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Reflections on diversity
Impact of culture change
Reflections on diversity
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Culture is the embodiment of human traits that go beyond societal norms while nature is the traits humans were born with. In the seven theses essay “Monster Culture,” Cohen explains the aspects of culture in society and the human condition by portraying them as monsters from different cultural eras and places. The monster is multidimensional, different, and constantly evolving. In the perspective of nature, the monster is the enemy. It threatens the very concept of what nature, tradition, and normal is. However, who is to say what is natural and what is not? Is something different yet that has existed as long as the victim a threat? Pollan’s article “Why Natural Doesn’t Mean Anything Anymore” suggests that nature is no longer applicable to …show more content…
Cohen reveals a way of which culture defies the systems of society. The monster is different, thus it poses as a threat to the way of society and nature.. However, tolerance is taught to be a moral standard. Is difference a threat or an invitation? Cohen relates this difference as a threat by, “Representing an anterior culture as monstrous justifies its displacement and or extermination by rendering the act heroic” Throughout history, civilizations have repeatedly displaced cultures because of this difference. The monster threatens to challenge our natural morals and values. It threatens society, the normality of our lifestyle, and traditions; essentially corrupting all that is natural. However, what exactly does this mean in terms of our natural …show more content…
To the primitive natural human moral compass, anyone different to that person is seen as a threat to their lifestyle and safety. This attitude towards differences stretched for centuries, and later developed into laws and principles, most of them stemming from the concept of religion (religion being a philosophy built upon and followed by those with similar moral compasses). By viewing other people as “dangerous” or “savages” because of differences in religion (moral compasses) or appearances / culture, it is a natural human response to go against that group of people to preserve their lifestyles. This concept stretches from the Christian crusades, Spanish Inquisition, and English Colonization, to more recent atrocities such as the Holocaust, the Khmer Rouge genocide, etc. Leaders calibrate their people’s moral compasses to their own direction and create this distinction of who and what is wrong. It is because of our moral compasses that we decide what is right with our society, and what we deem is not becomes an enemy and threat and must be
Another similarity between the two cultures that some people may see in the most recent times is the idea of the bad guy or “monster.” Today Americans are trying to deal with ...
In Jeffrey Jerome Cohen’s essay, “The Monster Theses,” he analyzes the characteristics of a "monster" and explores the course in which they are created. He interprets monsters creation in six different ways; claiming initially that they are symbols and representations of culture. "The monster in an incorporation of the outside." (Cohen, 460). Cohen defines the monster as an outsider to the cultural world in which they are. "The monster is a difference made flesh" (Cohen, 459), Cohen describes how the difference are what makes us human or "flesh."
Flawed, contemplative, and challenging are three descriptive words to describe equality, or the lack of it. The lack of equality is a “monster” according to Cohen’s fourth thesis “The Monster Dwells at the Gates of Difference.” Cohen’s fourth thesis explains how differences among people in regards to race, gender, culture, etc. create “monsters” in society, even when people do not want them to exist. According to “Monster Culture (Seven Theses)” by Jeffrey Jerome Cohen: “Monsters are our children. They can be pushed to the farthest margins of geography and discourse, hidden away at the edges of the world and in the forbidden recesses of our mind, but they always return.” This quote means that the monsters society creates
The culture of Sir Gawain and the Green Knight forms the foundation of the Cohen’s category crisis thesis. Due to the fact that Sir Gawain and the Green Knight can not solely fit into one category within culture and society, it is evident that “The Monster Is the Harbinger of Category Crisis” is not the only one of Cohen’s seven these the poem could have related to. The stereotypical ideas of monstrous actions has evolved into new understanding by connecting the poem to Cohen’s thesis, comparing and contrasting the Green Knight and Sir Bertilak while relating aspects of old ideas to help dissect and form this poem into a new light. As states in Monster Theory by Jeffery Jerome Cohen, “We live in an age that has rightly given up on Unified Theory, an age when we realize that history (like “individuality, “subjectivity”, “gender,” and “culture) is composed of a multitude of fragments, rather than of smooth epistemological wholes. “ In order to create and form a new idea from the poem in connection to Cohen’s thesis the past, current cultural, society roles, and environment must be included. Cohen stated, “Some fragments will be collected here and bound temporarily together to form a loosely integrated net—or, better, an unassimilated hybrid, a monstrous body.” Fragments of Sir Gawain and the Green Knight were taken and connected to numerous factors of the evolution of history,
Late autumn has arrived and with it comes the dark magic of Halloween--and, of course, the
Jeffery Cohen's first thesis states “the monster's body is a cultural body”. Monsters give meaning to culture. A monsters characteristics come from a culture's most deep-seated fears and fantasies. Monsters are metaphors and pure representative allegories. What a society chooses to make monstrous says a lot about that society’s people. Monsters help us express and find our darkest places, deepest fears, or creepiest thoughts. Monsters that scare us,vampires, zombies, witches, help us cope with what we dread most in life. Fear of the monstrous has brought communities and cultures together. Society is made up of different beliefs, ideas, and cultural actions. Within society there are always outcasts, people that do not fit into the norm or do not follow the status quo. Those people that do not fit in become monsters that are feared almost unanimously by the people who stick to the status quo.
