Sylvia Plath wrote the semi autobiographical novel, The Bell Jar, in which the main character, Esther, struggles with depression as she attempts to make herself known as a writer in the 1950’s. She is getting the opportunity to apprentice under a well-known fashion magazine editor, but still cannot find true happiness. She crumbles under her depression due to feeling that she doesn’t fit in, and eventually ends up being put into a mental hospital undergoing electroshock therapy. Still, she describes the depth of her depression as “Wherever I sat - on the deck of a ship or at a street a cafe in Paris or Bangkok - I would be sitting under the same glass bell jar, stewing in my own sour air” (Plath 178). The pressure to assimilate to society’s standards from her mother, friends, and romantic interests, almost pushes her over the edge and causes her to attempt suicide multiple times throughout her life. Buddy Willard, Esther’s boyfriend at a time, asks her to marry him repeatedly in which she declines. Her mother tries to get her to marry and makes her go to therapy eventually, which leads to the mental hospital. Esther resents the way of settling down and making a family, as well as going out and partying all night. She just wants to work to become a journalist or publisher. Though, part of her longs for these other lives that she imagines livings, if she were a different person or if different things happened in her life. That’s how Elly Higgenbottom came about. Elly is Esther when Esther doesn’t want to be herself to new people. Esther’s story portrays the role of women in society in the 1950’s through Esther’s family and friends pushing her to conform to the gender roles of the time.
Marriage is a factor that weighs heav...
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...g either one.” (Plath 120). Society has come a long way from there, though a margin still contain these views, more and more people are forming feminist ideals. The only if is that if Esther were here today our world would suit her much more comfortably.
Works Cited
Bonds, Diane S. "The Separative Self in Sylvia Plath's The Bell Jar." Women's Studies 18.1 (May 1990): 49-64. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter and Deborah A. Schmitt. Vol. 111. Detroit: Gale Group, 1999. Literature Resource Center. Web. 17 Jan. 2014.
Whelan-Stewart, Wendy. "Role-playing the 'feminine' in letters Home." Intertexts 12.1-2 (2008): 129+. Literature Resource Center. Web. 17 Jan. 2014
Winner, Lauren F. "Still under the Bell Jar: What has really changed for women since the fifties?" Books & Culture May 2002: 25+. Literature Resource Center. Web. 17 Jan. 2014.
The Bell Jar is an autobiography of a female sophomore. The girl-Esther, who is 19 years old, came from suburban area of Boston. As she had talent writing skills, she was invited to New York to serve as guest editor in a national fashion magazine office. In her one-month stay in New York, on one hand, Esther was cautious and conscientious to learn from an able and efficient female editor-Jay Cee, and she dreamt to follow Jay Cee’s successful step. On the other hand, she met various men and women in her colorful social life. These experiences reminded her of her life in women’s university, especially her relationship with her boyfriend- Buddy Willard. As the recollection often interweaved with reality, they brought Esther perplexity, discouragement and lost. Esther could not even more figure out the significance of reality as well as the goal of her own life. When her life in New York came to an end, Esther came back her hometown to spend the summer vacation with her mother. However, a new incident hard hit Esther- she was rejected by the writing course that she was given high expectation by professors in her university. The conservative atmosphere in the town made Esther feel days wear on like years. Esther denied completely that all achievements she got in past 19 years, and she even felt doubtful and terrified toward the future. Facing such heavy pressure, she was broken down totally. Since she was lost at that time, she tried to put an end to her life. After she was saved, she received psychological consultation in a psychiatric hospital. In this period, she rethought and relocated her position, and she rebuilt confidence step by step. At the end of the novel, Esther waited to leave hospital and she looked forward to starting a...
...she would end up if she didn’t change her ways. By losing Joan, Esther was able to release her old self and be reborn again.
Esther Greenwood, the protagonist of The Bell Jar by Sylvia Plath, identifies herself as feeling out of place among other young ladies she is staying with in New York City. Her closest friend is Doreen, but Esther says that though she would, “...watch her and listen to what she said...deep down,” she, “...would have nothing at all to do with her.” This shows an inability for Esther to interact with girls her age, as she is unable to relate to or trust the person she is closest to out of the group. Esther shows a distrust in people, such as her boyfriend Buddy Willard and Doreen, who she believes live “double lives.” These people meet the social standards on the surface level, and appear to conform according to the dictations of society, but in actuality, she finds that a double standard exists, one that is different for men than it is for women. Esther rejects this double standard, saying she, “couldn't stand the idea of a woman having to have a single pure life and a man being able to have a double lif...
...Sylvia Plath's Defiance: The Bell Jar." EXPLORING Novels. Online ed. Detroit: Gale, 2003. Discovering Collection. Gale. Academy of Holy Angels - NJ. 4 Dec. 2013
One’s identity is the most important lesson to be learned. It is vital part of life knowing who you are in order to live a fulfilled life. Without knowing your identity, and the way you perceive life, it is difficult for others to understand you, along with a struggle to live a happy life. In Sylvia Plath’s “The Bell Jar,” Esther Greenwood struggles to find her own identity, and in the process, she develops a mental illness which helps her discover the person she is on the inside.
