Thomas Herzog’s Private House in Regensburg

973 Words2 Pages

The Private House in Regensburg was built in 1979, which is Thomas Herzog’s own home; one can declare that he is the client and designer himself thus fulfilling his own needs or desires for the site. The house demonstrates particular principles of energy efficiency, making it an early eco-home. This can be shown by the use of local materials, or taking advantage of the site for characteristics like protection and aesthetics. Thomas Herzog was born in during World War 2 (1941), in Munich, Germany. In 1965 he completed his diploma for architecture at the Technische Universität München (University of München) and in 1973 he became Germany’s youngest professor of architecture at the age of thirty-two. He is now known famously for his work on eco-tech architecture. Throughout this essay I will analyse Thomas Herzog’s House at Regensburg and explain the themes and principles behind different aspects of the houses in comparison to two other houses in extruded form. During the 1970s Architects first started to think about low-energy buildings, this was due to the oil crisis in the early 1970s. Which resulted in experimental houses, in different styles of ‘folksy or rustic’, thus being quoted as the ‘alternative anti-industrial ideology’. Whereas Herzog did not adopt this style, he carried on using the Modernist tradition. Herzog was an early pioneer of pneumatics and low-energy architecture in West Germany, a country that adopted the belief with enthusiasm, thus turning it into a ‘new orthodoxy’. Herzog’s first low-energy house, is the vice versa of ‘folksy or rustic’, thus creating a new invention, a design made from logic owing itself to science rather than to emotion. The house at Regensburg has the ‘pure prism form and rat... ... middle of paper ... ...ng materials also linking back to Herzog’s use of wood. This is reflected an interest in the use of Japanese wooden-frame traditions showing the sensitivity and irregularity of the composition. Such like the House at Regensburg; aestheticism played a part but here it is interpreted in a different sense. Eames created an aesthetic effect that arose from the ‘careful juxtapositions of ready-made structural elements’. This can be seen from the webbed trusses, which are formed from reflections and transparencies. Where selected objects are a part of the architecture itself, as much as the building. The eucalyptus trees filter the light entering the house, only selecting judicious objects, which creates a unique effect for the interior of the house. The design of the house achieved a ‘poetry of form’, that were in a state of difference with the ‘absolution of Mies’.

Open Document