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The difficulty of knowing what truly exists versus what is a fabrication of our unwitting senses is a problem that confounds daily living. An example from personal experience is the first-time purchase of a home. In the early 2000s, the price of real estate started an upward trend that led to over valued property, and eventually gave rise to the real estate boom and bust of the decade. Some first-time home buyers had a certain naïveté in the practice of house hunting. The psychological effect of watching demand outpace supply is that it creates a feeling of wanting to take the first “good thing”, especially for first-time home buyers who may unknowingly wear rose-colored glasses. The housing boom created an illusion of ever increasing home equity. It was difficult to walk away from potential homes that seemed good on the surface, but in reality were either money pits or less than desirable. For the uninitiated, making sense out of the chaos when things start to go wrong is an emotional process that lends itself to the gradual disposal of the rose-colored glasses. The upkeep and maintenance that homeownership requires of the inexperienced homeowner, particularly an older home, is comparable to taking on a new entry-level job with diminishing returns. There is a prevailing chaos amid the turmoil of a broken water pipe during a holiday weekend. The first trip to the hardware store presents a dizzying array of possible items for purchase and leads to a feeling of helplessness of trying to sort out all the choices for pipe repair. Solder, flux, butane torch, and pipe cutter are strange objects that belong in the plumber’s arsenal, rather than the hands of an inexperienced homeowner. Learning to solder and repair copper pipe on the Fo... ... middle of paper ... ...ss is hard to qualify in a world where the acquisition of material goods masquerades for success. A home is a material object that exists within a concrete reality. It exists with its own qualities of a house built of materials that do change and degrade over time. The costs of homeownership are harder to dismiss when one becomes disillusioned with the effects of a lack of attention to those costs. As someone with a passion for writing, my final project will be an extended expository essay about the history of homebuilding from ancient to modern times. It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
In the essay “The Mansion: A Subprime Parable,” Michael Lewis unfolds the real face of the American dream. He talks about his own personal experience in his look out for a house and his struggle with the house he rented. Most Americans have bought houses they cannot afford. Banks offered loans, they have lent mortgages that many don't have enough financial resources to pay them back. Agents have falsely guaranteed that real estate prices will be in constant rise, they promised them that there will be no declination in prices.
Alberti, Leon Battistia. On The Art of Building in Ten Books. Trans. Robert Tavernor, Joseph Rykwert, Neil Leach. Cambridge: MIT Press, 1988. Print.
M. Fazio, M. Moffett, L. Wodehouse, A World History of Architecture, (London, 2008), p. 434-435
On a sunny Saturday morning with beautiful blue skies, and birds chirping, James Hamblin was in his balcony with a cup of coffee on his desk eager to write his short argumentative essay titled “Buy Experiences, Not Things”. In this short essay, Hamblin wanted to depict the fact that happiness in individuals, is mainly due to experiential purchases than to material purchases. One of the things he said to prove that point was “waiting for an experience elicits more happiness and excitement than waiting for a material good’ (Hamblin, 2014). He also stated that “a mind should remain in one place, and a mind that wanders too much is a sign of lack of happiness” (Hamblin, 2014). Instead of buying the latest iPhone, or Samsung galaxy, we should spend
But in neighborhoods like East Boston and South Boston, rents and real estate values are rising so fast they're dramatically speeding up the natural order of things,¨ this means that in sooner rather than later people will start to lose their homes, while some have already lost them. The author interviewed one of the resident couples who live in east Boston. When the couple were approached by a “Salesman” who offered them 1.2 Million dollars for their home, the man never actually bothered to see what the house looked like, all they wanted was the space, but they had and don't have an intention of leaving anytime soon from east Boston. This comes to show how much one home can mean to one family. Many of us would jump in a heartbeat for 1.2 million dollars, but not
17. Howe, Jeffery. "Frank Lloyd Wright". A Digital Archive of American Architecture. 1998. Boston College. 2004. http://www.bc.edu/bc_org/avp/cas/fnart/fa267/FLW.html (accessed 29th April)
Frank Lloyd Wright and Le Corbusier are two very prominent names in the field of architecture. Both architects had different ideas concerning the relationship between humans and the environment. Their architectural styles were a reflection of how each could facilitate the person and the physical environment. Frank Lloyd Wright’s Robie House, is considered one of the most important buildings in the history of American architecture and Le Corbusier s Villa Savoye helped define the progression that modern architecture was to take in the 20th Century. Both men are very fascinating and have strongly influenced my personal taste for modern architecture. Although Wright and Corbusier each had different views on how to design a house, they also had similar beliefs. This paper is a comparison of Frank Lloyd Wright‘s and Le Corbusier ‘s viewpoints exhibited through their two prominent houses, Frank Lloyd Wright’s Robie House and Le Corbusier’s Villa Savoye.
