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Compare and contrast roman and greek architecture
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Hardwick Hall Analysis by Mark Girouard and John Harvey
Elizabethan architecture is reign of Queens Elizabeth I of England (1558-1603), influence by the European Renaissance styles, though often somewhat provincial in treatment. Hardwick Hall located in Derbyshire, built for the Countess of Shrewsbury (Bess of Hardwick), in 1591~1597. Hardwick Hall, “More glass than wall.” was a popular saying in the time where great expanses of glass were an ultimate luxury and a symbol of immense wealth. It was designed by the architect Robert Smythson(1535–1614), an exponent of the Renaissance style of architecture. The shape of the house is unusual as other house in Elizabethan, with its six great towers, is exploited internally by many permutations and combinations, the towers in their different stages sometimes contain one or two self-contained and comparatively small rooms; sometimes portions of the staircases; sometimes are opened up into the great rooms and enliven their shape.
Hardwick Hall, Burton Agnes Hall, Wollaton Hall, and other significant Elizabethan projects were designed by Robert Smythson. In other words, Robert Smythson is a signature of that period. Countess of Shrewsbury remains today ‘the supreme triumph of Elizabethan Architecture’ and it is one of the better documented, as well as the best preserved, of Robert Smythson’s works. Although Robert Smythson influenced by renaissance era especially English Gothic, stripped of most classical detail and accentuated by what little remains always can find in his work thus have innovative domestic buildings designed by him. Robert Smythson, who until now has been a shadowy figure among British architects, was an England architect.
John Hooper Harvey and Mark Girouard FAS are inter...
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...rt are two more pavilions, with a gatehouse between them. Unusual features of Hardwick are the colonnades or loggias, not that these were new in England, these loggias were one of the main vehicles for displays of the classical ornament so fashionable in the 1560 and ‘70s.
The comment given by Mark Girouard is ‘Hardwick hall is a non-courtyard house with loggias that it unlike most Elizabethan examples in that their openings are not arched, it’s massive cylindrical columns, of simple but effective design, support a horizontal entablature.’ The example to show that as the stonework shows, they were originally planned to run right round the house between the towers, making its plan at ground level a simple rectangle. In connection with many Elizabethan examples, which has external loggias on each of its four facades but at Hardwick the side loggias were never built.
There are two different styles of log home construction. The first is manufactured log homes also known as kit homes. The logs are mechanically shaped into uniform dimensions. Manufactured logs may also be milled round or rectangular in profile with endless variations. The second type of construction is handcrafted. The natural characteristics of the logs are preserved to show off their individuality and the joinery of the logs is done with hand held tools. There are three different styles of logs. The first is a D shape log for the exterior log look and flat indoor appearance. The second is fully rounded logs to give the full log look on both the interior and exterior. The third is a square log that gives the appearance of timber construction, being flat on all four sides, with the advantages of log building. Depending on the manufacturer and your corner type, milled logs also come with tongue and grooves on the top and bottom of the logs for a more secure fit.
A typical feature of a concentric castle is the protective wood work at the top of the walls. We cannot tell whether this was a feature of Portchester Castle because any evidence would have rotted away.
The hall was designed by a land surveyor from London named John Thorpe. Construction of the hall started in 1618 and despite the hall being incomplete, Sir Thomas Holte and his wife, with several of their sixteen children moved in, in 1631. Four years later, Aston Hall was complete.
This essay will argue that the statement “Cordwainer Smith’s story, ‘Alpha Ralpha Boulevard’, is an existentialist text,” is incorrect because Alpha Ralpha Boulevard exhibits elements that do not correlate with existentialist philosophy.
Over recent years high profile cases have brought to the forefront, questions of ethics in journalism. The purpose of this thesis will be to investigate the significance and context of a past case in which a journalist and news organization engaged in questionable operations to report the news. The issue being discussed is the considerable attention gained by the local media for the negative role they played in the Sept 27th 1990 “Henry's Publick House” incident. This thesis will address ethical questions within journalism from the viewpoint of the news organization of this case study and their breach in ethics.
...atham Building in 1910, followed by the Thornton Building. Both face the Lawn, adopting a gorgeous red brick Victorian Elizabethan revival style with classical trim. North Court has some surviving original fabric but is now dominated by Gothic work from Sir Giles Gilbert Scott.
