Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Hitch movie analysis
Comparative analysis in narrative analysis
Alfred hitchcock camera techniques
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Hitch movie analysis
Alfred Hitchcock presents’ One More Mile To Go and The Twilight Zone’s The Hitch-Hiker share many similarities between their narratives. The most noticeable similarity would be the theme of their stories. Both of them involve characters who are driving alone, for the most part, along deserted roads, and who are afraid of something. However, these stories not only share a similar theme but also the elements that were chosen to represent these stories are very similar as well. I will be comparing and contrasting among the two film for the elements that support the narrative. There aren’t any definite settings for the films as our characters are constantly traveling. One More Mile To Go starts at a house in the countryside where we saw the …show more content…
In One More Mile to Go, my favorite camera movement is during the scene where Jacoby is thinking about what to do with the body the camera moves backwards as he walks to the garage. We have a medium shot as he is thinking and walking around looking, he turns around and reaches to grab something. The camera zooms out and we see that he has a shovel. We see him move about, still thinking what to do until he finds a sack. We get a medium shot of his hands as he puts the body inside the sack and the camera moves up with him as he lifts the body and leaves it in the trunk. In The Hitch Hiker, the gas station has a lot of movement. Long shot of exterior of the car and as Adams gets out of her car and the camera lifts a little when she stands up and then moves backwards to follow her around the car as she looks around to find a gas station. She keeps walking and as we follow her we see the sign that says “Gas Eats Just Ahead.” We have a medium shot of her as she stops to read the sign, she keeps walking, turns around and gets scared when she stumbles upon a tree. They are both smooth and clean and at first you might not even notice all these changes because the director is recreating how we naturally follow …show more content…
The acting wasn 't really great, but this film had a great variety of shots and that 's what leads me to believe that the editing group had the most control because they made it so that the final product had the suspense that it needed through editing. As for The Hitch-Hiker, I believe that the director had the most control over it. It was a very simple story, in general, but the acting is what elevates it and makes you wonder what 's going to happen next. I believe that the director carefully guided the actors and told them exactly how he wanted each moment.Overall, the films were pretty good. They were so similar and so different at the same time and it was good to see them back to back and compare their
In order to suit his needs Hitchcock transports the locale of Vertigo (1958) to the most vertical San Francisco city where the vertiginous geometry of the place entirely threatens verticality itself. The city with its steep hills, sudden rises and falls, of high climbs, dizzying drops is most appropriate for the vertiginous circularity of the film. The city is poised between a romantic Victorian past and the rush of present day life. We were able to see the wild chase of Scottie Ferguson (James Stewart) in search for the elusive Madeleine Elster (Kim Novak) and the ghost who haunts her, Carlotta Valdes in such spots as the Palace of the Legion of Honor, the underside of the Golden Gate Bridge at Fort Point, the Mission Dolores, Ernie’s restaurant,
Rear Window directed by Alfred Hitchcock was an exceptional movie with a jaw- dropping 8.6 rating on IMDb’s website. The movie is about L. B. Jefferies (protagonist), who is a well-known photographer in a wheelchair.The lack of entertainment and extreme boredom caused Jeff (Jefferies) to stare out the rear window day and night. He eyed his neighbors through this window 24/7 and revolved his wheelchair season around their personal lives. As the movie goes on Jeff feels as if Lars Thorwald (antagonist) has murdered his sick wife. He knew they were an unhappy married couple already and had some unmistakable clues. In this series of events Jeff’s girlfriend who he thought to be too perfect for him and epicene turns out be a risk-taker and brave.
Rear Window effectively demonstrates Hitchcock’s strong qualities as an author. The writer for Rear Window is not Hitchcock, and yet there are clearly many motifs and themes present which are well known for being used by Hitchcock. He is not merely following instructions on how to make the movie; he is providing his own creative adjustments. Now we will address a few of these from the film. First, drawing parallels between characters with a difference, usually a negative one, is a repeated concept in Hitchcock films.
Strange noises, eerie strangers, and phantasms are things that often pull an audience into a suspenseful story. In Lucille Fletcher’s “The Hitchhiker” a man is driving from his home in Brooklyn to the west coast. Along the way he continues to see a man who makes him nervous. Eventually, this vision makes him question his sanity. “The Hitchhiker” is a good story because of the elements of plot.
The use of suspense in “The Hitchhiker,” keeps the audience in a state of panic, wondering what the outcome will be. The protagonist looks back upon the torturous six days, remembering his protective mother, and the commonplace traveler. Fear mixed with suspicion, he identifies the hitchhiker on the most inappropriate hitchhiking roads, set on terminating the foreboding individual. Leaving the audience at the climax, Adams believes the hitchhiker must be mortal, and therefore able to hinder, yet the fact of Adams’ unknown identity and his total isolation, prevent his ability to take
1. The scene begins by fading in on the back of the silent man’s head (Cary Grant) in Alicia’s bungalow. Then the camera zooms out while sweeping right to give the first full shot and view of both of the main characters. They are shown seated at a table, with many empty bottles of liquor and glasses.