The Paradox of Choice: Why More is Less, by Barry Schwartz, is focused on the analysis of personal behavior in relation to decision making. As the title implies, the author emphasizes the main point that more choices actually lead to less of an ideal experience. In recent years, choices have become almost unlimited, and this has led to an increase in unnecessary stress placed on the consumer. The availability to make decisions in virtually every aspect of life creates a new level of responsibility on individuals. Decision making can lead to an enormous group of positive and negative feelings. Some of which include satisfaction, happiness, regret, disappointment and even depression. It is important to explore the broad category of decision making
To that end, he included ornamentation, allusion, quotation, irony, wit, mannerism, color, and decoration to his architectural repertoire. Fundamentally, Venturi never forgot who architects design: people. He placed meticulous effort on architectural scale, variety, and visual detail to make buildings meaningful and vivid for humanity. Venturi applied these theories in practice in the Vanna Venturi House, a private residence he constructed for his mother. The project’s interior focuses on the individual needs of ordinary people, which epitomizes Venturi’s overriding ethos.
Buying and owning your home is part of the American dream. Although the dream itself has since changed, the home still remains the main focal point. Today owning a home doesn’t necessarily mean a house. People now buy duplexes, cooperative apartments, and condominiums. For some families it could take up to a couple of generations before it’s able to have the capabilities of buying a home. To many people it means a certain achievement that only comes after years of hard work. It is a life altering decision and one of the most important someone can make in their lifetime. The reasons behind the actual purchase could vary. Before anything is done, people must understand that it’s an extraneous process and it is a long term project.
... artist/designer, so this makes it impossible for me to discuss the person or people who put this idea to life but the building itself is what attracted me to perform my research and base my essay on.
B. RUDOFSKY, 1905, architecture without architects, a short introduction to non pedigreed architecture, university of New Mexico press, Albuquerque, p. 40, 41 PEARSON, D. 2000, Earth to spirit, in search of natural architecture, Gaia books limited
of their buildings. One of the basic questions that this paper will be seeking to answer is whether architects and critics accepted ...
Throughout the world, there are an abundance of diverse cultures, each truly unique in comparison to another. Culture is described as the “characteristics of a particular group of people, defined by everything from language, religion, cuisine, social habits, music and arts” (Zimmermann). Each of these traits is what sets each society apart, and is what influences their expression of design. Throughout this course, we’ve learned how planning and design have varied all through history, however we decided to take it a step further and focus on how different regions throughout the world create spaces that reflect their own cultures’ particular interests. Being a group composed entirely of Interior Design majors, our emphasis is investigating the use of material, color, motifs and layouts of their interior spaces, and how they reflect their societies. Not only do we explore a culture’s influence on design, but we briefly touch on environmental factors as well. Of all of the regions throughout the world, we decided to focus our research on the cultural practices and designs of Mexico, India, and Japan. Our reasoning behind centering on these three cultures is that these cultures are some of the most well-known, yet each entirely distinct within their own way, thus providing a greater understanding of design styles around the world.
Human beings are susceptible to the force of nature. They had to make shelter for themselves. Material was one of the most basic tools to create shelter. By development of building construction, selection and use of materials also developed. The relationship between the architecture and the materials before invention of modern materials was simple and generally naturally [1]; in the past, architects always use tradition materials according their experimental skills. For choosing structural materials, they had attention to important factors such as availability (local materials) and harmony with climate and culture [2], although this way was forward with feedback. But this relationship was not continuing simply.