In “The Hollow Men,” T.S. Eliot makes famous allusions to the works of Dante Alighieri, Joseph Conrad, William Shakespeare and to the story of Guy Fawkes’ “Gunpowder Plot.” Eliot also makes use of extended metaphors, perhaps most prominently a metaphor to Dryness and the idea of living in a desert. Eliot uses this metaphor, in conjunction with allusions and the idea that dryness represents the empty life the Hollow Men live, to explain how the Hollow Men he writes about experience the world. The extended metaphor begins on the 5th line of the poem (excluding the first two lines that form the epigraph) when Eliot writes: “Our dried voices, when/.../.../As wind in dry grass/.../In our dry cellar.” (I:5-10) From the start, Eliot immediately presents the audience with the metaphor that the Hollow Men are living in a desert. This metaphor quickly establishes that they are living in an almost purgatorial state of inaction. They can and will do nothing in their suffering. Their voices are dried out, they can no longer speak. The wind, rustling the dry grass, makes just as little and meaningless a sound as their hollow voices do. The desert wind brings with it nothing but more dry air, and …show more content…
By including the desert metaphor in this song, Eliot establishes the idea that the Hollow Men are forever trapped in the desert of Purgatory (or rather Dante’s Purgatorio). In his poem, T.S. Eliot (often criticized for being too academic) packs a lot of information into a mere 98 lines. He uses complex allusions and extended metaphors to portray his feelings from 1925, and to reflect the feelings of the Hollow Men. The men who fought in World War One, and were abandoned into the desert of a society that did not care for
So, 'The Hollow Man'; has many parallels that make it a perfect epigraph for The Great Gatsby. The three key aspects of the poem that relate it to The Great Gatsby were the hollow men, the stuffed men, and the paralyzed force. All three depict the society Gatsby lived in and the life he had to go through. The hollow and stuffed men showed the two types of people in Gatsby's society. The hollow men contain no inner spirit or love toward one another. However, the stuffed men consisted of bravery, self-control, and love. They were Tom, Daisy, Jay, and George, respectively. The poem categorizes where people fit in society. The final parallel is the paralyzed force including Owl Eyes and the billboard. Both had a frozen outlook on life and someone to look up to. In conclusion, Fitzgerald and Eliot created classics that will be analyzed for many years to come. However, no one will be able to make an epigraph for The Great Gatsby better than Eliot's 'The Hollow Man.';
The valley is described as a “desolate” place where “ashes grow like wheat into ridges and hills into grotesque gardens”. (21) Ashes that dominate the area take the shape of natural greenery. The term “grotesque gardens” uses alliteration, with juxtaposition; to highlight the odd pairing of ashes and greenery. Ashes are associated with death while ridges and “gardens” represent the potential to flourish and grow in the promise and ideal of equality as in “the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams.” (143) The trees that once stood here were able to speak to man’s dreams, which allude to America, the land able to speak to man’s dreams and capacity for wonder. All this is replaced by grey ash that suffocates the inhabitants, restricting them to their social class. This presents a bleak image of hopelessness that surrounds the valley.
The characters of The Sun Also Rises have difficulty coping with the changing world just as the Hollow Men cannot deal with change in the situation they face. The narrator of The Hollow Men end the poem on a depressing note, “This is the way the world ends not with a bang but a whimper” (840 THM). Through his description of the world’s end with a whimper, the narrator presents a metaphor for his life which he feels is insignificant. With this he shows his thought of inability to face his issue, showing a feeling of incompetence which is very much how the characters of The Sun Also Rises feel. For instance, Jake has an encounter with a waiter in France, but finds a simple solution, “Everything is on such a clear financial basis in France. It is the simplest country to live in. No one makes things complicated by becoming your friend for any obscure reason. If you want people to like you you have only to spend a little money” (237 SAR). Here, Ja...
Initially, a very important message that Elliot is trying to portray comes by the means of what the life of a person should be, by comparing these Hollow Men as Empty, yet full at the same time. “Let me be no nearer In death's dream kingdom Let me also wear Such deliberate disguises Rat's coat, crowskin, crossed s...
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark on his journey as he struggles with a rational fear of being rejected by a woman.
