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Prostitution in pre- colonial india
Prostitution in pre- colonial india
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If there is one author which is responsible for bringing realism in Indian fiction back in the early twentieth century, he is Premchand. Before him, almost every Indian fiction encompassed stories about Gods and mythological tales. Premchand’s stories were a true reflection of the society where the abused like the peasants, the farmers, the prostitutes and the widows were crushed all their lives by the hollow norms and rules of the society where the riches and politically powerful ruled. His stories depicted their exploitation and I, as a reader could feel that – such is the ability of his writing skills. He also wrote these stories and novels aiming to bring about social reform in the society. The plot of ‘Sevasadan’ is set in Varanasi, which …show more content…
In the late nineteenth and early twentieth century, Varanasi (then known as Benaras) was one of the most famous cities of the subcontinent and the city’s courtesans exercised social power and they also played important roles in most of the public occasions. The courtesans easily swayed over all the rich and powerful men who would swarm around them each night during their song and dance performances. At the same time, being a courtesan in those days was highly frowned upon and considered to have sunk to the lowest low. Even their siblings and other family members faced discrimination and no one would ever marry them because of their association to the courtesan. Premchand exposed the double face of society and their leaders through ‘Sevasadan’. The story starts with the protagonist, Suman, who belonged to a well-to-do Brahmin home in the rural district. She was brought up in a household where all her wishes and whims were fulfilled. Her father was an honest police officer. Due to hefty dowry demands, he finds himself unable to marry off …show more content…
At the same time, she observes that the courtesans who entered the park were treated politely and with respect. Meanwhile, Gajadhar had started doubting the loyalty of Suman for spending time wandering outside and dissatisfied with her duties as a wife, expels her from the home. Nowhere to go, she manages to survive on roads for some days and then she sees Bholi performing at Padamsingh’s house, as a part of Holi festivities and who was celebrating his election as a member of Municipal Council, brings a wave of dissatisfaction in her mind. She compares her married life to prostitution and finds that prostitution seems to offer the woman a relatively greater freedom and financial capabilities. This is highlighted in following lines: “Suman sat there for a long time deliberating over the cause and effect of these things. In the end, she concluded—she is free; there are shackles on my feet. Her warehouse is open, that’s why there is a crowd of customers; mine is closed, that’s why no one is standing in line. She doesn’t care whether or not the dogs bark about her, but I am afraid of what people will say and think. She can go outside of the purdah, while I am cloistered in it. She can swing freely on branches, while I have to hang on
Women were auctioned off as “merchandise” to the best suitor they could get in town. Beauty, though important, was not as important as the dowry the woman possessed, because it was the dowry the family provided that could exalt a man’s societal status to all new heights. Once married, women were expected to have son’s for their husbands in order to take over the family business. A barren woman was not an option and could have easily been rushed to the nearest convent to take her vows of a nun, for no honor could be brought otherwise. No woman could run from the societal and legal pressures placed upon them. Rather than run, some chose to accept their place, but, like Lusanna, some chose to fight the status quo for rights they believed they
During this time in society the industry of prostitution was an economic gold mine. The women operate the brothel while very distinguished men in the community own and take care of the up keep. The brothel keepers are seen as nothing more than common home wrecking whores. However, the owners of the brothels are viewed as successful business men.
Indian society was patriarchal, centered on villages and extended families dominated by males (Connections, Pg. 4). The villages, in which most people lived, were admini...
Mumtaz, the ruler of the brothel, runs the house with brutality and a sense of street smart. Cheating Lakshmi of her paltry earnings, Mumtaz tells the girl she will never leave until she can pay off her family’s debts, which will never happen given the way the process is set up. She is living what is essentially enforced slavery. Despite her dire circumstances, Lakshmi continues to live by her mother’s words “simply to endure is to triumph” and slowly forms friendships with Shahanna and Anita who enable her to make it through her new struggles (McCormick 16). She learns to speak English from “this David Beckham boy” (McCormick 140). In time, Lakshmi meets a disguised Ame...
Prostitution in the nineteenth century was perhaps one of the most degrading positions for a woman during the era. Identified by dress, makeup, and forward mannerisms, a woman employed within the business was avoided by all respectable persons. Once tainted by the immoral sin a woman could never return to good g...
