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Analysis essays for feet under jesus
Under the feet of jesus analysis essay
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Under the Feet of Jesus by Helena Maria Viramontes details the life of Estrella and her family, as she struggles with working as a migrant, moving constantly, and a budding romantic relationship. With her detail and strong use of metaphors, Viramontes helps me connect to the story more, and feel like I am there alongside the characters.
Starting at the very beginning of this novel, Viramontes uses vivid language to help the reader connect to the characters and their struggles. For example, you can feel Estrella’s pain in the line, “… Estrella realized words could become as excruciating as rusted nails piercing the bottoms of her bare feet.” (25). We’ve all been in situations like this, where we realize certain words can cut deep and leave
us hurt, and Viramontes perfectly reflects that in this line. Later in the first part, she smoothly and clearly describes how Estrella and her family are moving houses, and I could vividly imagine the scene in my head. She talks about how the twins would look for their shoes while Perfecto packs the car; how the boys would sneak off to gather bunches of whatever they were harvesting, and come back with pillow cases bulging; how Petra would gently pack up her statues in cloth, and put them away. When I close my eyes, I can see the scene unfolding. Her incredible use of vivid detail carries through the book, and gets stronger as it continues. In part two, Estrella must work outside in the hot weather, and it’s almost uncomfortable to read, since I can practically feel the sweat beading on my forehead, and my muscles getting sore, like Estrella’s. And in the third part of the book, when Petra is cooking breakfast for the family, I can almost smell the garlic as it cooks. Viramontes knows how to use language to her advantage, and does so with grace. She makes it easy to visualize everything in the book, from something as small as a ladybug crawling on your hand, to extreme sickness and near death. If you are looking for a book to give you not just an interesting read, but a whole experience, Under the Feet of Jesus is 100% recommended.
Esperanza tries to be a good friend to Sally, but ends up appearing immature and silly. Esperanza feels shame, as she “wanted to be dead”, to “turn into the rain”, and have “my eyes melt into the ground like black snails” (Cisneros 97). With sensory-rich imagery, the author uses similes and metaphors to describe Esperanza’s feelings of utter mortification as she embarrasses herself in front of Sally. Esperanza becomes confused about her newfound sexuality and her loss of innocence when she begins acting strangely, yet awkwardly around boys. She doesn’t know whether to act like a child or an adult because although she wants to be mature and glamorous like Sally, and she gets exposed to the harsh nature of society. The disillusioned view of becoming mature and having boys notice her is especially realized by Esperanza when she gets raped at a carnival. Through detailed imagery, Cisneros describes the dirtiness of the boy, elaborating on “his dirty fingernails against my skin” and “his sour smell again” (Cisneros 100) and the confusion and anger from Esperanza. After this experience, Esperanza blames Sally instead for covering up the truth about boys and is heartbroken about the real truth of sexuality and men. It is clear that Esperanza vividly remembers this awful experience, and just reflecting on this experience causes her thoughts to
In this first chapter of Jesus and the Disinherited , the author Howard Thurman describes
The book Under the Feet of Jesus by Helena Maria Viramontes shows you the story of Estrella and her family and the struggles they face as migrant workers. Among all the symbolism in the book the one that stand out the most is Petra’s statue of Christ, which symbolizes the failure of religion and the oppressive nature of the Christian religion especially in minorities. Throughout the book, Estrella’s mother, Petra relies on superstitions and religion to get her through the hardships in life. In tough times, she turns to the statue and prays for guidance. Her thirteen-year-old daughter Estrella is the first of her family to realize that she needs to stop relying on religion and take control of her life. This brings in a wave of self-empowerment, not only for Estrella but eventually for all the characters as well. In the book, you’re able to see how religion exemplifies the failures of religion in minorities and how it hinders the growth of the characters while helping some of them.
