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History of social change in japan
Changes in japan after ww2
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Takeshi Miike's “Black Society Trilogy” marked his transition from making direct-to-video films to theatrical releases and made him one of the most well-known directors of exploitation cinema. The first of these three films, “Shinjuku Triad Society” (1995), offers a visceral look at the Japanese underworld, and establishes Miike's trademark style of black humor and extreme violence.
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The Dragon's Claw crime family, led by Boss Wang (Tomorowo Taguchi) are causing trouble in Tokyo. Tatsuhito Kiriya (Kippei Shiina), a police detective of Chinese descent is in charge of the investigation into the group, though his task becomes complicated when he learns that his brother is working for Wang as a lawyer.
He discovers that the Dragon's Claw are involved in organ trafficking, selling organs to
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The screenplay by Ichirô Fujita does a great job in bringing together a large number of complex relationships, while keeping things simple enough that you do not get lost in the …show more content…
The two brothers have both chosen different paths, one embracing his new society, becoming a part of the establishment, the other rejecting it and working for the oppressed immigrant community of the gang. These communities are often ignored in society and face a great deal of discrimination. The film does not attempt to sugar-coat their criminality or excuse their actions. It simply offers us a realistic look at their circumstances and asks the audience to judge for themselves what is right and wrong in
The different groups of friends were completely different from each other. There was the group that wanted to be popular and get all the girls with a party, and there was a group that had all the music records that the other needed. That was the group that was trying to make money as well. Both parties also wanted girls. The fact that these two groups had seemingly presented themselves as gangs shows how much they wanted to be apart from each other. The gangs symbolized the separatism of the youth. The catch to their separateness is that they really needed one another to get what they wanted. The one group needed music and the other group needed money. They ended up making a deal with each other, which was conspired by Bacc. The fact that they were able to come together like that symbolized that they really should be together.
As they moved into their new communities, all of which seemed to be predominantly white American, the film portrayed their neighbors as being weary of them because of their different customs and race. Olzak, in her study on anti-black violence, found out that change in overall immigration rates had effects on increasing violence against African Americans. These immigrations upset the ethnic balance, increase the collective fears of the dominant ethnic group and usually lead to increasing political and economic competition between ethic groups. Of course, this is not comparable because the immigration of the “lost boys” to American cities was not large scale and it did not culminate in any sort of violent ethnic conflict. However, it is similar in the sense that the boys did experience micro aggressions like having the police being called on them just because they entered stores in larger numbers, which seems to be a sign of ethnic strife that arises from the sudden arrival of an ethnic
The book emphasizes the idea of how difficult it is to leave the gang lifestyle. There are frequent cases of relapse by individuals in the book, who were once out to again return to gangs. This case is brought by what gangs represent to this in the book and what leaving entails them to give up. The definition of gangs presented to the class was, three or more members, share name, color, or affiliation, or must exist in a geopolitical context. To members associated with gangs, this definition can include your family members, neighborhood, everyone that they associate with. Take for example Ronnie from Jumped in by Jorja Leap it states,” Ronny’s role models are gangbangers. His family is a hood. His mentors are older homies in county jail.”(102). Ronnie and other gang members like him do not
There is nothing complicated about this movie, just a well written script put together by a collaboration of writers, Steven E De Souza, Roger Spottiswoode, Larry Gross and Walter Hill.
In the film “Bordertown”, the protagonist, Johnny Ramirez ultimately finds solace, happiness and satisfaction in the aftermath of his own failure. If one were to believe the notion that we are all at a fixed station in both life and society, then the Mexican protagonist’s ambitions and their disastrous outcomes would only serve to bolster this opinion. This is, however, what the film “Bordertown” attempts to convey to its audience. As Johnny Ramirez ambitiously sets out, attempting to acquire material success, in the world outside of his neighborhood, he finds only offers of wickedness and corruption. His final retreat back into his barrio is where he finds goodness and love. This film, then, suggests that not only should Ramirez not have bothered in his undertaking, but that any venture outside of one’s own “station” or “place” would put that person out of his or her natural element. The results of this can be dangerous or disastrous. The film’s message is clear: Stay where you belong.
