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How does t.s. eliot influence poetry
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The Power of T.S. Eliot's The Waste Land
T. S. Eliot, perhaps one of the most controversial poets of modern
times, wrote what many critics consider the most controversial poem of all,
The Waste Land. The Waste Land was written using a fragmented style. This
is a style that is evident in all of Eliot's writings. There are several
reasons for his using this approach, from a feeling of being isolated, to a
problem articulating thoughts (Bergonzi 18, Cuddy 13, Mack 1745, Martin
102).
What influenced Eliot the most in writing poetry was a book he read
written by the English critic, Arthur Symon, titled The Symbolist Movement
in Literature. This book is about French symbolist writers of the 19th
century. From this book, the author who had the greatest influence on
Eliot is by far Jules Laforgue. Laforgue's influence is evident in many
of Eliot's poems, sometimes to the point of plagiarism. Like Laforgue,
Eliot uses dialogue between men and women that doesn't seem to communicate
a thing. Other author's had an influence on Eliot as well, like Henry
James and Joseph Conrad. All of these poet's had the common themes of
estrangement from people and the world, isolationism, and the feeling that
they were failing to articulate their thoughts (Bergonzi 7, 50, Cuddy 30,
Mack 1743, Martin 41, Unger 8).
Henry James influence on Eliot's poetry is evident in the Jamesian
qualities he uses. For example, the opening verse of The Waste Land ends
with the Jamesian note, "I read, much of the night, and go south in the
winter" (Mack, 1751). Although Lafourge, Conrad, and James were used as
sources...
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real influence on mankind's morals, but he certainly impacted modern
literature (Unger 36).
Works Cited
Bergenzi, Bernard. T. S. Eliot, Collier Books, New York New York, 1972
Cuddy, Lois A., and David H. Hirsch, eds. Critical Essays on T. S. Eliot,
The Waste Land. G. K. Hall & Co., 1991.
Kenner, Hugh, ed. T. S. Eliot: A Collection of Critical Essays. Prentice
Hall Inc., 1962.
Mack, Maynard. ed. The Norton Anthology of World Masterpieces Sixth
Edition. W. W. Norton and Company, 1992: 1743 - 1770.
Martin, Graham. ed. Eliot in perspective. Humanities Press, 1970.
Ricks, Christopher. T. S. Eliot and Prejudice. University of California
Press, 1988.
Unger, Leonard. T. S. Eliot. University of Minnesota Press, 1970.
The main character of T.S. Eliot’s poem “The Love Song of J. Alfred Prufrock” is a man named J. Alfred Prufrock, who is extremely insecure. Prufrock clearly has an inferiority complex, throughout the poem he shows his feeling of inadequacy. For example, Prufrock is very concerned with his own appearance. Due to his inadequacies he is unable to enter into a romantic relationship with a woman. Prufrock often feels judge and scrutinized by women making it impossible to pursue any sort of relations with women. He eventually admits, “in short, [he] was afraid” (86). Prufrock keeps trying to convince himself that he has plenty of time to seize his opportunity with women, despite the fact that he “grow[s] old” (line 120). He not only feels anxious
In the early 20th century, many writers such as T.S. Eliot (Thomas Stearns Eliot) and Langston Hughes wrote what scholars of today consider, modern poetry. Writers in that time period had their own ideas of what modern poetry should be and many of them claimed that they wrote modern work. According to T.S. Eliot’s essay, “From Tradition”, modern poetry must consist of a “tradition[al] matter of much wider significance . . . if [one] want[s] it [he] must obtain it by great labour . . . no poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists’ (550). In another term, tradition only comes within the artist or the art itself; therefore, it should be universally monumental to the past. And, Langston Hughes argues that African-Americans should embrace and appreciate their own artistic virtues; he wishes to break away from the Euro-centric tradition and in hopes of creating a new blueprint for the African-American-Negro.
I read the next line, “And the ship sailed onward, gliding serenely down the moonlit river toward the dark lands beyond.”
1957 - The car brand, Crown’s first prototype was exported to the United States and Toyota Motor Sales U.S.A Inc. established.
A well-written poem is built out of levels. Each level alludes to the next until the ultimate discovery of the poet's message. "The Love Song of J. Alfred Prufrock," by T. S. Eliot, provides a perfect example of a well-crafted poem comprised of sequential levels, also known as a framed story. At the level just below the very surface, the poem obscurely tells the story of a failed lobster prophet, resurrected from the dead to warn other lobsters of the cruel fate that awaits them in the event of their capture. In the course of the story, the lobster prophet falls prey to the harvest of a lobster catcher and is then sent to a restaurant as food. While in the tank with the other lobsters, he reflects on and laments his life. This interpretation serves as a vehicle for presenting the true message of the poem, which exists on the next level, to the audience. The story of the lobster represents Eliot's own fear of people overlooking the messages he attempts to convey in his poetry. Even though he has learned this lesson from previous poems, he feels an attempt to save his future poems is futile in the same way as one lobster saving another is futile.
