Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Roles of women throughout history
The bell jar sylvia plath identity themes
The bell jar sylvia plath identity themes
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Roles of women throughout history
In The Bell Jar by Sylvia Plath, societal pressures cause conflict, leading to a choice between one's wishes and the expectations of society in which being incapable to choose causes insanity and mental illness. Throughout history, the manners in which humans act pertains to the ideals at a certain time period, specifically in the novel women in the 1950s were expected to be pure, subordinate, dainty and childbearing. Societal pressure leads people to either one of three paths: conformity, rebellion or indecision, each having pros and cons.
In the Bell Jar, Plath demonstrates how societal pressure has the power to brainwash those who conform to the pressure. Dodo Conway is the epitome of the 1950s woman. She lives an exclusive, affluent
…show more content…
life. Dodo is a woman that “everybody loved,” and was the “talk of the neighborhood,” exactly the societal standard. In addition Dodo’s home is seen as “bigger,” “suburban” and private, indicating a high social status with a respectable amount of seclusion from society. In addition to having a spacious home, Conway also has “six children,” and is likely to bear yet another child to continue the legacy. Furthermore to enhance the idea of societal control, women are receive a narcotic after childbirth in order to forget the “windowless corridor of pain,” which has “brainwashed” women into delivering more children. Esther feels that the women are tricked into enduring more excruciating pain in the name of fitting in. Plath makes a statement about her opinion toward indoctrinated people by naming a pious follower of societal expectations, Dodo. A“Dodo” is defined as someone without “common sense” (urban dictionary) and also as a person with “old-fashioned” ideas. Thus illustrating Dodo as a person brainwashed by society ideals. The people who yield to society forfeit their innate freedom of expression. Another path that people are able to take is the path of rebellion, which enables them to keep their own views versus succumbing to expectations. The nameless middle-age prostitute in which Eric sleep with is one of these people. Society tells women to save their virginity for marriage whereas, men are free to dabble in passionate romantic acts, particularly sexual actions. According to ideals, the “best men,” stayed pure for their wives however this was not a requirement and if in fact the men had already lost their purity, at least they would be capable of teaching their spouses. The way in which society is structured encourages infidelity because men don’t see their wives as suitable for intercourse. The nameless woman is regarded as a “whore,” is severely judged and and becomes an outcast. She is referred to as “fat,” with “rat-colored skin, degrading her and making her seem distant from the glamorous expected life of women in high society. However even though she is exiled from society she is able to be herself and do as she pleases. The third path in which Esther chooses is the path of indecision, she is unable to choose between appeasing herself or society causing a downward spiral.
Esther is at conflict with herself and she uses the fig tree of a symbol of the many paths she can take and it was as a “wonderful future beckoned and winked” from each path. The dilemma is that Esther can’t decide to choose a path and then the figs went “black…and…plopped to the ground at [her] feet.” She wants “two mutually exclusive things,” and refuses to pick one because she would rather “fly back and forth.” Since Esther is incapable of making a choice she loses all her options which leads her to develop depression. It starts out with Esther realizing that she more of a free-spirit “Pollyanna Cowgirl” like Betsy. From there Esther stopped being able to focus, it was as if her “mind glided off” (147). Esther starts not being able to write her letter are loopy and seem as if they were “blown askew.” Esther wonders what is wrong with herself, the psychiatrist Dr. Gordon only seems to make her wonder “what terrible thing” she had done. Eventually matters escalate to the point that Esther is trying to come up with ways to kill herself. Finally she realizes that her trouble lies not in physically state but in a mental state “deeper…and…harder to
get.”
In the short story “Initiation” author Sylvia Plath suggests that conformity, although the societal norm, is not always as grand as it is made out to be, while also suggesting that even though conformity typically hinders one’s self growth, there are times when the fear of conforming can make one’s sense of self stronger. These two ideas together show that Plath uses this short story to convey the message that even though conformity is not inherently a positive thing, it can drive a person to look in on themselves and develop a unique identity. Plath uses symbolism, and character introspection to assert this idea.
The women's movement was in full swing in America in the sixties. These were the women who were escaping from their kitchens, burning their bras, and working in careers that were traditionally male-oriented, while at the same time demanding payment equal to men's salaries. In her essay: What Would It Be Like if Women Win, Gloria Steinem has many thoughts on the ways feminism could change this country and what the society would be like if her changes were made. An interesting change she is looking to make involves sexual hypocrisy: "No more sex arranged on the barter system, with women pretending interest, and men never sure whether they are loved for themselves or for the security few women can get any other way" (Steinem, Takin' it to the Streets, 476). This new attitude can be found in much of the literature of the sixties. Specifically, in two of the books we have read, women authors have projected this concept of a "new sexual women" into their characters.
