Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Paragraph on choosing a career
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Paragraph on choosing a career
“The empty path is open, All the choice is mine. There is nothing definite About what I will find.” through various poems like “Banishing the Hauntings,” poet, Hilary Thorpe, questions the uncertainty of one’s choices. Isolation incites independence which causes exile and leads to deviation from family. It is in the face of banishment that Jhumpa Lahiri’s novel; the namesake divulge into the struggles of individuals and their choices that controversial conflicts occur. Self banishing alienation from home initiate emotional family conflicts and independent decisions, but these emotional obstacles eventually lead to a enriching and satisfying lifestyle. As an Indian in America, Gogol faces cultural and emotional conflicts with his family. At six months old, Gogol undergoes traditions of the rice ceremony and is given three different choices that will determine his future career, but “Gogol touches nothing” and his indecisiveness reflect future choices he creates that will assist in straying away from family. As Gogol begins eleventh grade, his teacher assigns a book written by Nikolai Gogol, the man he is named after. And Gogol cringes at moments Nikolai’s life is said aloud “Please, …show more content…
Banishing oneself from home lead to a enriching and satisfying
The Haunting of Hill House is a gothic horror novel written by Shirley Jackson. Supernatural occurrences take place within the house revolving around Eleanor. Eleanor is a thirty-two-year-old woman who never once has felt the sense of inclusion. Eleanor seems to never recall the feeling of delight in her adult years due to the fact that she was a caretaker for her now deceased Mother; who took away most of her freedom by being incredibly restrictive. Dr. Montague, a doctor that specializes in analysis of the supernatural rents Hill House, a supposedly haunted house. During the renting period, Dr. Montague begins an experiment inviting individuals who have had involvement in abnormal events
It is human nature for people to attract themselves to others. However, when put in a difficult situation, one can either work through it or run from it. If one chooses to run, he makes the conscious decision to isolate himself. In the novel Drinking Coffee Elsewhere by ZZ Packer, isolation is a common theme found within the stories. Particularly in “Drinking Coffee Elsewhere” and “Our Lady of Peace”, Dina and Sheba’s inabilities to form and maintain relationships with others lead to their constant seclusion.
Dale Carnegie once expressed, “Happiness doesn’t depend on any external conditions, it is governed by our mental attitude.” Analyzing this quote, it is crucial to note the underlining theme that happiness, true and genuine happiness, requires a shifting away from conformity and the status quo in order to discover the treasure found in one’s own self. Therefore, finding out who one’s self is mandates a state of solitude which acts like the green pastures by the still waters that restores the soul. However, with its roaring and hungry fire that sends up flutters of red and yellow and orange and white fireflies soaring into the carnivorous night, conflict is the key ingredient in shifting away from acquiescence and society’s present state of affairs.
The Haunting of Hill House written by Shirley Jackson, and Tony Burgess’ People Live Still in Cashtown Corners, are horror novels. Both evoke fear in readers in dissimilar ways. The Haunting of Hill House takes readers on an ominous journey that creates feelings of uneasiness, while Burgess’ novel has a direct approach to create fear, right from a rampant killer’s point of view. Despite the differing approaches on the classic genre, Jackson and Burgess demonstrate that horror stems from isolation. Isolation negatively affects mental health, which produces petrifying chaos and destruction of oneself and others.
A person without a home has a chance to become who they are at their roots, their core. A home comes with constrictions, conditions, comforts and consolations that make a person stay sedentary. A home makes it easy to decide what type of person someone is. They are easy described by the things they have and the things they don’t. It is only when a character, a person, is separated that they can become who they are. No longer are they the ones who followed or lead, independent
Almost everybody feels a sense of alienation or isolation at some point in their life. Maybe it was when you were a young kid at a playground in school, being left out of activities. Or maybe this feeling is being experienced by an adult who is having economical or social issues. Whatever the source is for these feelings, it is not a pleasant one, and one we tend to try and avoid as much as possible in life. In the two stories I’ll be discussing, “ The Yellow Wallpaper” by Charlotte Perkins Gilman, and “Desiree’s Baby” by Kate Chopin, there are two characters who experience feelings of alienation, isolation and oppression quite heavily. The effects of alienation and oppression are hindering to women’s independence and well-being. This is seen in the situations of two women we are going to be focusing on for this paper. Alienation and oppression can hinder the well-being and happiness of the individual experiencing it. It can also have long lasting psychological effects and cultural effects as you’ll see in this research paper.
“We are a nation of immigrants. We are the children and grandchildren and great-grandchildren of the ones who wanted a better life” said former Governor of Massachusetts, Mitt Romney, at the 2012 Republican National Convention. Since its establishment, the United States has grown through immigration, lending to a multicultural society. However, immigration and its government policies have become of great public interest due to illegal immigration at the Mexican border and violent events in the Middle East. For this reason it seems sensible to investigate the lives of immigrants so that U.S. citizens may take a stance on this disputed topic. Regardless of their origins, whether they are from Latin America, Asia, or anywhere else, immigrants seem to encounter similar endeavors. In Jhumpa Lahiri’s collection of short stories, Interpreter of Maladies, the author depicts the immigration of Indian citizens to the United States. Noting various matters ranging from motives to the cultural identity crisis, Lahiri exposes the struggles and ramifications of American immigration. The collection elucidates the lives of first and second generation
One of the main characters suffered most from this theme of isolation indefinitely. Poor Sethe. Through her life she was forced to make many indelicate decisions which could have cost her, her life, but comparatively the only life that was lost was here daughters. The way her daughter was conceived was not what Sethe wanted. When a woman is raped, I feel that she loses part of herself possibly a piece of dignity. Sethe became detached from herself for she felt that nothing in the world could do right if something like this could happen. Not only did she have to deal with that fact, which created some inner isolation, she also had to make the decision whether or not to kill her daughter or let her suffer through a life of slavery. She made the decision to have her daughter killed. This also created some detachment from herself. Perhaps she felt as if her mind had deceived because she had her daughter killed. But yet, s...
