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Literary critique of Flannery O’Connor
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Flannery o'connor literary criticism
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Flannery O’ Conner’s short story, “A good man is hard to find”, explains emotional reactions, betrayal, and violence. The misfit is an example of a devil figure. This character archetype is best seen when we see the misfit’s true colors shine as he murders the grandmother and her family. O’ Conner uses setting archetypes best when she uses a clear bright sky or an open dirt road, which can mean a variety of outcomes. This helps understand the many plot twists in the story. We best see symbolic archetypes as the three bandits including the misfit. They represent a mock of the holy trinity and represent evil. “The fall” is a good archetype that shows the misfit’s lack of innocence when he betrays the grandmother. This best explains the whole
last act of the short story and the actions of the misfit.
Irony make things appear to be what it is not. Flannery O’Connor and Zora Neale Hurston are two ironic authors in literature. O’Connor was a devout Roman Catholic, with a southern upbringing (Whitt); whereas “Hurston is a disciple of the greatest dead white European male, authors, a connoisseur of macho braggadocio, and a shamelessly conservative Republican who scorned victimism and leftist conformism (Sailer). Both O’Connor and Hurston use irony in their short stories; however, they use it in significantly similar ways.
As I read Flannery O’Connor’s short story “A Good Man is Hard to Find”, I find myself being completely consumed by the rich tale that the author weaves; a tragic and ironic tale that concisely and precisely utilizes irony and foreshadowing with expert skill. As the story progresses, it is readily apparent that the story will end in a tragic and predictable state due to the devices which O’Connor expertly employs and thusly, I find that I cannot stop reading it; the plot grows thicker with every sentence and by doing so, the characters within the story are infinitely real in my mind’s eye. As I consider these factors, the story focuses on two main characters; that of the grandmother, who comes across as self-centered and self-serving and The Misfit, a man, who quite ingeniously, also appears to be self-centered and self-serving. It is the story behind the grandmother, however, that evidence appears to demonstrate the extreme differences between her superficial self and the true character of her persona; as the story unfolds, and proof of my thought process becomes apparently clear.
In literature, Archetypal Criticism is a critical approach where the reader interprets the meaning of a story by looking at the archetypal characters, events, and symbols that it contains. In general, an archetype is a universal, primordial representation of an event or character that is seen as a general blueprint for stories and myths, such as the Hero or Death and Rebirth (Meyer 1587). Archetypes can be very important in identifying and supporting a theme by giving us background and references for aspects throughout the story. Carol Joyce Oates uses a couple vital archetypes in her short story, “Where Are You Going, Where Have You Been,” a tale about Connie, a teenage girl, who goes through an innocence to experience situation, signifying a transition from childhood to adulthood.
Everyone can relate to an archetype character in a movie, book, or television show. An archetype in literature is a typical character with an action or a situation that seems to represent such universal patterns of human nature. Common archetypes of characters are: a hero, caregiver, rebel, damsel in distressed, lover, villain, or tragic hero. In the play, The Crucible, there are several kinds of characters with archetypes. Tragic hero normally are in tragic plays which also can be called tragedy. “Tragedy is a drama in which a character that is usually a good and noble person of high rank which is brought to a disastrous end in his or her confrontation with a superior force but also comes to understand the meaning of his or her deeds and to
At the outset, an insightful reader needs to draft the general boundaries of allegory and symbolism in the story. To put it most simple, the problem of distinguishing between good and evil undergoes a discussion. It is not difficult to notice that the Grandmother stands for good and the Misfit for evil. But such a division would be a sweeping and superficial generalisation, for both the characters epitomize good and evil traits. Moral evaluation is a very complex process and it is not the human who is to decide on that. There are rather various degrees of goodness and evil, both interwoven, also in their religiousness. Th...