John Singleton’s view of social problems in South Central Los Angeles happens in a tale of three friends growing up together. Doughboy and Ricky Baker are half-brothers and have opposite personalities. Ricky is a football player who hopes to win a scholarship and spends most of his time playing football. On the other hand, Doughboy is a young man who looks upon his environment for guidance. He is involved in violence, abusing drugs, and participates in violence. In between is their friend Tre, who actually has a father to teach him what is right from wrong. Furious Styles, who is Tre’s father in the film does everything in his strength to keep his son from becoming another startling statistic. As you can see, it is always important for parents to be a part of their child’s life because it can make a big difference not only in their life but also their child’s future.
This movie takes place in Los Angeles and is about racial conflicts within a group of people which occur in a series of events. Since there are a wide variety of characters in this movie, it can be confusing to the viewer. In the plot, Graham is an African-American detective whose younger brother is a criminal. His mother cares more about his brother than Graham and she wants Graham to bring his brother back home, which in turn hurts Graham. Graham?s partner Ria is a Hispanic woman who comes to find that her and Graham?s ethnicities conflict when she had sex with him. Rick is the Los Angeles district attorney who is also op...
One of the more prevalent themes of this movie is racism, and how prejudicial mindsets ultimately lead to one’s own demise. The movie outlines how racism, among other things, can adversely affect someone’s judgment. After the father died, we see how the family gradually deteriorates financially as well as emotionally after Derek (the older brother played by Edward Norton) turns to a neo Nazi gang for an outlet, which eventually influences his younger brother Danny (played by Edward Furlong) to follow down ...
The film is about the racial and social tensions that live and breathe in Los Angeles, California. Hardworking family man, Daniel is introduced after Jean and Rick Cabot are carjacked. Daniel is a locksmith and he is asked to change the locks in the Cabot home and as he is finishing his work he overhears Jean asking her husband to get yet another locksmith to change to locks because she is afraid Daniel will give the new keys to "his gang banger friends" (Haggins).Daniel leaves and hands Jean the keys as he heads out the door. All Daniel wants to do is make a better life for his young daughter and wife. Anthony on the other hand is carjacker, looking out for himself and only caring about finding another victim to steal from to feed his drug addiction.
These disadvantages are shown through setting and characterization. Taking place in twentieth century America, the story shows that during that time, racism existed and it was an ongoing issue. Two brothers, Thomas Beerman and Eric Nolan, grow up in America with unconditional love. Thomas, an African American is taken away to go live with his biological father. Since he is used to living in a rich and white community he finds it rather hard to settle in his new environment.
First, the two gangs show similar issues when a few of the Socs and Greasers’ members deal with parental issues such as Johnny and Bob. In the novel it
There was a lot of compassion, courage, triumph and patience within the characters, specifically with Michael and Leigh Anne due to the fact that they went from being complete strangers who knew nothing of one another and not much communication between each other, into a close family that overcame these harsh road blocks no one should really have to go through. The first topic this report will cover between Michael and Leigh Anne is the ethnicity, racism, discrimination and intercultural aspects within the movie. The film effectively and realistically portrays the reality of racism and classism. Michael is taken in by an upper class, White family when he is found homeless walking on the side of the road.
Lastly, it is evident that battles have been a part in this film. The first shown battle between the two gangs has quite the humor added into it as both gangs move back and forth as they engage in battle. This shows how afraid they are in fighting despite their strong
The actions that these two men do are so extreme and exaggerated that make it almost fake, but was needed to keep the movie fun. The men bust a gangster from a Mexican cartel and ends up putting them in grave danger. In the end the two men chase a few cartel members into a set up ambush and get shot down in an alleyway. The backup finally arrives and surrounds the “Curbside Gang” and shoot and kill them all. Although rough to watch, this is the best scene of the movie in regard to realism along with the entertainment factor involved.
Beginning in the late 1950s and continuing into the 1960s Japanese filmmakers began to explore the transforming youth of the nation through the genre of youth films (seishun eiga). The Sun Tribe (taiyozoku) films of the late 1950s and the Japanese New Wave (nuberu bagu) films of the 1960s depicted transgressive, rebellious youths who indulged in sex, violence and crime as a mode of defiance against their parent’s generation’s dominant social values . Such films as Ko Nakahira’s Crazed Fruit (Kurutta Kajitsu, 1956) and Nagisa Oshima’s Cruel Story of Youth (Seishun Zankoku Monogatari, 1960) feature characters who utilise their sexuality and violence to challenge to social status quo, to various degrees of success. Each film treats the character’s