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Characteristics of villains in a movie
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And last but not least is the villain in these movies. Most of the killers in these films are portrayed as mentally deranged and/or has some type of facial or bodily deformation and who have been traumatized at an early age. Even though these characters terrorized and murder people they have taken on the persona of anti-heroes in pop culture. Characters like Halloween’s Michael Myers, A Nightmare on Elm Street’s Freddy Krueger and Friday the 13th’s Jason Voorhees have become the reason to go see these movies. However, over time,”their familiarity and the audience’s ability to identify and sympathize with them over the protagonist made these villains less threatening (Slasher Film (5))”. The 1960s brought about what some have argued is the first slasher film Alfred Hitchcock’s Psycho. Hitchcock was able to cast major Hollywood stars to actor in his thriller. He cast a young, handsome Anthony Perkins in the lead and a major star in Janet Leigh, whom Hitchcock kills in the beginning of the movie. In that day it was unheard of now it’s done in movies such as Wes Cravens 1996 movie Scream killing off a major star such as Drew Barrymore. According to FilmmakerIQ.com Psycho “shocked audiences into believing horror could be more than B-Film Fare (14)”. …show more content…
It wasn’t until Wes Craven’s A Nightmare on Elm Street that interest in the slasher genre came back. Theatrical horror releases of slasher films were getting less and less because of the straight to video market. However the character of Freddy Kruger played by actor Robert Englund would reinvigorate the genre. It had a budget of 1.8 million and grossed 25.5 million and became one the most successful franchise in horror movie history. A Nightmare on Elm Street helped to established New Line Cinema and to this day New Line is referred as ,”The House That Freddy Built (Slasher Film
Too many horror films provide scares and screams throughout their respective cinemas. Not many viewers follow what kind of model the films follow to appease their viewers. However, after reading film theorist Carol Clover’s novel, watching one of the films she associates in the novel “Halloween”, and also watching the movie “Nightmare on Elm Street” I say almost every “slasher” or horror film follows a model similar to Clover’s. The model is a female is featured as a primary character and that females tend to always overcome a situation at some point throughout the film.
Film Analysis of Psycho When ‘Psycho’ was first screened in New York on 16th June 1960, it was
Development of Suspense by Hitchcock in Psycho 'Psycho,' the somewhat infamous film by Alfred Hitchcock was produced in 1961, a time when the American censors, The Hays Office, still dominated the film industry with their strict rules and principles. It earned its notoriety by defying the traditional cinematic convections of that time and pushing the boundaries of what could be shown in mainstream cinema. The rules implemented by The Hays Office were far stricter than they are today, and Hitchcock uses all available means to reach and go slightly beyond the set limit. Using clever and different camera angles, he implies things that are not shown. He proves that innuendoes can portray the same image and retract the same audience responses as blatant actions and pictures.
bank. Marion went home there was a close up shot on the money then on
The movie Psycho was created in 1960, and directed by Alfred Hitchcock. This film has many meaningful moments behind it, which all lead up to a shocking yet interesting twist for an ending. Many clips corresponded well with Bill Nichols thoughts, and opinions on how “Every movie is a Documentary.” By comparing both the Nichols reading, and the film Psycho, it is easy to see that this film is a wish-fulfillment documentary. This film shows what could be a scary reality in many people’s lives. It gives us examples of what could be our deepest nightmares and dreads, influences an opinion over people who have multiple personalities, and even feeds some people’s interests.
make the sets look in such a way that the audience were on edge from
Some would say watching horror movies and being scared out of your wits is a fun way to spend their hard earned money. They go see these movies on average once a week, each time choosing a newer version of a trilogy like “Chucky” or “The evil Dead”. Film making has come a long way over the last few decades, the graphic...
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
For this paper I chose to explore Alfred Hitchcock’s Psycho because it has remained the only horror movie I’ve seen to date. I went into a couple others but immediately left; let’s just say horror is not my favorite genre of film. People may or may not always call Psycho a horror film, it may be more of a thriller to people nowadays, but I still believe the correct genre analysis is horror because it should always refer to the genre at the time the film was created and released. I chose Psycho because I spent multiple weeks in high school studying Hitchcock, and Psycho specifically, so I feel comfortable writing on it. I also thoroughly enjoy the film, its backstory, and the character development. Plus, it’s been roughly adapted into one of my favorite shows: Bates Motel, which I will also briefly explore.
Reflecting back on the most iconic figures in the history of horror cinema, characters like Michael Myers, Freddy Krueger, and Jason Voorhees still shine brighter than all the rest – even despite their current lack of utilization. In the meantime, an array of other “big bads,” ranging from Ghostface, Jigsaw, and Annabelle, has attempted to climb the proverbial ladder into the (imaginary) horror hall of fame.
to cash at the bank, but she decides to steal the money and run away.
Alfred Hitchcock, the incredible director who brilliantly integrated sex, humor and suspense in his movies passed away over three decades ago. Despite the thirty years since his death, the legacy of films he made continues. His work has influenced many of the great directors today, and inspired the foundation of the spin off television series Bates Motel. To better interpret the films he created, it is essential to understand the creator of them and examine how his past life traumas and deep inner-thoughts in reality transpired through the fictitious worlds that he created on the big screen. Hitchcock, whether consciously or subconsciously, portrayed his frustrations, fears, and fantasies with the opposite sex through his leading actors and films. This ultimatley allows us to take a look at his past.
All are out for blood and theve all disturbed out sleep from time to time, but watchmojo.com’s video “Top Ten Scariest Horror Movie Villains” takes a look in to the baddest of the bad. Their video is visually and audibly appealing and the video features a well versed speaker.
The shocking twisted ending in film Psycho (1960) was a most successful Hitchcock’s mystery. Owing to such unexpected finish, the film made a powerful impact on the audience. The whole movie was a build up of suspense with mystery resolution. The suspense is often weakened by the fact that the plot is not clear enough to the public. In the case of Psycho, all the details were shown to the audience, some shots even were played twice to achieve better understanding. A spectator was aware of the danger but not prepared for such resolution. “Don’t give away the ending, it is the only one we have!” was the slogan of the movie. (Robb, 2010) Everything was planned to penetrate the emotion of the audience. Music was a significant element in penetrating emotion. “Hitchcock himself admitted that at least a third of the movie's impact depended on the music”. (Nixon, n.d.) “The violins wailing away during Psycho's shower murder scene have achieved the status of cultural shorthand - denoting imminent violent insanity” (Robb, 2010) Hitchcock not only developed mystery and suspense in the movie, he also
It is more likely to stick in our memory, when a film villain can make us think about what lies within all of us. One must wonder why on the other hand Hollywood would invest in making a villain that remains without purpose. By such anemic villainous renderings we’re temporarily startled and sometimes even jump out of our seats of these masked characters such as Michael in “Halloween", that senselessly slashed and kill their victims, yet they seem to fall flat. Indeed, these slasher films do not leave the same lasting impression of our memory, as something that simulates a horror so close to our own realities. “To understand others’ villainy, we need only look into ourselves at our weakest, most enraged, or most desperate and vengeful moments”