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More handpicked essays just for you.
Buddhism in China? quizlet
Essay buddhism china
2. Mahayana Buddhist Culture in China
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Amongst White Clouds is a documentary directed by Edward Burger, who made a life-changing journey to China in search of Buddhist hermits that still lived among the mountains in modern-day China. Burger first heard of these Chinese hermits in a book he found in a monastery while researching Indian Buddhism—Bill Porter's Road to Heaven. It was only after several months since arriving in Beijing, China that Burger was pointed towards China's Zhongnan Mountain range, where he eventually travelled to study under the supervision of a monk for several years. The documentary consists of various interviews with several of the hermits (including, notably, a nun and a monk nearing the end of his journey) surrounded by footage of their daily lives.
Burger's approach to the creation of the documentary is one in tandem with modern anthropologic methodology; at the core of the documentary is Burger's fieldwork, which gives the documentary a greater sense of authenticity. Burger also tries his best not to intrude in his filming; this becomes very clear when he drops out of the film after the introd...
Searching for Sugar Man, a 2012 documentary directed by Malik Bendjelloul, contains many documentary-type aesthetics. The film tells the tale of an American musician named Sixto Rodriguez whose music encouraged the anti-Apartheid movement in South Africa. The characters within the film are all real people based off of a real-life situation. This particular film contains many on-camera interviews in order to get that documentary type feel. The film shows interviews from a construction worker, to all of Rodriquez’s daughters. Along with these interviews are also on-screen texts used to show the history of Rodriguez. Some on-screen texts display the interviewees names or some display the date and place where Rodriguez was. In one interview, the viewer is able to see the on-screen text of “Dennis Coffey- Co-Producer of Rodriguez’s First Album ‘Cold Fact’ (1970).” This type of on-screen information gives the audience a little background information on who is being interviewed.
Deep River is a short novel through which Shusaku Endo shares the story of a number of Japanese tourists who travel to India in an unknown pursuit of their pilgrimage of grace. Ironically the characters within the novel are non-believers of the Hindu religion, which can be a bit confusing for the reader at first. But as one proceeds through the novel, one will come to realize that the basis of the novel was not to review any particular religion, but to depict the individual journey to God. As stated within the novel, “God has many different faces. I don’t think God exists exclusively in the churches and chapels of Europe…(p.121)”Meaning similar paths will most likely not be taken. However it becomes evident through the reading that it is their sub-conscious notions that lead them to India to find God, although their trips appear to be for alternative reasons.
The film illuminates the life of the Wampanoag language and cultural meanings. How there had been threats posed to both since the times of European colonization, when the Wampanoag people had put up little resistance. The film is not a recap of the Wampanoag
Lussier, G 2013, /Film Interview: Sarah Polley Explains Secrets of her Brilliant Documentary ‘Stories We Tell’, Slash Film, accessed 2 May 2014,
The film Wendy and Lucy, directed by Kelly Reichardt, presents a sparse narrative. The film has been criticised for its lack of background story, and as a short film, much of the story is left to the viewer to infer from what is presented in the plot. However, Wendy and Lucy is able to depict the intimate relationship between Wendy and her dog as well as reflecting more broadly on the everyday, and commenting on the current economic state of the film’s setting in America. This essay will examine how film form contributes to the viewer’s awareness of the story in Wendy and Lucy and allows a deeper understanding of the themes presented. The aspects of mise-en-scene, shot and editing and sound in the film will be explored.
Banning, L. (Producer), Milos, F. (Director) (1996). Research Methods for the Social Sciences. [Film]. (Available from Horizon Film and Video, Austin, TX)
This analysis will explore these cinematic techniques employed by Pontecorvo within a short sequence and examine their effects on our understanding of the issues and themes raised within the film.
David Attenborough’s The Life of Mammals: Meat Eaters and Steve Irwin’s Africa’s Deadliest Snakes are wildlife documentaries that have similar but different purposes. Attenborough uses a script that is rehearsed and the natural environment is followed, Irwin does not have a script and the animals are disturbed. However, both hosts inform the audience of the animal and how they function. Attenborough achieves this through the use of language and Irwin achieves this by being the presenter. Purpose, audience, context, language and form will be compared between the two texts.
The American Dream has been a fantasy for many people around the world. It has
In the film Rabbit Proof Fence, Phillip Noyce uncovers the trauma, upheaval and journey of the victims of the Stolen Generation had to face and come to terms with, how most suffered poor treatment and mental distress. Noyce takes us on a journey through hardship and bravery, he lets us understand that a journey is not only physical but mental too. We see Aboriginals kinship to the land and how they are psychically and emotionally attached to it. One must have determination and courage to succeed through life’s hardships.
David Attenborough’s The Life of Mammals: Meat Eaters and Steve Irwin’s Africa’s Deadliest Snakes are wildlife documentaries that have similar yet different purposes. Attenborough’s has a script that is rehearsed and the natural environment is followed. Irwin’s does not have a script and the animals are picked up. However, both hosts inform the audience of the animal and how they function. Attenborough achieves this through the use of language and Irwin achieves this by being a presenter. Purpose, audience, context, language and form will be compared between the two texts.
... history and the thoughts they evoke for Marker. It goes beyond documentary to create an essay-film.
Oscar Wild once said, “The truth is rarely pure and never simple” and he is right. But no matter what the outcome is, or how complex the truth is, we will always strive for the truth. The concept of truth is no stranger to film documentaries, and one filmmaker that certainty was aware of that was Dziga Vertov. During the 1920’s Vertov created a newsreel series to promote the concept of ‘Kinopravda” which translated to English mean “Film truth.” Unfortunately, Vertov was ahead of his time, and this concept disappeared along the filmmakers’ path. It wasn’t until the 1960’s that other filmmakers around the world once again recognized the importance of the truth. Two movements with the purpose of revealing the truth of life, emerge in different parts of the world, Direct Cinema in North America and Cinema Vérité in France. Although, both had the same purpose, their approaches towards getting the truth make them completely different. Cinema Vérité’s approach gave the filmmakers a chance to manipulate and distort reality by participating and observing at the same time, while Direct Cinemas approach was strictly observational, and there is no better way to find out the truth than observing without interfering.
One of the integral things that must be addressed when making a film is the ethics involved. Ethics are a constant issue that have to be carefully considered when filmmaking. This difficult decision-making is highly prevalent in that of documentaries, because of the difficulties associated in filming ‘real people’ or “social actors, (Nichols, 2001).” More importantly, the issues faced by a filmmaker differ between each of the documentary modes. Each particular documentary mode poses different formal choices that must be made in order to operate in an ethical fashion. Two films that have been made both display examples of how ethics must be considered when embarking on a documentary are Etre at Avoir [To Be and to Have], (2001) and Capturing the Friedmans (2003). These films have been made in different documentary modes, highlighting that there is not one mode which is easier or has fewer ethical issues associated with it. Additionally, what must be considered is how these style choices in these different modes affect the power relationships between the filmmaker, the subject and its audience, (Nichols, 2001).
...ie Calle’s works in the context of documentaries. It bases its arguments on the nature in which Sophie Calle collects her photographs and uses established sources to buttress theories put foward.