“Perhaps when we find ourselves wanting everything, it is because we are dangerously close to wanting nothing.” ( http://thinkexist.com/quotes/sylvia_plath/)
Like most young adults, Esther, a nineteen-year old college student, also struggles with choosing her career after college due to the suppressed social conditions for women and her lack of confidence about herself. In the chapter seven, she adds up things she is not good at. Plath employs symbolism to demonstrate what Esther is not confident about. She cannot cook unlike her grandmother and mother. As cooking represents domestic work and women were supposed to do housework especially at this time, she expresses her uncertainty about being a good wife and mother. Also, she does not know shorthand, which signifies a practical job. Esther mentions that her mother has kept telling her that she needs to learn shorthand to get a job despite having a bachelor’s degree in English as women had difficulty in succeeding as professionals in their careers during the time. As a widow raising two children, her mother has to deal with family finances. Therefore, her mother emphasizes a practical standpoint in terms of ca...
One is often enticed to read a novel because of the way in which the characters are viewed and the way in which characters view their surroundings. In the novel The Bell Jar by Sylvia Plath, Esther Greenwood is a character whose "heightened and highly emotional response to events, actions and sentiments" (Assignment sheet) intrigue the reader. One of her character traits is extreme paranoia that is shown in different situations throughout the novel. As a result of this, she allows herself to be easily let down, as she believes that all events that are unsatisfactory are directed towards her. Finally, it is clear that she attempts to escape this notion by imagining an idyllic yet impossible life that she envisions in remote circumstances. It is clear that Plath's creation is a Novel of Sensibility as her writing not only possesses all of the qualities associated with this genre, it also effectively takes the reader into the story with the protagonist.
Her use of sympathetic female characters was a brilliant way to advocate contemporary feminist issues. Works Cited Glaspell, Susan. A. The “Trifle” is a. The Norton Introduction to Literature. Ed.
Literature from the Middle Ages through the eighteenth century has supplied ample insight into society’s idea of the female image and gender expectations. Females of any class status were expected to be submissive to men in every regard, and their primary role in life routinely amounted to nothing more than domestic duties. Men writers’ depictions of females were base and valued a woman’s worth by how beneficial she could be to a man; and women writers’ woefully conceded their lowly positions. However, some women writers were willing to defend against the long accepted female submissiveness that society embraced. Two such audacious writers keen to delve into the role of women in society and propose measures to ensure equality among the
Life is full of endless amounts of beautiful encounters for every character in the novel The Bell Jar by Sylvia Plath, except for Esther. She suffers from a severe and complex mental illness that impacts her life greatly. Although it is clear that Esther suffers strongly from depression in the novel, Sylvia Plath chooses to tell her life abstractly through countless symbols and ironies to prove that Esther depression completely consumes her. Everything that Esther sees is through a lens of depression, which scewed her outlook on life. An irony that is carried throughout the entire novel is the fact that Esther works in a prestigious fashion world, yet she sees everything gruesomely and cynically.
Depression can be defined as part of a psychological state of mind that a person might encounter. Most famously recognized psychiatrist Sigmund Freud is known for his Psychodynamic theory. His psychoanalysis theory is known to be successful for treating patients with mental illness. Sylvia Plath, the author of the Bell Jar, makes the main character Esther go through a psychological transformation. Esther’s transformation can be realized through Freud’s psychoanalysis theory as the story unfolds from the beginning to end. The influences of people and events around Esther have affected her transformation.
The fact that Esther couldn't really accept her father's death contributed to career problems: she had no idea of what to do with her life, she `thought that if my father hadn't died he would have taught me....`
...es these primitive standards, she becomes melancholy because she does not attune into the gender roles of women, which particularly focus on marriage, maternity, and domesticity. Like other nineteen year old women, Esther has many goals and ambitions in her life. Nevertheless, Esther is disparaged by society’s blunt roles created for women. Although she experiences a tremendous psychological journey, she is able to liberate herself from society’s suffocating constraints. Esther is an excellent inspiration for women who are also currently battling with society’s degrading stereotypes. She is a persistent woman who perseveres to accomplish more than being a stay at home mother. Thus, Esther is a voice for women who are trying to abolish the airless conformism that is prevalent in 1950’s society.
Throughout The Bell Jar, Sylvia Plath explores a number of themes, particularly regarding the gender roles, and subsequently, the mental health care system for women. Her 19-year-old protagonist, Esther Greenwood, is the vessel through which Plath poses many probing questions about these topics to the reader. In the 1950s when the novel was set, women were held to a high standard: to be attractive but pure, intelligent but submissive, and to generally accept the notion of bettering oneself only in order to make life more comfortable for the significant male in her life. Esther not only deals with the typical problems faced by women in her time, but she has to experience those things through the lens of mental illness though it is up for debate whether or not it was those same issues that caused her “madness” in the first place. In particular, Esther finds herself both struggling against and succumbing to the 1950s feminine ideal- a conflict made evident in her judgments of other women, her relationships with Buddy Willard, and her tenuous goals for the future.