And last but not least is the villain in these movies. Most of the killers in these films are portrayed as mentally deranged and/or has some type of facial or bodily deformation and who have been traumatized at an early age. Even though these characters terrorized and murder people they have taken on the persona of anti-heroes in pop culture. Characters like Halloween’s Michael Myers, A Nightmare on Elm Street’s Freddy Krueger and Friday the 13th’s Jason Voorhees have become the reason to go see these movies. However, over time,”their familiarity and the audience’s ability to identify and sympathize with them over the protagonist made these villains less threatening (Slasher Film (5))”.
Rear Window and the works of Hopper are both required with confinement. Disregarding its blended utilize land setting, Early Sunday Morning does not pass on a warm, fluffy feeling of group. In like manner, in Rear Window, the inhabitants of the lofts are confined from each other. Apartment Houses is additionally for the most part viewed as another antecedent to Rear Window. Large portions of Hopper's night settings portray scenes from New York City and Night Windows is no special case. The lady in this work of art is totally unconscious of the stage she is on and the front line situate its eyewitness involves. Its semi-sexual story is resounded in Rear Window, and it catches strikingly the experience of living in New York: the a large number
Gone with the Wind is a classic fictional love story that depicts life in the old south before, during and after the Civil war. The book was originally written in 1936 by Margret Mitchell, the movie adaptation was released in 1939, directed by Victor Fleming, and staring Clark Gable and Vivian Leigh. Ms. Mitchell grew up listening to Civil war stories from confederate veterans. It was reported that they told her everything; everything that is, except that they had lost the war, she found that out when she was 10 years old. Though the book was written 71 years after the Civil War ended, Ms. Mitchell did her research and appears to have drawn inspiration from those childhood stories that she was told. This is apparent in the detailed description of the clothing, houses, and everyday discussions and interactions of the characters throughout the book. Though not all historically correct most of what is in the book is accurate. During the time the movie was released, “damn” was considered to be vulgar and controversial and they used the term “darkies” to describe the slaves.
object as she slowly takes a sip. In a later scene, Mrs. Sebastian pours the
While Alfred Hitchcock is most well known for causing his audiences to feel fear, there is more to his movies then that. The themes of inadequateness of the police, control of all details in his films, and long stretches of no dialogue are prevalent in several of his films. He does not just happen to do these things by chance, but they are all related to things that happened to him during his childhood and his early career. No one can escape their past and not let it influence at least part of their life, and Alfred Hitchcock was no exception.
The story of Charles Foster Kane was truly one that could go on as timeless. Born in poverty Kane was given away with the promise of having a better life. In a material point of view Kane lived a very fulfilling life filled with anything he ever wanted. Although throughout the movie, Kane despised the situation in which he was brought up in. Being placed under the care of his mother’s banker really influenced the way he viewed the world. He considered himself a people’s person a sort of hero for those in worse situations than his own. The mass appeal for this character along with the truly original storyline and plenty other factors led many people everywhere to gain a huge appreciation of this movie. Despise its early failure following its
minds of a new day, people waking up on a summer morning. We know it
Alfred Hitchcock’s film North by Northwest (1959) is famed as a classic man-on-the-run thriller, following protagonist Roger Thornhill as he flees across state lines in a mad dash to save his life and unravel the mystery of his extraordinary predicament. However, mid-way through the film Thornhill’s quandary is further complicated by the introduction of Eve Kendall, a beautiful yet mysterious woman he encounters on a train during his escape from the authorities and people trying to kill him. During the dining room scene on the train, Hitchcock expertly uses the camera to convey the characters thoughts and feelings. Interestingly, in a film that has several sequences with complicated cinematography and editing, the dining car scene is rather reserved in comparison. Hitchcock uses nominal mise-en-scène elements and instead elects to focus the camera largely on the subtleties in the performances of the actors.
Are we human if we don’t have a choice to choose between acting good or acting evil? A Clockwork Orange directed by Stanley Kubrick is a brutal film that entails many sociological meanings. Alex DeLarge and his “droogs” (gang) live in a derange society of “ultra-violence” and rape. Alex and his gang cause havoc around the town that leads to the “droogs” turning on Alex during a mischievous act on an innocent women and Alex getting arrested. While in prison he is chosen for “treatment” that is suppose to purify Alex and turn him into the “perfect citizen”. We’ve gone over many sociological concepts in class, but the three that I believe apply the most to this film are socialization, deviance, and resocialization.