In two short stories, A Good Man is Hard to Find and Good Country People written by Flannery O’Connor, we are introduced to two antagonists, the Misfit and Manley Pointer. The Misfit, in A Good Man is Hard to Find, is a criminal on the run who comes across a family who has gotten in a car crash on their road trip. In Good Country People, Manly Pointer is a well to-do christian who travels across the south and tricks people into trusting him and then steals from them. These two villains in these stories share similar traits such as their dislike for religion and forcing the antagonist of the two stories to see who they really are. However, they also differ greatly from their approach to others and how they deal with their own cruel actions.
in "A Good Man Is Hard to Find" Flannery O' Connor uses symbolism to give more meaning to her short story. O'Connor writes a story of a Grandmother versus a Misfit, or good versus evil. This short story is about a family going to Florida, who takes a turn down a dirt road, which only causes them to get in an accident, and be found by the Misfit. This encounter prevented them from ever arriving Florida, because the Misfit ends their lives. Using symbolism, O'Connor creates a story with much meaning to the Grandmother, nature, sky, woods, their surroundings, roads, and cars to portray the constant battle between good and evil.
Elmore Leonard once said “I don’t judge in my books. I don’t have the antagonist get shot or the protagonist win. It’s just how it comes out. I’m just telling a story.” “A Good Man Is Hard to Find”, written by Flannery O'Connor, is one of the most interesting stories that we have read in this class. The protagonist in this story is the grandmother and the antagonist is The Misfit. In any other short story, the protagonist and the antagonist would not have much in common, but that is not the case in “A Good Man Is Hard to Find”. The three major similarities between the grandmother and The Misfit is that they are both the oldest one in their groups, they are both hypocrites, and they both are missing important spiritual relationships.
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help to advance the story. One of the most useful in advancing this story is the typical powerful character. Whether it be supernatural or cunningness this character always comes out on top in the situation and holds the most control over others and their actions. “Where Are You Going, Where Have You Been?”,
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
Archetypes, which are universal patterns, symbols, and themes, were first applied to literature by the psychologist Carl Jung. The philosopher Joseph Campbell then took Jung’s ideas and developed and elaborated upon the concept of the Hero’s Journey. The Hero’s Journey is a literary structure applied to stories where a hero goes on an adventure that changes them along the way. Campbell’s book on the subject, The Hero With A Thousand Faces, inspired George Lucas to come up with the premise behind Star Wars: Episode IV - A New Hope, in 1977.
Archetypes, while sometimes subtle, are quite apparent in Chinua Achebe’s novel Things Fall Apart. Okonkwo, the main character or hero of the story, is a prideful man, and let it be known that pride is considered a sin for a reason. The uncontrollable obsession that Okonkwo has with his pride and maintaining it is considered his tragic flaw, which ultimately leads to his downfall after a tragic, archetypal journey. His journey is made of different archetypes woven together, creating the devastating story of Okonkwo’s journey and eventual demise.
When analyzing literature from an archetypal perspective, one does not simply look at the character’s behavior in that literary piece. Rather, when using the archetypal theory, one connects the traits and actions of the characters in the literary work, the settings, the surroundings, and the situations to a familiar type of literary character. In Arthur Miller’s The Crucible, the characters Abigail Williams, John Proctor, and Reverend Hale exhibit common archetypal behavior and fit into a certain archetypal figure.
In “A Good Man Is Hard to Find” the readers are lead to believe that the Grandmother is a good Southern woman who lives her life by God’s grace, and the Misfit is a horrendous, murderous, mad man that believes in nothing. Although these first impressions seem spot on at a first glance, the actual characteristics and traits of these characters are far more complex. The Grandmother and Misfit have a very intriguing conversation before he murders her, but in the short time before her death, the readers see the grandmothers need for redemption and how the murderous Misfit gave her the redemption she so desperately needed,
Archetypes are found in every novel, primarily because what would any great story be if it did not have some of the most riveting characters and concepts; James Joyce’s A Portrait of an Artist as a Young Man is no exception. Joyce clearly understands the usage of archetypes, and uses many of them throughout his novel. Three archetypes evident are the Stephens quest through philosophy, Stephen's transformation as an artist, and the role Cranly plays as a sidekick.