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Archetypes research paper
Define archetype essay
Archetypes research paper
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Every story’s cast have similar roles as any other piece of literature. Archetypal characters create a role for almost every main character in a story, movie, or television show. The cast of the television show Alex Hirsch’s “Gravity Falls” have their own role in the series.
First of all, archetypal characters are important people. They all have a purpose and make the story original. While the villain tries to defeat, capture, or take over something, the hero saves the day. In “Gravity Falls” the heroes and villains are important, because if they didn’t exist there wouldn’t be any story to tell. They create a purpose for every piece of literature.
Every main character in “Gravity Falls” has a purpose. Dipper and Mabel, the main heroes, both play an important role, but Dipper is the Tragic Hero because he is the most determined one of the twins to discover the secrets of Gravity Falls. Unlike
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Dipper, Mabel is a very distracted person and is the Loyal Retainer in the story, because throughout the series, she leaves Dipper alone, but she is always there when he needs help. For an example, in Season 2 of “Gravity Falls”, Mabel gave up the chance to be with “the boy of her dreams” to save Dipper’s life (“Sock Opera” Shion Takeuchi/Alex Hirsch). In addition, Dipper and Mabel are Loyal Retainers to each other because they are always there for each other. These characters have big roles and important in the television show “Gravity Falls”. However, the characters that have smaller roles, are just as important.
For an example, Stan Pines, also known as Grunkle Stan, is an Initiate because he has barely shown any heroic characteristics, but is starting to in Season 2, (“Scary-oke” Jeff Rowe/Matt Chapman/Alex Hirsch) by risking his life to save Dipper and Mabel. On the other hand, Wendy, an attractive teenager, can be a combination of archetypal characters, but she best represents a Hotshot. Furthermore, she takes risks and also gets others into dangerous situations. Soos, an employee of Stan’s store, the Mystery Shack, is an Everyman because he is an ordinary, but important character that will do almost anything that Dipper and Mabel asks him to. Though, he sometimes gets pulled into dangerous situations, most of the time he ends up siding with Grunkle Stan. Lastly, the last character is the Pines family’s Archenemy, Gideon. “Lil ol’ Gideon” was determined to discover the secrets of Gravity Falls, but the Season 1 Finale, (“Gideon Rises” Matt Chapman/Alex Hirsch/Michael Rianda) was the last episode he was seen
in. In conclusion, all archetypal characters are important. Stories are created by the cast and their actions and without them, we would not have great pieces of literature in the world.
Generally you would have stories that usually have a character, situation or symbol that appears so often in a work that has a deep universal meaning or a response; like how the color red represents passion or blood, three would represent trinity or mind, body, spirit; and wilderness is danger. This literary device is called an archetype. Numerous stories have the same archetype such as Trifles by Susan Glasspell and El Santo Americano by Edward Bok Lee. Both these two play writers use the victim archetype in these two works. The victim archetype is when a character is hurt by someone or lives in fear that someone will hurt him or her.
Everyone can relate to an archetype character in a movie, book, or television show. An archetype in literature is a typical character with an action or a situation that seems to represent such universal patterns of human nature. Common archetypes of characters are: a hero, caregiver, rebel, damsel in distressed, lover, villain, or tragic hero. In the play, The Crucible, there are several kinds of characters with archetypes. Tragic hero normally are in tragic plays which also can be called tragedy. “Tragedy is a drama in which a character that is usually a good and noble person of high rank which is brought to a disastrous end in his or her confrontation with a superior force but also comes to understand the meaning of his or her deeds and to
Humanity has created this “universal story” of what a hero is, or at least the myth of it, time and again. Different tasks and encounters with a variety of villains all lead the hero to the prize, to a new life (Seger). This person deemed the hero is as ordinary as the next but what makes them different is the drastic test that they must face. Individuals admire this character because the hero stands for something, something bigger than themselves. Whether it be the compassionate act of Katniss Everdeen in The Hunger Games or the death of the oldest brother in Brother Bear, as an outsider, an individual sees the human side of these heroes and relates. Connor Lassiter from Unwind by Neal Shusterman is an ideal example of the myth due to the
Flannery O’ Conner’s short story, “A good man is hard to find”, explains emotional reactions, betrayal, and violence. The misfit is an example of a devil figure. This character archetype is best seen when we see the misfit’s true colors shine as he murders the grandmother and her family. O’ Conner uses setting archetypes best when she uses a clear bright sky or an open dirt road, which can mean a variety of outcomes. This helps understand the many plot twists in the story. We best see symbolic archetypes as the three bandits including the misfit. They represent a mock of the holy trinity and represent evil. “The fall” is a good archetype that shows the misfit’s lack of innocence when he betrays the grandmother. This best explains the whole
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help to advance the story. One of the most useful in advancing this story is the typical powerful character. Whether it be supernatural or cunningness this character always comes out on top in the situation and holds the most control over others and their actions. “Where Are You Going, Where Have You Been?”,
are characters that can be defined by their traits as certain archetypes. All novels and films contain archetypes that allow their audience to understand and relate more to
In the film Hancock, Hancock is an archetypal hero because he follows the hero’s journey. Hancock is a vigilante superhero living in the outskirts of Los Angeles, California. His reckless ways cause the city of Los Angeles to essentially dislike the anti- hero. Hancock does more good for himself than he does for the city hence the “anti-hero”. He is disliked until he saves a man who links him to the journey of an archetypal hero.