Judith Ortiz Cofer’s use of diction had effectively implemented the dismissiveness behind an individual’s transition from childhood into adulthood, which had been the central meaning of the poem. Cofer’s uses a rather negative choice of wording in the first line of the poem that being, “My dolls have been put away like dead children”. As the poet decides to use the words “dead children” it brings a sense of gloominess upon the passage. Once the reader continues reading it appears that a connection can be made between the gloominess in the act of putting away the young girl’s dolls like “dead children” to her Quinceanera. Further Along the poem, the pessimism towards the act of maturing is found once again as the poet uses defeatist words such as “poison” when describing the fluids of her body that being blood. It seems that the young girl’s blood symbolizes her menstrual cycle, which effectively marks her entrance into womanhood. When describing the fluids of her body by using the word “poison” it creates a somber image of adulthood as she views her rite of passage as being toxicant. Ultimately, it seems that the poet’s use of diction provides the poem with a solemn tone which ultimately supplies the p...
Dialogue and characterization are effectively employed by Ruta Sepetys to create a forced atmosphere where choices are limited. Told from the perspective of an adolescent girl, Lina, the excerpt portrays a character who combats between appearance and her own ‘reality’ through her artistic expression. Her drawings are “very realistic” because she draws them based on her view of the world (Sepetys). In the ‘real world’, however, they appear to be rather unflattering and therefore, although she “longs to draw” it as she sees, she is forced to conform (Sepetys). In Between Shades of Gray, Ruta Sepetys, through the utilization of dialogue, imagery and characterization, conveys the contrast between reality and appearance in the protagonists’ artistic interpretations in order to convey the contextual setting of the novel.
Gerhard Lohfink, in his book, “Jesus of Nazareth” believes that Jesus’ person and ministry are intertwined, or actually one and of the same. After Lohfink clarifies the difference between the "reign of God" as distinct from the “Kingdom of God,” he asserts that in Jesus, there is this active, ongoing reign which is not only revealed, but is manifested in all He says and does. Lohfink states, that Jesus is “not just preaching about the reign of God, but He is announcing it,” going on to indicating that Jesus is manifesting this reign in His own self disclosure and the actions of His ministry. Jesus ways of teaching and interactions with others, is shown as compassionate, gentle, direct and personal, as well as definitive and bold. As we also find in Ch. 3, “All that is happening before everyone’s eyes. The reign of God is breaking forth in the midst of the world and not only within people.” (51) And for Lohfink, this is taking place in the actual preaching, actions and life of Jesus Christ. Simply, we are personally and collectively and actively a part of establishing this “reign” right here, right now. A “reign” of mercy, compassion, forgiveness, self-giving, sacrificial love, as well as of justice and peace.
Jacopo del Sellaio’s Virgin, Child, and St. John is a characteristically iconographic tempera panel painting of Madonna, the Christ Child, and the infant St. John from the early renaissance, dating to the early 1480s. Sellaio was a Florentine painter under the apprenticeship of Sandro Botticelli, which reflects through his style and symbolism in the painting. In this work, he depicts a classically devotional scene filled with biblical symbolism. Sellaio’s Virgin, Child, and St. John expresses Mary’s loving role as Christ’s mother, the protective power and warmth of her maternal bond, and the significance of the birth of Christ.
Through vivid yet subtle symbols, the author weaves a complex web with which to showcase the narrator's oppressive upbringing. Two literary critics whose methods/theories allow us to better comprehend Viramontes. message are Jonathan Culler and Stephen Greenblatt. Culler points out that we read literature differently than we read anything else. According to the intertextual theory of how people read literature, readers make assumptions (based on details) that they would not make in real life.
