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Examine the poetic style of Ts Eliot
Examine the poetic style of Ts Eliot
Whose work reveals influence by T.S. Eliot
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Annotated Bibliography All annotation information comes from Wikipedia unless otherwise noted. Poetry Collected Poems 1909-1962. New York: Harcourt, Brace & World, 1963. Print. This collection contains almost all of Eliot’s essential poems from 1909 to 1962. Some of the main poems would be Four Quartets, The Waste Land, Ariel Poems Choruses From ‘The Rock’ and The Love Song of J. Alfred Pruforck (Amazon). Most of Eliot’s poems happened to be more of a social comment depending on what time it was written. Many of them were religious based or relative to current events. This can be seen if you read chronologically through each poem through the years he wrote them. According to Amazon, this book has received many fantastic reviews stating, “It …show more content…
The collection consists of about seventeen poems involving different stories about cats. Each section is a different cat. Some of the few it includes is “The Naming of Cats,” “The Old Grumble Cat,” and many more. The overall theme was to basically make fun of cats in a more whimsical manner. According to Wikipedia, there have been many references to the collection, along with a few adaptions towards it as well. Due to all the references and adaptions, it seemed to have done quite well. The Love Song of J. Alfred Pruforck. New York: Amerion, 1930. Print. This long poem consists of the narrator musing to an unknown audience, expressing his frustrations in a complex way. This poem, like others of Eliot’s, is hard to interpret and typically has a deep unseen meaning. It is thought to be a narration about a man and his issues. According to some, it is thought that to be a criticism of “Edwardian society” and the narrator’s problem is that he cannot find reasonable idea for himself to live. This poem, along with The Wasteland, is considered to be the beginning of Modernist poetry. Before these poems existed, most all poetry was Romanticism and Augustan poetry.
In his poem, T.S. Eliot (often criticized for being too academic) packs a lot of information into a mere 98 lines. He uses complex allusions and extended metaphors to portray his feelings from 1925, and to reflect the feelings of the Hollow Men. The men who fought in World War One, and were abandoned into the desert of a society that did not care for
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark on his journey as he struggles with a rational fear of being rejected by a woman.
Different speakers in "The Waste Land" mirror the disjointedness of modern experience by presenting different viewpoints that the reader is forced to put together for himself. This is similar to the disassociation in modern life in that life has ceased to be a unified whole: various aspects of 20th-century life -- various academic disciplines, theory and practice, Church and State, and Eliot's "disassociation of sensibilities," or separation of heart and mind -- have become separated from each other, and a person who lives in this time period is forced to shore these fragments against his or her ruins, to borrow Eliot's phrase, to see a picture of an integrated whole.
The early poetry of T. S. Eliot, poems such as "The Wasteland" or "The Love Song
In his poem "The Waste Land," T.S. Eliot employs a water motif, which represents both death and rebirth. This ties in with the religious motif, as well as the individual themes of the sections and the theme of the poem as a whole, that modern man is in a wasteland, and must be reborn.
...In "The Waste Land," Eliot delivers an indictment against the self-serving, irresponsibility of modern society, but not without giving us, particularly the youth a message of hope at the end of the Thames River. And in "Ash Wednesday," Eliot finally describes an example of the small, graceful images God gives us as oases in the Waste Land of modern culture. Eliot constantly refers back, in unconsciously, to his childhood responsibilities of the missionary in an unholy world. It is only through close, diligent reading of his poetry that we can come to understand his faithful message of hope.
“One function of the poet at any time is to discover by his own thought and feeling what seems to him to be poetry at that time” (The necessary vii). What Stevens is suggesting here is that a poet must find a particular voice among other voices –other poets– and that his voice will be significant only if it intends to be a contribution to the theory of poetry, in the sense that they “are disclosures of poetry, not disclosures of definitions of poetry” (Ibid). Precisely, the poetry of Wallace Stevens and John Ashbery are disclosures of poetry regarding imagination, for they deal with the capacity of the mind to transform external reality. Both poets take the reader through beautifully pictured strange landscapes and, by allowing the reader to experience, dialogically, what is pictured in the poem; both poets make clear that the reader is a fundamental part of it.
Southam, B.C. A guide to the Selected Poems of T. S. Eliot. New York: Harcourt, Brace & Co., 1994.
T.S. Eliot’s “The Waste Land” is a complex and fragmented poem that underwent major revisions before it was published in 1922. The published version we see and read today is considerably shorter in comparison to what Eliot had originally written. According to James Torrens’s article “The Hidden Years o f the Waste Land Manuscript,” Eliot had mailed “54 pages of The Waste Land, including the unused parts” to John Quinn, a “corporation lawyer in New York City,” which had shortly disappeared after Quinn’s death in July of 1924 (Cuddy 60). Eliot’s “lost” pages were not uncovered until the early 1950s (Ford). In 1971, a facsimile of the original drafts of “The Waste Land,” edited by Eliot’s second wife, Valerie, was published and revealed how much
with the Jamesian note, "I read, much of the night, and go south in the
T.S. Eliot’s The Waste Land is an elaborate and mysterious montage of lines from other works, fleeting observations, conversations, scenery, and even languages. Though this approach seems to render the poem needlessly oblique, this style allows the poem to achieve multi-layered significance impossible in a more straightforward poetic style. Eliot’s use of fragmentation in The Waste Land operates on three levels: first, to parallel the broken society and relationships the poem portrays; second, to deconstruct the reader’s familiar context, creating an individualized sense of disconnection; and third, to challenge the reader to seek meaning in mere fragments, in this enigmatic poem as well as in a fractious world.
...script version of "Gerontion," the old man is abandoned by nature, leaving him in his barren state. There is no hope for these characters to find meaning through nature because it is a force that is completely out of their control. However, by substituting "History" for "Nature" in "Gerontion," Eliot gives an element of hope to an otherwise dismal poem. By recognizing the old man's failure to perceive history in the "living" sense, the reader also recognizes that the perception of history lies in the individual. Unlike nature, man has a controlling influence in history. As long as this is understood, anyone, including the old man, can find belonging in the living sense of history in order to establish meaning in their present world.
Eliot’s use of iambic pentameter introduces the reader to a familiar and structured construct much like what society initially seems to be but when the reader continues to delve into either the poem or society, he or she discovers that they are both intrinsically alienating (Shmoop Editorial
In his poetry, Eliot combines themes such as aridity, sexuality, and living death. He uses techniques such as narration, historical, literary, and mythic allusions. Using themes and techniques from his earlier work, Eliot publishes The Wasteland. The Wasteland is a poem Eliot wrote after his divorce from his wife Vivienne Haighwood. Critics say the title of the poem, the wasteland, comes from his thoughts on his marriage.
T.S Eliot, widely considered to be one of the fathers of modern poetry, has written many great poems. Among the most well known of these are “The Waste Land, and “The Love Song of J. Alfred Prufrock”, which share similar messages, but are also quite different. In both poems, Eliot uses various poetic techniques to convey themes of repression, alienation, and a general breakdown in western society. Some of the best techniques to examine are ones such as theme, structure, imagery and language, which all figure prominently in his poetry. These techniques in particular are used by Eliot to both enhance and support the purpose of his poems.