When an adult goes through a series of experiences, specifically trauma, they are forced to grow up. The story The Round House, is about Joe, a thirteen year old boy who is forced into growing up in the midst of witnessing his family fall apart from the heinous rape and near murder of his mother. Because of the attack on his mother, Joe’s life is brought into a whirlwind of new realities. The rape of his mother forced Joe into learning how to handle the situation of his mother’s attack within himself, learning how to cope with the new way of his family, and ultimately taking the life of Linden Lark. Because of the actions taken by Lark against Geraldine, Joe was pushed into to growing up too fast.
These houses were engineering marvels for their time. While everyone in Europe was building castles, the Native Americans of the area we live in today were building houses which were efficient and strong. While these houses do not exist today, there are many sites which you can go and visit which have reconstructed the structure of a longhouse for you to go inside and take a look around. I was privileged enough to live within five minutes of one and have seen these impressive structures. Without these structures, there is no way that these people would have been able to survive the harsh climate that New York has in the winters.
.... After the houses of parliament burnt down the chosen style was Gothic not Classical. Pugin undertook all of the interior work. Another example was Scarisbirck Hall in Southport built in 1837 the great hall was with a timber framed roof with no classical plaster ceilings and it was all based on knowledge of the mediaeval architecture and all materials used were true.
During her reign, Elizabeth I greatly affected arts of England. “Elizabeth’s reign was a Great Age for English Music, and she directly patronized its greatest composers, Thomas Tallis and William Byrd” (Doran et al). Additionally, Elizabeth was a major proponent of literature, and it was prominent throughout her court. Many compositions were created that reflected Elizabethan politics from great writers such as the playwright, William Shakespeare, who made many comments through his classical writing. Another example was Elizabeth’s gothic art style, which she mixed into a renaissance-type court (Doran et al). Essentially, she was able blend and preserve medieval architectural and art styles into the Renaissance period, unlike other European nations which were much more consumed by the realistic and classical art of the
Interior Decorators such as Elsie de Wolfe, Eleanor McMillen Brown, and Dorothy Draper helped to pave the way for the Interior Design profession today. Their influential decisions to stray away from the Victorian style of design helped guide both the interior decorating profession, as well as architects who no longer wanted to design in the bulky and cluttered Victorian Style. Elsie de Wolfe designed during the Victorian movement, however “had adopted the 1890’s preference for Neoclassicism” (Smith, 22). Unlike the cluttered and dark interiors of an average Victorian interior, her interiors were, “in the words of one visitor, ‘[models] of simplicity’” (Smith, 20).
Bromwich, David. "Elizabeth Bishop's Dream-Houses." In Elizabeth Bishop, ed. Harold Bloom, 159-74, New York: Chelsea House, 1985 .
Such like the House at Regensburg; aestheticism played a part but here it is interpreted in a different sense. Eames created an aesthetic effect that arose from the ‘careful juxtapositions of ready-made structural elements’. This can be seen from the webbed trusses, which are formed from reflections and transparencies. Where selected objects are a part of the architecture itself, as much as the building. The eucalyptus trees filter the light entering the house, only selecting judicious objects, which creates a unique effect for the interior of the house. The design of the house achieved a ‘poetry of form’, that were in a state of difference with the ‘absolution of Mies’.
As someone with a passion for writing, my final project will be an extended expository essay about the history of homebuilding from ancient to modern times. It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
The Palace of Westminster, also known as the Houses of Parliament, serves as the meeting place for the House of Commons and the House of Lords. The Old Palace was a medieval building that was destroyed by fire in 1834. After the fire, a competition was held for architects to submit plans for the new building that should be in a Gothic or Elizabethan style hoping to embody the conservative values of England. A Royal commission chose Charles Barry’s designs for a Perpendicular Gothic palace. Barry’s own style was more classical than Gothic which is why Augustus Pugin’s involvement was so crucial in Barry winning the competition. Barry’s plans reflected more of his knowledge of the neo-classical style through its symmetry. Pugin was the leading authority on Gothic architecture at the time. Almost all of the remains of the Old Palace were incorporated into the new design. Their work on the Palace began in 1840 and, while most of the work was finished by 1860, the New Palace of Westminster was not complete until a decade later. One of the most identifiable features of the Palace is the Elizabeth Tower, commonly identified by its main bell, “Big Ben”. The building is also known for two main spaces; the Lord’s Chamber and the Common’s Chamber. It is well identified by its main façade which runs parallel to the River Thames. The Palace, as it stands today, has been conserved very well to best display the designs as Charles Barry and Pugin intended them to be displayed. The Palace was, and remains, the center for political life in the United Kingdom, just as it remains a major iconic landmark of London. Many articles and books have been written discussing and disputing the history and design of the New Palace of Westminster, as well as the...