T. S. Eliot’s “The Hollow Men” is a dramatic monologue, free verse poem that consists of five parts that could be considered five separate poems. His use of “allegorically abstract text nevertheless achieves a remarkable unity of effect in terms of voice, mood and imagery” (Morace 948). Before the poem starts, there are two epigraphs; “Mistah Kurtz – he dead. / A penny for the Old Guy” (lines 1-2). Eliot alludes to these two epigraphs because their themes are developed throughout his poem. “The first epigraph is from Joseph Conrad’s “Heart of Darkness,” a story …that examines the hollowness and horror of lack of faith, spiritual paralysis, and despair” (Bloom 61), just like the “hollow men” in his poem. The second epigraph “refers to the celebration of Guy Fawkes Day in Britain” (Bloom 61). This is a day that celebrates Fawkes’ unsuccessful rebellion against King James I with his capture in the cellar of the Parliament building, where stored gun powder was supposed to blow up and kill King James I and his family. Once captured, he cowardly turned over his co-conspirators and they all were killed. It is “celebrated with bonfires, fireworks, the burning of scarecrows,
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
To begin, T.S. Eliot shows how people living are basically all the same. T.S. Eliot does not let go of even his readers in this poem. Instead Eliot includes each and every single reader with the lines that he uses over and over again in his poem saying that. On page 1163 lines 1-5, “We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw, Alas! Our dried voices, when”. Here the poet really includes every single reader of this poem not by ...
Eliot's Themes of Death and Futility in the Poem Remind Your Self of The Hollow Men
In his poem "The Waste Land," T.S. Eliot employs a water motif, which represents both death and rebirth. This ties in with the religious motif, as well as the individual themes of the sections and the theme of the poem as a whole, that modern man is in a wasteland, and must be reborn.
...In "The Waste Land," Eliot delivers an indictment against the self-serving, irresponsibility of modern society, but not without giving us, particularly the youth a message of hope at the end of the Thames River. And in "Ash Wednesday," Eliot finally describes an example of the small, graceful images God gives us as oases in the Waste Land of modern culture. Eliot constantly refers back, in unconsciously, to his childhood responsibilities of the missionary in an unholy world. It is only through close, diligent reading of his poetry that we can come to understand his faithful message of hope.
T.S. Eliot is often considered one of the greatest and most influential poets of the 20th Century. Not only were his highly regarded poems such as “The Wasteland” and “The Love Song of J. Alfred Prufrock” influential to the literary style of his time, but his work as a publisher highlighted the work of many talented poets. Analyzing his poem, “The Love Song of J. Alfred Prufrock,” with psychoanalytic criticism reveals several core issues in the speaker of the poem, and may reflect Eliot himself.
T.S. Eliot’s The Waste Land is an elaborate and mysterious montage of lines from other works, fleeting observations, conversations, scenery, and even languages. Though this approach seems to render the poem needlessly oblique, this style allows the poem to achieve multi-layered significance impossible in a more straightforward poetic style. Eliot’s use of fragmentation in The Waste Land operates on three levels: first, to parallel the broken society and relationships the poem portrays; second, to deconstruct the reader’s familiar context, creating an individualized sense of disconnection; and third, to challenge the reader to seek meaning in mere fragments, in this enigmatic poem as well as in a fractious world.
T.S Eliot’s poem, The Waste Land, is written in the mood of society after World War I. By using these allusions, The Waste Land reflects on mythical, historical, and literary events. The poem displays the deep disillusionment felt during this time period. In the after math of the great war, in an industrialized society that lacks the traditional structure of authority and belief, in the soil that may not be conductive to new growth (Lewis). Eliot used various allusions that connected to the time period and the effect of the war on society in his poem. Aided by Eliot’s own notes and comments, scholars have been able to identify allusions to: the Book of Common Prayer, Geoffrey Chaucer, Charles-Louis Philippe, James Thomas, Guillaume Appollinaire, Countess Marie Larsich, Wyndham Lewis, nine books of the Bible, John Donne, Alfred Lord Tennyson, Richard Wagner, Sappho, Catullus, Lord Byron, Joseph Campbell, Aldous Huxley, J.G. Frazer, Jessie L. Weston, W.B. Yeats, Shakespeare, Walter Pater, Charles Baudelair, Dente, Ezra Pound, James Joyce, and John Webster—all within the first section of 72 lines, about one allusion every two lines (Lewis). Using various allusions, Eliot was able to connect to the fact that he lived in a modern day waste land as a result of the destruction caused by World War I. Eliot used the allusions to show that death brings new beginnings and change, and love still flourishes.
...script version of "Gerontion," the old man is abandoned by nature, leaving him in his barren state. There is no hope for these characters to find meaning through nature because it is a force that is completely out of their control. However, by substituting "History" for "Nature" in "Gerontion," Eliot gives an element of hope to an otherwise dismal poem. By recognizing the old man's failure to perceive history in the "living" sense, the reader also recognizes that the perception of history lies in the individual. Unlike nature, man has a controlling influence in history. As long as this is understood, anyone, including the old man, can find belonging in the living sense of history in order to establish meaning in their present world.