They are characters that the audience can empathize with because a single human is born with nothing but as they walk life they will be neither purely evil nor good but a mix of both. These characters are timeless for if you want to label them as purely evil or purely good it’s impossible because they aren’t. These characters touch upon issues that society are conflicted about and allow the audience to work out these issues for their self throughout the story or play letting us decided the truth within these stories. Like how Mary Shelley had force the reader to see within the heart of the creature and the society viewpoint for us to decide for their self who we thought were the real monsters within the story of Frankenstein. These characters are also seen as more realistic because even if they are the most pure characters the audience may had read about with the purest intentions they may still fallen to their darkness in the end showing that the world isn’t filled with demons or angels that like humans these characters can feel, they can wary and fall to their temptation, that they can still hope, get hurt, cry, feel guilt, depression, happiness, and paranoia. Because like in reality the audiences are living in a morally ambiguous world where most of the world 's solutions to their problem aren’t clear and may be difficulties in choosing what the right thing to do. This makes the story more engaging, realist, and makes it easier
From the beginning it becomes obvious that many of the characters represent familiar archetypes. Gabbie is a budding young virgin, beautiful, innocent, and vulner...
Each of these characters posses a different personality which contributes to the book as a whole. Throughout the book I felt connected to one character, that character was George. George and I share similar qualities and our lifestyles can relate. One major characteristic I found in George is his ability to take the initiative in whatever he is doing, therefore showing his sense of leadership qualities. This caught my eye automatically since I am the type of person to stand up and demonstrate my leadership to others.
Authors present their characters either directly or indirectly. In all good fiction all characters are dramatized. There are flat characters, they can be summarized pretty quickly. There are special types of flat characters one of which is called a stock character; characters we recognize right away (a sheriff or detective) On the other hand are round characters, which have qualities of real people and are many-sided. The static character is the same person from beginning to end, and finally there is the developing character which undergoes some kind of change, this character usually undergoes an epiphany. “Ultimately it is the quality of the characterization by which a literary story stands or falls”. [page 173]
... typical archetype. These characters are obviously supposed to mirror the archetypes that are common in fairy tales, but their flaws are contradictions to the archetypes that they are supposed to represent; through this Goldman mocks typical and standard fairy tales.
Some examples of archetypes are, the wounded child, the victim, the villain, the rebel, the savior, finding redemption, death, and the happy ending. Now that there is an understanding of what an archetype is, we can look at four different archetypes in The Bell Jar. The first archetype in The Bell Jar, is the character of Doreen, who would be seen as the bad girl. She is very easy, not very smart but very pretty, she relates well to the character of Helen of Troy who embodied all of the things she had before. The second example is the character of Esther, she can be seen as the victim and as the heroine.
...teristics and literary devices. The general archetypical description of a hero follows an outline of a muscular figure and super abilities. Yet on the contrary, in myths, heroes may not possess any of those traits. Whether the so-called hero is learning their lesson, overcoming struggle or even descending into darkness, all heroes share some similar and almost identical characteristics. A vast majority of all mythological heroes share the same basic idea which, helps audiences identify whether or not the character is indeed a hero or not. From story to myth or fairytale to drama, the hero is one character who changes the plot entirely. Whether that hero may be saving a burning building, or discovering who they are themselves, our heroes all give us hopes and dreams that one day even our worth will be recognized by ourselves and others as our admirable hero’s are.
Since stories are among the many mediums used for escapism, the best characters are ideally ones different from the reader. An office worker does not want to read a story about an office worker; they want to read about an adventure hero, or a suave romantic – someone who is not just stapling documents and scanning files like they are. The preferred protagonist used to be the unequivocal good guy – a friendly, well-groomed stranger who wore a white cowboy hat and saved women tied to railroad tracks. There were never any added dimensions to the lead character because there was no need for them. Heroes gave the audience someone to root for. But as the times changed, the archetypal hero became less and less interesting. As Eric Deggans wrote in “Television’s New Antiheros: Creating Sympathy For The Devilish,” “In a world filled with war, recession and cynicism, straight-up heroes feel fake as a three-dollar bill. So the confused guy who does bad things for the right reasons just might be the best reflection of where we are today.” Now we are at a point where authors have rea...