The story of Toyota Motor Corporation began in September 1933 when Toyoda Automatic Loom created a new division devoted to the production of automobiles. Quickly thereafter, the division produced its first Type A Engine in 1934, which in turn was used for the production of the first Model A1 passenger in May 1935 and the G1 truck in August 1935. Production of the model AA passenger started in 1936.
Toyota Motor Corporation is a Japanese car company. It operates 75 manufacturing companies globally and markets vehicles in more than 170 companies. Its brands include the Lexus, Prius, Avensis and Auris (“Company”, n.d.).
T.S. Eliot and Yulisa Amadu Maddy both address the topics of fear of death and then correlative love of life, but from entirely different points of view. T.S. Eliot wrote during a time when people were questioning relativity, especially moral relativity and it's effect on life after death. Maddy wrote about young boys who were going through that time in a teenager's life when they realize that they will die someday. Thus, teenagers begin to acknowledge death while embarking on their search for love and the meaning of life.
Toyota Motor Corporation (TMC) has been the world’s largest automaker (2015) offering full range of models from mini-vehicles to large trucks. Worldwide production was 10.084 million (8.929 million for Toyota and Lexus brand vehicles) in 2015. Toyota currently own 12 plants and 11 manufacturing subsidiaries and affiliates in Japan, and has 53 overseas manufacturing companies, in 28 countries and regions worldwide. Its vehicles are sold in more than 170 countries and regions. It is a Japanese company found in August 28th, 1937 by Kiichiro Toyoda. In 1937 Toyota Motor Company was becoming globalized and multiple production plants were being established in Japan. In 1964, the Toyota Corporation reached North American soil and plants were established in Canada.
Toyota found an opportunity to re-enter the U.S. marketplace during the fuel shortage of the 1970's. For the first time, American consumers were looking for fuel efficient vehicles and Toyota had the answer. In 1965 foreign auto groups held just 5% of the U.S. auto market. This share has steadily been increasing with foreign auto manufacturers currently holding 40% of the market. With its foot in the door of the U.S. market, Toyota developed a reputation for designing simple, fuel efficient, reliable, affordable vehicles.
A Comparison of The Mill on the Floss by George Eliot, Passage to India by E.M. Foster, and When We Were Orphans by Kazuo Ishiguro
... Toyota also has to be responsive to local market demands. Consequently, Toyota faces significant pressures for local responsiveness and for cost reduction. To decrease cost by standardizing, Toyota has been speed up the practice of moving toward fewer automobile platforms, with objective of constructing a wide range of models on a limited range of platforms that share numerous regular components modules or parts. The firm is apparently running toward an aim of having just 10 platforms, down from over 20 in 2000. To the almost finished products with several common component parts, Toyota includes local product features, modifying the finished product to local demands. Thus, Toyota is able to recognize countless of the advantages of global manufacturing while responding to pressure for local responsiveness by differentiating its automobiles among nationwide markets.
The underlying myths that Eliot uses to provide a framework for "The Waste Land" are those of the Fisher King and the Grail Quest. Both of these myths come to Christian civilization through the ancient Gaelic tradition. Neither is found in the Bible, but both were important enough to Europeans that there was a need to incorporate them into the new European mythology, and so the stories became centered on the story of the death and resurrection of Jesus. Other examples of these myths can be found in Eschenbach's Parsifal, in de Troyes' Quest of the Grail, and in the various stories of the grail quest surrounding King Arthur and his knights. It is described in works of anthropology, as well, two of which Eliot recommends to readers: Jessie L. Weston's From Ritual to Romance and Sir James Frazier's Golden Bough.
SparkNotes Editors. “SparkNote on Long Day's Journey into Night.” SparkNotes.com. SparkNotes LLC. n.d.. Web. 6 Jan. 2014. .
T.S. Eliot’s The Waste Land is an elaborate and mysterious montage of lines from other works, fleeting observations, conversations, scenery, and even languages. Though this approach seems to render the poem needlessly oblique, this style allows the poem to achieve multi-layered significance impossible in a more straightforward poetic style. Eliot’s use of fragmentation in The Waste Land operates on three levels: first, to parallel the broken society and relationships the poem portrays; second, to deconstruct the reader’s familiar context, creating an individualized sense of disconnection; and third, to challenge the reader to seek meaning in mere fragments, in this enigmatic poem as well as in a fractious world.