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
...zation leads to Gogol’s discovery of his true identity. Although he has always felt that he had to find a new, more American and ordinary identity, he has come to terms that he will always be the Gogol that is close to his family. While Gogol is coming to this understanding, Ashima has finally broken free from relying on her family, and has become “without borders” (176). No longer the isolated, unsure Bengali she was when arriving in Cambridge, Ashima has been liberated from dependent and powerless to self empowering. The passing of her husband has forced her to go through her life as a more self-reliant person, while at the same time she is able to maintain her daily Indian customs. This break-through is the final point of Ashima’s evolution into personal freedom and independency.
Gogol is not completely cut off from his roots and identity. He tries to reject his past, but it makes him stranger to himself. He fears to be discovered. With the rejection of Gogol’s name, Lahiri rejects the immigrant identity maintained by his parents. But this outward change fails to give him inner satisfaction.
Myra, who is dying of illness, escapes the confinement of her stuffy, dark apartment. She refuses to succumb to death in an insubordinate manner. By leaving the apartment and embracing open space, Myra rejects the societal pressure to be a kept woman. Myra did not want to die “like this, alone with [her] mortal enemy” (Cather, 85). Myra wanted to recapture the independence she sacrificed when eloping with Oswald. In leaving the apartment, Myra simultaneously conveys her disapproval for the meager lifestyle that her husband provides for her and the impetus that a woman needs a man to provide for her at all. Myra chose to die alone in an open space – away from the confinement of the hotel walls that served as reminders of her poverty and the marriage that stripped her of wealth and status. She wished to be “cremated and her ashes buried ‘in some lonely unfrequented place in the mountains, or in the sea” (Cather, 83). She wished to be alone once she died, she wanted freedom from quarantining walls and the institution of marriage that had deprived her of affluence and happiness. Myra died “wrapped in her blankets, leaning against the cedar trunk, facing the sea…the ebony crucifix in her hands” (Cather, 82). She died on her own terms, unconstrained by a male, and unbounded by space that symbolized her socioeconomic standing. The setting she died in was the complete opposite of the space she had lived in with Oswald: It was free space amid open air. She reverted back to the religious views of her youth, symbolizing her desire to recant her ‘sin’ of leaving her uncle for Oswald, and thus abandoning her wealth. “In religion , desire was fulfillment, it was the seeking itself that rewarded”( Cather, 77), it was not the “object of the quest that brought satisfaction” (Cather, 77). Therefore, Myra ends back where she began; she dies holding onto
Moreover, interestingly “Silence” has many echoes of Munro’s personal life: “I did not look after my mother [who was ill] […] I just left [my family]” (Godfrey 13). Similar to Penelope, Munro recognizes that if she “had stayed and become a housekeeper, [her] life would have ended” and instead she chose to go out into the world despite familial obligations (Godfrey 13). Munro’s personal background reveals that
Now knowing what his actions would lead to, he would go out of his way to familiarize himself with the American traditions leaving his upbringing in the past. A new dislike for his name arises as he “hates signing his name at the bottom...Nothing to do with who he is (76).” Feeling emerge and suddenly Gogol feels as if he has no connections to his name. Only to make these feelings worse he feels humiliated by his classmates for having the name he has but in reality his name isn’t a topic of discussion to his peers. Through this phase the author emphasizes how other people 's opinion are more important to Gogol than what he thinks of himself. The opinions of others have consumed his thoughts so horribly that Gogol becomes viewing himself through the eyes of others. At this point in Gogol’s life it would be a great time for his father to tell him why he chose to give him his birth name but his dad decides to simply give his son the book that at one point saved his life. Not even remotely interested in what he now has in his possession Gogol, “puts the book away on his shelve (77).” On this shelve the book lingers for years to come. As an independent individual Gogol makes little to no effort to remain in contact with his family. Never does he question the book given to him nor does he attempt making small talk with his father about why the book was so important to him and how it influenced him to name his son after the
This Blessed House by Jhumpa Lahiri is a short story that follows a small period of time in the two characters’ lives. Having known one another for only four months, newlyweds Sanjeev and Tanima, called Twinkle, are finding it difficult to adjust to married life. Both have very different personalities, a theme that Lahiri continuously points to throughout the story,. Their conflict comes to a head when Twinkle begins finding Christian relics all over the house. Sanjeev wants to throw the relics away, but Twinkle collects them on the mantle and shows them off at every opportunity. As a character, Sanjeev is unadventurous and exacting, while Twinkle is free-spirited and does not care for the fine details. The root of the conflict between Jhumpa Lahiri’s characters Sanjeev and Twinkle in “This Blessed House” is the clashing of their two very different personalities in a situation that forces them together.