; such as the introduction of musicals and other technological advancements, were created. The Jazz Singer utilized these new advances of the decade and incorporated them into each scene. This is evident due to the elements of being the first talkie film, the introduction of the new musical genre and the introduction of the Hollywood stars system. By utilizing the new advances of the decade, Crosland’s film, changed the way cinema would be seen forever.
During the early 20th century, dance underwent a major revolution. Previously, dance, specifically ballet, was very rigid and structured. With the turn of the century though, many choreographers began experimenting with techniques and styles that transcended the traditional norms of dance at the time such as the legendary Merce Cunningham. Known for works such as Variations and Nearly Ninety, Merce Cunningham left his impact on the modern dance world with his use of chance operations, his collaboration with various artist and musicians, and later in his life, technology. An apprentice of Martha Graham, Merce went on to teach famous dancers, such as Paul Taylor, who would go on to leave their own footprint in the history of dance.