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Essay on violence in movies
Realism in film
Essay on violence in movies
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End of Watch is a drama/thriller about two police officers in South L.A. Shot documentary-style, this film follows the daily grind of two young police officers in LA who are partners and friends, and what happens when they meet criminal forces greater than themselves.(IMDB) Starring Jake Gyllenhaal and Michael Pena and directed by David Ayer, this movie came out in September of 2012. The acting throughout the movie was wonderful, keeping me on the edge of my seat. The story-line was outstanding in the sense of entertainment, yet unbelievable at some points. The cinematography in the movie was different. It was mostly filmed in the 1st person POV of Brian Taylor. This kind of film is not of the normal, and was very interesting. ` …show more content…
Every scene seems to have a multitude of curse words. The two characters are best friends, seemingly inseparable. They do everything together including getting shot. When a string of busts put the two patrolmen on the trail of a notorious Mexican cartel, Brian decides to follow the scent all the way down the rabbit hole. Before long, Mike and Brian find themselves in the crosshairs of the city’s worst criminals, turning an already dangerous job into a life or death battle in the streets (Kofi Outlaw). The two men make many busts during the movie. One of the busts was a house with a bunch of what are believed to be illegal aliens from Mexico cramped up in one room. The men are sickened by what they see. Mike and Brian entered the house illegally, which they do multiple times throughout. Many of the scenes in the movie are unbelievable. The actions that these two men do are so extreme and exaggerated that make it almost fake, but was needed to keep the movie fun. The men bust a gangster from a Mexican cartel and ends up putting them in grave danger. In the end the two men chase a few cartel members into a set up ambush and get shot down in an alleyway. The backup finally arrives and surrounds the “Curbside Gang” and shoot and kill them all. Although rough to watch, this is the best scene of the movie in regard to realism along with the entertainment factor involved. These lifetime best friends would each have …show more content…
This kind of film is different; I don’t know of many filmed this way. It was often hard to keep up with everything during the action scenes as the camera views would change constantly from POV of Taylor to 3rd person and back and forth from there. Although confusing at times this style was appropriate for the movie and fit into the storyline as well as the acting. This kind of filming allows it to seem like you're actually there, unlike the usual camera views from all different angles from helicopters and cameras on rails. This camera is actually being held by someone bouncing up and down, losing focus of the main actors as if being filmed on the spot live. This made the movie all the better just from this kind of
The juxtaposition of Illicit, R rated plot with seemingly trivial, unrelated subject matter simultaneously placates the seriousness of the movie’s face value and brings the philosophical, theological, and the absurd to the forefront of relevance. As Vincent Vega and Jules Winnfield are on their way to kill someone for high level gangster, Marsellus Wallace, they strike up a conversation about the “little differences” between America and Europe, which Vega has just visited; they proceed to break into an apartment and kill three people. The dialogue sounds so typical that it creates an atmosphere of commonality which frames the subsequent murder and trivializes it. Conversely, the violence causes a sudden shift, making the conversation much
The 1989 film Do the Right Thing displays a story about racial tension in a predominantly African-American neighborhood. Spike Lee not only directed and produced this film but he was also the main character, Mookie. In spite of maintaining these three jobs, Lee incorporated cinematic techniques that allowed his film to unlock controversial ideals for both Caucasian and African-American viewers. Through the use of camera elements Lee was able to display emotions and tone of the scene without using stating it directly. Lee exhibited film methods such as low-angle shots, close ups, slow motion and panning.
‘Fly on the wall’ camera work - designed to appear as if the camera. crew was not present. ‘Verite’ camera work - continuously hand held shot. Used to simulate the viewer experiencing the person looking and moving around. within the documentary.
This movie is based on changing the lives of Mexican Americans by making a stand and challenging the authority. Even when the cops were against them the whole time and even with the brutal beatings they received within one of the walk out, they held on. They stuck to their guns and they proved their point. The main character was threatened by the school administrators, she was told if she went through with the walkout she would be expelled. While they wanted everyone who was going to graduate to simply look the other way, the students risked it all and gave it their all to make their voices
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
Saw is a American horror film directed by James Wan. The film is about a killer who calls himself the Jigsaw. He kills and/or “teaches” his victims to respect life. He watches his victims and then abducts them when learning their problems in life.