An example of dreams stressing powerful words is when Liesel gives Ilsa Hermann, the mayor’s wife, a beating with her words. When Rosa Hubermann’s last client, Ilsa, fires her, Liesel (slightly blinded by anger) decides to give Ilsa a piece of her mind. She throws down her first round of hateful words at Ilsa and “[t]he mayor’s wife’s arms. They hung. Her face slipped.” (263). As Liesel continues, the narrator talks about “[t]he injury” (262) and “the brutality of words” (262). She goes on with her spiteful rant and when she finishes, Liesel imagines the injury she causes Ilsa. She could see that “[Ilsa] [is] battered and beaten up … Liesel [can] see it on her face. Blood [leaks] from her nose and [licks] at her lips. Her eyes [were] [blackening]. Cuts [opened] up and a series of wounds [are] rising to the surface of her skin. All from the words. From Liesel’s words” (263). Liesel picturing the wounds on Ilsa emphasize how powerful and hurtful words can be when used in the right manner. Liesel envisioning her brother in the presence of words also helps to emphasize the symbolic power of words. In her angry outburst of brutal words towards Ilsa Hermann, she mentions the mayor’s wife’s son, who is dead, and it reminds her of Werner and “her brother was next to her” (262). She can hear him “whisper for her to stop” (263) but she does not think he is worth listening to because “he, too, [is] dead” (263). She continues but when she finishes “[h]er brother, holding his knee, disappear[s]” (263). Words have the power to make Liesel envision Werner, and they definitely have the power to make her feel guilty. A few stealing incidents later, he makes a reappearance when Liesel goes back to 8 Grande Strasse with a letter from Ilsa full of forgiving words. He encourages her to knock on the door to patch things up. His knee symbolizes the relationship between Liesel and Ilsa and
How does language impact each character from our readings, and what is the significance? A common theme within our various texts this semester was that of the importance of language. Not only is language a basis of verbal and written communication, but a deeper symbolic aspect of one’s own true identity. This piece will discuss include the significance of language to each character, what it personally means to them, as well as the conflicts they face with their specific means of communication.
The language used portrays the characters thoughts and emotions for example she goes into great detail about her surroundings (her life) and the events which had taken place there .She talks about her environment as if she is closely connected with the associations to which she describes.
Throughout the passage the Allende repeatedly sets the mood through her use of diction. Allende’s description of Esteban’s nightmares, best exemplified the “invisible hands stroking his legs,” is utilized as a tool create a powerful yet cold mood that appeals to the magical realism aspect of Allende’s writing. Furthermore, diction such as “angry” “violent” and “ebb” are utilized in order to symbolize Esteban’s violence and power over life. Allende shifts the mood in the passage to display a positive feature in Esteban. Astonishingly his “aimlessness” stands out from his cold personality allowing one to see into his heart and feel compassion. Everything about Esteban Trueba’s physical appearance affects his desire to be powerful. By having a magisterial life Esteban continues to be violent causing him to “blossom into terrible attacks” however by having the right people around him his hardworking and sensual nature is
The Great Persecution started during the reign of Diocletian. Diocletian took power in 284 BCE and stepped down from emperor in 305 BCE. Diocletian took power when Rome was in a crisis. In the third century, the Roman Empire was changing. They had trouble with the transformation of the monarchy, the state was instable, the power of the military was increasing, some provinces were becoming more powerful in political and military aspects, there was social change, the empire had economic problems, there was a decrease in population which led to a manpower shortage, there was a religious and moral crisis, and lastly barbarian people were invading Rome . Diocletian came in and set up many reforms to help the Empire. He made reforms in government,
For example, whenever May hears of the problems of the world she says “Oh, Susanna” that signals she's going to break down and needs to go to “her wall”. The wall is where May writes down what is causing her grief and this allows her to calm down, through word choice the audience gets a sense of what May endures. There's one incident when everything seems perfect and in the kitchen came the sound “Bloop.Bloop” and when Lily walks in she “loved” the way it “smelled”. The joy that radiates from this event is seen through the diction utilized compared to the somber environment of her father's house. In the end Lily finds a home, loved ones, and “mothers” that “are the moons shining over” her. Even though Lily had troubles along the way she eventually was happy and this is seen through the connotations
The phrases she chose are also significant because they allow us to see that her shift in language represents, and coincides, with her shift in emotion and tone. Ph...