The Bell Jar is an autobiography of a female sophomore. The girl-Esther, who is 19 years old, came from suburban area of Boston. As she had talent writing skills, she was invited to New York to serve as guest editor in a national fashion magazine office. In her one-month stay in New York, on one hand, Esther was cautious and conscientious to learn from an able and efficient female editor-Jay Cee, and she dreamt to follow Jay Cee’s successful step. On the other hand, she met various men and women in her colorful social life. These experiences reminded her of her life in women’s university, especially her relationship with her boyfriend- Buddy Willard. As the recollection often interweaved with reality, they brought Esther perplexity, discouragement and lost. Esther could not even more figure out the significance of reality as well as the goal of her own life. When her life in New York came to an end, Esther came back her hometown to spend the summer vacation with her mother. However, a new incident hard hit Esther- she was rejected by the writing course that she was given high expectation by professors in her university. The conservative atmosphere in the town made Esther feel days wear on like years. Esther denied completely that all achievements she got in past 19 years, and she even felt doubtful and terrified toward the future. Facing such heavy pressure, she was broken down totally. Since she was lost at that time, she tried to put an end to her life. After she was saved, she received psychological consultation in a psychiatric hospital. In this period, she rethought and relocated her position, and she rebuilt confidence step by step. At the end of the novel, Esther waited to leave hospital and she looked forward to starting a...
Sylvia Plath wrote the semi autobiographical novel, The Bell Jar, in which the main character, Esther, struggles with depression as she attempts to make herself known as a writer in the 1950’s. She is getting the opportunity to apprentice under a well-known fashion magazine editor, but still cannot find true happiness. She crumbles under her depression due to feeling that she doesn’t fit in, and eventually ends up being put into a mental hospital undergoing electroshock therapy. Still, she describes the depth of her depression as “Wherever I sat - on the deck of a ship or at a street a cafe in Paris or Bangkok - I would be sitting under the same glass bell jar, stewing in my own sour air” (Plath 178). The pressure to assimilate to society’s standards from her mother, friends, and romantic interests, almost pushes her over the edge and causes her to attempt suicide multiple times throughout her life. Buddy Willard, Esther’s boyfriend at a time, asks her to marry him repeatedly in which she declines. Her mother tries to get her to marry and makes her go to therapy eventually, which leads to the mental hospital. Esther resents the way of settling down and making a family, as well as going out and partying all night. She just wants to work to become a journalist or publisher. Though, part of her longs for these other lives that she imagines livings, if she were a different person or if different things happened in her life. That’s how Elly Higgenbottom came about. Elly is Esther when Esther doesn’t want to be herself to new people. Esther’s story portrays the role of women in society in the 1950’s through Esther’s family and friends pushing her to conform to the gender roles of the time.
In the novel, Esther Greenwood, the main character, is a young woman, from a small town, who wins a writing competition, and is sent to New York for a month to work for a magazine. Esther struggles throughout the story to discover who she truly is. She is very pessimistic about life and has many insecurities about how people perceive her. Esther is never genuinely happy about anything that goes on through the course of the novel. When she first arrives at her hotel in New York, the first thing she thinks people will assume about her is, “Look what can happen in this country, they’d say. A girl lives in some out-of-the-way town for nineteen years, so poor she can’t afford a
"The bell jar hung, suspended, a few feet above my head…” For most people, when the name Sylvia Plath comes to mind, the word “psychotic” is the word that follows; however, there was more to Plath than her demented works. Throughout her shortened life, Plath had a variety of titles bestowed upon her: daughter, sister, student, wife, mother, teacher, author, and poetess However, Sylvia Plath was a haunted soul, as she also had the labels of “manic depressive” and “bipolar.” Her constant struggles with her mental illnesses are evident in her writing, especially her semi-autobiographical novel, The Bell Jar.
Sylvia Plath’s novel, “The Bell Jar”, tells a story of a young woman’s descent into mental illness. Esther Greenwood, a 19 year old girl, struggles to find meaning within her life as she sees a distorted version of the world. In Plath’s novel, different elements and themes of symbolism are used to explain the mental downfall of the book’s main character and narrator such as cutting her off from others, forcing her to delve further into her own mind, and casting an air of negativity around her. Plath uses images of rotting fig trees and veils of mist to convey the desperation she feels when confronted with issues of her future. Esther Greenwood feels that she is trapped under a bell jar, which distorts her view of the world around her.