In "Monster Culture," Cohen widely talks about and investigates monsters regarding the way of life from which they climb. Keeping up the formal tone of a scholastic, he battles that monster climb at the intersection of a society, where contrasts develop and nervousness increases. The beast is an exemplification of distinction of any quality, whether it be ideological, social, sexual, or racial, that rouses trepidation and instability in its inventors. The creature or monster is habitually an irritating half breed that challenges categorization its hybridism defies nature. Yet despite the fact that there are unreliable monsters, real individuals can get to be monsters as well. Keeping in mind the end goal to bring oddity under control, the individuals who submit to the standard code of the day bestow huge personalities to the individuals who don't. Nervousness is the thing that breeds them and characterizes their presence. In this manner placing the beginning of creatures, Cohen strives to uncover our way of life's qualities and inclinations. For the larger part of the article, the monster is just the subject of our examination, an extraordinary animal under our investigation.
culture rather than nature . . . [they] are neither timeless or transcendent” (264). In other words,
The Monster is a short story that was written by Toby Litt in 1968. From beginning to end, from a third person point of view, we learn bits and pieces of information about a ‘monster’ of sorts, living in a world full of questions. This monster does not know, or understand what, or who, he is, and neither does the reader. The audience is often left wondering just as much as the main character is, resulting in a story that keeps readers hooked. The monster is simply called a monster, and never told if it is, or is not so. The Monster is a short story in which Toby Litt uses experimental story structure, a unique voice, and an unusual theme to challenge conventional story telling.
Peter Brooks' essay "What Is a Monster" tackles many complex ideas within Mary Shelley's Frankenstein, and the main concept that is the title of the essay itself. What is the definition of a monster, or to be monstrous? Is a monster the classic representation we know, green skin, neck bolts, grunting and groaning? A cartoon wishing to deliver sugary cereal? or someone we dislike so greatly their qualities invade our language and affect our interpretation of their image and physical being? Brooks' essay approaches this question by using Shelley's narrative structure to examine how language, not nature, is mainly accountable for creating the idea of the monstrous body.
historically derived and selected) ideas and especially their attached values; Culture systems may, on the one hand, be considered as products of action, and on the other as conditioning elements of further action.”
The creature’s embodiment of the non-European, the outcast, the alien and the other stems from the incompleteness of the monster ability to engage in cretin perceptions of the world he was brought in. Unlike the Europeans, the monster was brought to life with no concept of value, or cultural norms. T...
Civility has taken on many meanings over history. In ancient Rome, it was considered civilized to put lions and Christians in a ring and have them fight to the death. Now, it has morphed into an idea about having an infrastructure, and set laws that are not always followed. The study of Lord of the Flies, Frankenstein, and My Last Duchess prove this to be false. In Lord of the Flies, by William Golding, a group of British boys are involved in a plane crash and end up stranded on an island and must establish a form of society in hope of being rescued. In Frankenstein, authored by Mary Shelley, Victor Frankenstein creates a monster responsible for a streak of killings. In the poem My Last Duchess, a Duke is walking through his house, trying to impress an Emissary, when he comes upon a portrait of his previous wife, who we found out was murdered by the Duke himself. Instead, the true definition of being civilized is derived from choices made within people’s minds, with no bearing by the pressures of society.
We live in a world where creatures have abilities that can blow our minds, however we are ignorant of this. We live in a world where a constant power struggle is occurring between these secret species, a struggle that most human beings have no inclination of. We live in a world where people who know the truth are sworn to secrecy, and those proclaim this truth are considered crazy and locked away; to be sane is to be ignorant. Well, that is what I would love to be true. In actuality, I am fascinated with the topic of monsters; I love them all: lycanthropes, Frankenstein’s monster, witches, fae, necromancers, zombies, demons, mummies, and my favorite: vampires. This fetish has been manifested in the movies I view, the televisions shows I watch, and the books I read. When my obsession with reading is crossed with my obsession with monsters the result is a bookshelf containing more vampire novels than most people would consider healthy. I have discovered that every vampire novel varies vastly; no two books are ever alike. For example, the Twilight Series, the Anita Blake Series and the Vampire Chronicles Series have different legends and lore, different relationships between vampires and society, and different genres, theme, and purpose; this array of novels display most clearly the range of audience for vampire genre can cater.
Most importantly it is cited that the most severe and dangerous conflicts will arise between none other than people with different cultural entities, specifically those along the fault lines between civilizations. Reason for this being that they are all in search of the identities and as Huntington has already said that there is no way you can love what you are if you do not hate what you are not , hence the arousal of the conflicts. In their search of identities they hate what they are not so that they can have a deeper love for what they are.