The film opens with a high-speed pursuit ending in a shooting in South Central Los Angeles. The officers involved, Brian Taylor and Miguel Zavala, are close friends and partners in the LAPD. Taylor, a former Marine, is filming their police activities for a film project in his college class. Next the officers respond to a public disturbance call. The culprit, a Bloods gang member named Tre, hurls racist insults at Zavala, who responds by accepting a fight, to Taylor's approval. Zavala beats and arrests him, but wins the man's respect for not charging him with assault. Then Taylor has a hunch and decides to scope out the home of the mother of Big Evil. The officers follow and pull over a truck that leaves the house — the driver draws a gun and is arrested. Inside the truck they find ornately decorated firearms and a large amount of money. Taylor convinces Zavala to further investigate the house involved in the incident. At the house, they arrest another man, who is also in possession of several ornate firearms, and is guarding a cell full of human trafficking victims. Suddenly, the Immigration and Customs Enforcement (ICE) agents arrive and take over the scene. One agent informs Taylor and Zavala that the house is tied to the Sinaloa Cartel,...
This movie takes place in Los Angeles and is about racial conflicts within a group of people which occur in a series of events. Since there are a wide variety of characters in this movie, it can be confusing to the viewer. In the plot, Graham is an African-American detective whose younger brother is a criminal. His mother cares more about his brother than Graham and she wants Graham to bring his brother back home, which in turn hurts Graham. Graham?s partner Ria is a Hispanic woman who comes to find that her and Graham?s ethnicities conflict when she had sex with him. Rick is the Los Angeles district attorney who is also op...
The director Antoine Fuqua vision for this film was to bring that intense love-hate relationship onto the big screen and showcase it for the world to see. To ensure a convincing film setting, Fuqua shot on location in some of the most hardcore neighborhoods in Los Angeles. Fuqua also wanted to show the daily struggles of officers tasked to work in the rougher neighborhoods of cities and how easy it can be to get caught up in a street life filled with killers and drug dealers. Overall the film displayed the city of Los Angeles in a different perspective. One which m...
Then the question is posed to Mr. Lockwood, "How did it all begin?" The answering of this question is what my paper will explain. I will attempt to break down the opening scene and show how it all started. By using tools of film such as sound, editing, mise en scene, and cinematography, this paper will show how the scene was made as well. Mise en scene played an important role in this movie as with any other movie.
The movie opens with the dreaded found footage style of lazy man filmmaking. I groaned loudly when I saw this, but thankfully after the opening scene of the movie, it switches to the normal style of shooting (aka, the non-lazy way).
The filming is masterfully done. The camera seems to hit just the right angles in every scene. It gives the beautiful contrast between the bright, colorful scenes, to the dull, dark
This shows that a life tragedy can turn into a great film that has acknowledgable connections into the real world , such as job losses , hunting and family secrets. Losing a job can throw off an average person's life plan. Everyone has bills to pay , everyone needs personal items, especially everyone needs to eat. In this film one family was a victim to the job cuts and sooner or later they started to turn into something they wasn’t , killers. It was innocent killing at first just animals around the area , but then it turned into something deeper actual humans.
The camerawork and editing in this film is very well done. There camera is not shaky and the scene changes are smooth. The film flows because of the cleanness of editing. The scene changes make sense when they happen and do not seem out of place. This film has a mixture of many different types of shots, which helps to give different viewpoints. Many scenes include still shots, pan shots, and full shots. In the scene where she listens to the man who will be her third husband, there is a pan shot that shows all of the people who come to listen to him and then stops on Susanna. This shot is powerful because it shows how much power his words have on people and why Susanna fell in love
Mark Wahlberg, running from the heavily armed forces of law and order, dashes across rooftops and in and out of traffic, sometimes in slow motion, through streets and alleys. The camera swirls around him, freezing as a glob of saliva pops out of his mouth, dropping down to allow us a peek up his nostrils and then tilting and sliding to register the impact of his face on the windshield of a car. This allows the audience to see how the movie ends and makes you want to know how it got to that point. As Wahlberg makes his way out of the building and across the street he is then hit by the police car and the camera goes into slow motion and zooms in to his face as it slams into the windshield of the car. There are