At the end of the novel, Esther finally see’s a light at the end of the tunnel. She finally realizes that there is hope for her to become healthy again. Once Esther realizes that she will not always feel as bad as she does, she also comes to the conclusion that all the negativity and questioning in her life have made her into the person she has become. Esther finally realizes what her true identity is and she is okay with who she has become.
“Perhaps when we find ourselves wanting everything, it is because we are dangerously close to wanting nothing.” ( http://thinkexist.com/quotes/sylvia_plath/)
One is often enticed to read a novel because of the way in which the characters are viewed and the way in which characters view their surroundings. In the novel The Bell Jar by Sylvia Plath, Esther Greenwood is a character whose "heightened and highly emotional response to events, actions and sentiments" (Assignment sheet) intrigue the reader. One of her character traits is extreme paranoia that is shown in different situations throughout the novel. As a result of this, she allows herself to be easily let down, as she believes that all events that are unsatisfactory are directed towards her. Finally, it is clear that she attempts to escape this notion by imagining an idyllic yet impossible life that she envisions in remote circumstances. It is clear that Plath's creation is a Novel of Sensibility as her writing not only possesses all of the qualities associated with this genre, it also effectively takes the reader into the story with the protagonist.
The Bell Jar is occupied with several female characters that all represent an assortment of female stereotypes. There are college students who wish to fully experience the city of New York, patients in a mental institution, and psychiatrists who could potentially serve as role models throughout the novel. Esther often finds herself lacking self-confidence due to the fact that she is constantly comparing herself to these individuals. Esther is shown as being stubborn because she rejects the womanhood that is presented to her. Instead, she spends her time worrying about what she thinks it is to be a woman. Sylvia Plath’s novel, The Bell Jar, diagrams the repressed role women endured due to the restrictions and expectations of societal norms.
She claims that she has `always wanted to learn German` although `the very sight of those dense, black, barbed-wire letters made my mind shut like a clam`. Esther associates the language with her `German-speaking father`, who `cane from some manic-depressive hamlet in the black heart of Prussia'. I think that Esther`s stunt in progress is directly linked to the death of her father, and the little that she knows about him, and that a major factor contributing to her eventual suicide attempt is the fact that she used to be the best and no longer can be.
The beginning of the novel introduces the reader to Esther O'Malley Robertson as the last of a family of extreme women. She is sitting in her home, remembering a story that her grandmother told her a long time ago. Esther is the first character that the reader is introduced to, but we do not really understand who she is until the end of the story. Esther's main struggle is dealing with her home on Loughbreeze Beach being torn down, and trying to figure out the mysteries of her family's past.
Sylvia Plath’s The Bell Jar (1971) is a thinly veiled autobiography. Having been riddled by depression herself, Plath has us follow her protagonist Esther’s journey of self-discovery in order to assert her views on the intersection of mental illness and traditional femininity. In the novel, blood serves to mark transitions in Esther’s life. Time after time, blood intersects with largely feminine milestones and the shifts in her mental health as she witnesses births, is sexually exploited, and must confront her own sexuality. Esther struggles to fit in to the narrow feminine role and views the world through a predisposition for depressive thoughts. The “traditional” era in which she exists enforces very binary gender roles and places her purity
A notable image that readers of the twentieth-century literature easily recognize is a bell jar. A bell jar is an unbreakable, stiff glass container that confines objects within its inescapable walls. It metaphorically represents the suffocating and an airless enclosure of conformism prevalent during the 1950’s American society. More specifically, American societal standards approve men to have the dominant role as they are encouraged to attend college in order to pursue professional careers. They are given the responsibility of financially supporting their families. In contrast, a women’s life in the 1950’s is centralized around family life and domestic duties only. They are encouraged to remain at home, raise children and care for their husbands. Women are perceived as highly dependent on their husbands and their ability to receive education is regarded as a low priority. Thus, the social conventions and expectations of women during the 1950’s displayed in The Bell Jar by Sylvia Plath correlate to Esther Greenwood’s downward spiral of her mental state. Throughout the course of her journey, Esther becomes increasingly depressed because of her inability to conform to the gender roles of the women, which mainly revolved around marriage, maternity and domesticity.