When discussing the controversial authors of Indian literature, one name should come to mind before any other. Salman Rushdie, who is best known for writing the book “Midnights Children.” The first two chapters of “Midnights Children” are known as “The Perforated Sheet”. In “The Perforated Sheet” Rushdie utilizes magic realism as a literary device to link significant events and their effects on the lives of Saleem’s family to a changing India. In fact, it is in the beginning of the story that the reader is first exposed to Rushdie’s use of magic realism when being introduced to Saleem. “On the stroke of midnight/clocks joined palms” and “the instant of India’s arrival at independence. I tumbled forth into the world”(1711). Rushdie’s description of the clocks “joining palms” and explanation of India’s newfound independence is meant to make the reader understand the significance of Saleem’s birth. The supernatural action of the clocks joining palms is meant to instill wonder, while independence accentuates the significance of the beginning of a new era. Rushdie also utilizes magic realism as an unnatural narrative several times within the story to show the cultural significance of events that take place in the story in an abnormal way.
Prostitutes did not necessarily “enjoy” their sexual encounters with men, as Victorians tended to believe. Prostitution was their survival. Lower-class women did not become prostitutes because they wanted to. They became prostitutes because they had no alternate choice for survival. There were few options that allowed women to live off her own income instead of her family’s income, and once she e...
The eunuch is an integral part of the 18th century play The Mogul Tale, by Elizabeth Inchbald. He serves a historical role by being the Mogul’s advisor, watchman, and, most importantly, harem guard. Eunuchs are generally defined as castrated males and are thus excellent choices to guard the Mogul’s women – no fear of the guard taking the ladies for himself. Inchbald reinforces these noble positions by showing the eunuch as the Mogul’s “right-hand man”. But with the passing of time these traditional roles have died along with the people who embraced them. Eunuchs now exist in an India that has all but forgotten their position as protectors. They are now part of a larger, marginalized group that exists on the fringe of Indian society - the hijras1.
Recent years have witnessed a large number of Indian English fiction writers who have stunned the literary world with their works. The topics dealt with are contemporary and populist and the English is functional, communicative and unpretentious. Novels have always served as a guide, a beacon in a conflicting, chaotic world and continue to do so. A careful study of Indian English fiction writers show that there are two kinds of writers who contribute to the genre of novels: The first group of writers include those who are global Indians, the diasporic writers, who are Indians by birth but have lived abroad, so they see Indian problems and reality objectively. The second group of writers are those born and brought up in India, exposed to the attitudes, morale and values of the society. Hence their works focus on the various social problems of India like the plight of women, unemployment, poverty, class discrimination, social dogmas, rigid religious norms, inter caste marriages, breakdown of relationships etc.
By reviewing the authors during the naturalism and realism movements of literature, it soon becomes clear which writers supported which view. While every one of them were sure to have different views on certain matters, many used their fiction to show a more reasonable if upsetting life. These inspiring authors told tales that represented many things they believed and had confidence in. There were many before these men and women who shared their ideas on paper and there will doubtlessly be countless still to come.
For millions of immigrants, America is a nation full of dreams and promise. However, as they come to accept the reality of their new lives, it can either be a barrier that holds them back or aids them overcome their disadvantages. In Chitra Banerjee Divakaruni’s Arranged Marriage: Stories, multiple women grow stronger in their pursuit to better understand and cope with their hardships despite the constant obstacles they face each day. When both Sumita in “Clothes” and Jayanti in “Silver Pavements, Golden Roofs” arrive in America, their different situations force them to realize the bleak reality of living in the same country.
Garg in ‘Hari Bindi’ discusses the story of a common woman and made it extraordinary by the active force she was experiencing in herself to live her life. The husband of the protagonist symbolises the power and control of patriarchy that had restricted her life in such a way
“The exchange of sexual favors between partners within a relationship for money is just one of the various ways of expressing and carrying out human sexuality”. Prostitution is the oldest profession in the world and it has helped several women to earn a living for themselves and their families from times immemorial. Prostitution typically refers to a wide variety of sex-for-payment arrangements. There are several countries having long and descriptive histories of this activity. India is one of those countries. From the Rigveda, it is found that there were women who were common to several men and were known as courtesans or prostitutes. Back in the era of kingdoms, the concubines were also granted regal status. However, scenario
The God of Small Things by Arundhati Roy tells the story of the communist state of Kerala and the forbidden love between two castes, which changes the lives of everyone. In the novel an ‘Untouchable’, Velutha is a carpenter and works at Paradise Pickles and Preserves for much less than he deserves because of his status as an Untouchable in the caste system. Velutha falls into a forbidden love with a divorced woman, Ammu who is associated with an upper caste Syrian Christian Ipe family. Marriage was the only way that Ammu could have escaped this life, but she lost the chance when marrying the wrong man, as he was an alcoholic and this resulted in them getting a divorce. Ammu breaks the laws that state ‘who should be loved, and how and how much’, as their affair threatens the ‘caste system’ in India, which is a hierarchal structure and social practice in India in which your position in society is determined and can’t be changed. Arhundati Roy portrays the theme of forbidden love within the caste systems and shows how they are t...