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The Narrative Techniques Used by Hitchcock in Rear Window
L.B. Jeffries is a high-class magazine photographer for what seems to
be a worldwide publication. In Alfred Hitchcock's 'Rear Window', he is
a temporarily wheelchair-bound man and his voyeuristic side appears
later on in the film.
'Rear Window' depicts a 20th century New York in which fraudsters,
murderers and salesmen all live alongside each other. The story
describes a man who broke his leg during a photography assignment. He
is, for the time being, stuck in a wheelchair with nothing to do but
look at the neighbours through his 'Rear Window'. He hasn't seen the
light of day since seven weeks ago.
Rear Window is one of Alfred Hitchcock's most memorable films. L.B.
Jeffries becomes engrossed in voyeurism, which carries on throughout
the film. James Stewart, in one of his most unforgettable roles,
represents a photographer with a broken leg, who amuses himself by
casually spying on the neighbours. All of the windows he peers into
presents a glimpse of relationships, in which the men and women are
poles-apart, the newlyweds who can't get themselves off of each other,
the crooked salesman, the forlorn musician. These become mirrors into
his mind, reflecting his apprehension he feels about his bond with the
fashion-writer Lisa Carol Fremont who wants him to get married. Rear
Window gets even more enthralling as it moves to an excruciatingly
fast-moving climax.
The opening scene, the credit sequence, creates an image in people's
minds of a new day, people waking up on a summer morning. We know it
is summer as there are people waking up on their balconies of their
apa...
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...fries receives a phone call from his boss.
From just a ninety-second phone call, we learn a substantial amount
about the characters in the film. From this call, we learn that L.B.
Jeffries is a magazine photographer and that he had broken his leg on
a big assignment. There is a big photography assignment that Jeffries
would benefit financially substantially from; he cannot go as he has a
broken leg. Hitchcock uses the conversation on the phone in an
intellectual way. When Jeffries is on the phone to his boss, talking
to him about marriage, he is looking at a married couple having an
argument.
Alfred Hitchcock's 'Rear Window' had a great balance of suspense,
mystery and romance in it. He uses the camera as a narrator and
focuses on telling the story through the tremendous use of film
language rather than dialogue.
In order to suit his needs Hitchcock transports the locale of Vertigo (1958) to the most vertical San Francisco city where the vertiginous geometry of the place entirely threatens verticality itself. The city with its steep hills, sudden rises and falls, of high climbs, dizzying drops is most appropriate for the vertiginous circularity of the film. The city is poised between a romantic Victorian past and the rush of present day life. We were able to see the wild chase of Scottie Ferguson (James Stewart) in search for the elusive Madeleine Elster (Kim Novak) and the ghost who haunts her, Carlotta Valdes in such spots as the Palace of the Legion of Honor, the underside of the Golden Gate Bridge at Fort Point, the Mission Dolores, Ernie’s restaurant,
Rear Window directed by Alfred Hitchcock was an exceptional movie with a jaw- dropping 8.6 rating on IMDb’s website. The movie is about L. B. Jefferies (protagonist), who is a well-known photographer in a wheelchair.The lack of entertainment and extreme boredom caused Jeff (Jefferies) to stare out the rear window day and night. He eyed his neighbors through this window 24/7 and revolved his wheelchair season around their personal lives. As the movie goes on Jeff feels as if Lars Thorwald (antagonist) has murdered his sick wife. He knew they were an unhappy married couple already and had some unmistakable clues. In this series of events Jeff’s girlfriend who he thought to be too perfect for him and epicene turns out be a risk-taker and brave.
Alfred Hitchcock’s 1954 film Rear Window is truly a masterpiece, as it uses fascinating cinematic elements to carry the story and also convey the meaning of voyeurism. Throughout the film we are in one room, yet that does not limit the story. This causes the viewer to feel trapped, similar to the main character, while also adding suspense to the detective story. The opening scene itself, draws the viewer in. In just five minutes and 27 shots, the viewer is given an introduction to the main character, his lifestyle, his condition, and his neighborhood. The lighting, the costumes, and the set are all presented in a way to catch the viewers eye, compelling them to crave more. Combining vivid lighting, edgy cinematography, and unique set design, Rear Window, proves why Hitchcock is still remembered as one of the greatest and most influential directors of all time.
In the film Rear Window that was released in 1954 Alfred Hitchcock the director uses suspense through out the film to create a mystery. Hitchcock uses several techniques like symbolism, narratives, and voyeurism. Hitchcock main focus in the film was to create the entire film from a one-point vantage spot. The film depicts a vision in the audience head that is produced by visuals. How do gender roles. Having the film shown by the eyes of the protagonist Jefferies eyes the audience have a connection to the film and have one specific vocal point to focus through out the film.
Alfred Hitchcock presents’ One More Mile To Go and The Twilight Zone’s The Hitch-Hiker share many similarities between their narratives. The most noticeable similarity would be the theme of their stories. Both of them involve characters who are driving alone, for the most part, along deserted roads, and who are afraid of something. However, these stories not only share a similar theme but also the elements that were chosen to represent these stories are very similar as well. I will be comparing and contrasting among the two film for the elements that support the narrative.
Development of Suspense by Hitchcock in Psycho 'Psycho,' the somewhat infamous film by Alfred Hitchcock was produced in 1961, a time when the American censors, The Hays Office, still dominated the film industry with their strict rules and principles. It earned its notoriety by defying the traditional cinematic convections of that time and pushing the boundaries of what could be shown in mainstream cinema. The rules implemented by The Hays Office were far stricter than they are today, and Hitchcock uses all available means to reach and go slightly beyond the set limit. Using clever and different camera angles, he implies things that are not shown. He proves that innuendoes can portray the same image and retract the same audience responses as blatant actions and pictures.
And last but not least is the villain in these movies. Most of the killers in these films are portrayed as mentally deranged and/or has some type of facial or bodily deformation and who have been traumatized at an early age. Even though these characters terrorized and murder people they have taken on the persona of anti-heroes in pop culture. Characters like Halloween’s Michael Myers, A Nightmare on Elm Street’s Freddy Krueger and Friday the 13th’s Jason Voorhees have become the reason to go see these movies. However, over time,”their familiarity and the audience’s ability to identify and sympathize with them over the protagonist made these villains less threatening (Slasher Film (5))”.
People like to watch other people and are often quick to make judgments of what they see. This is what L.B. “Jeff” Jeffries does Alfred Hitchcock’s “Rear Window”. Jeff is a wheelchair-bound photographer who is used to an active lifestyle. Because of his boredom, Jeff spends his time looking out his window and watching his neighbors go about their life. However, Jeff does more than watch, because he at the same time he is also making judgments about who his neighbors are and what they must be like. This leads to Jeff becoming obsessed with the disappearance of the wife of his neighbor Mr. Thorwald, because he believed that he murdered her. Although Jeff was correct in his suspicion that Mr. Thorwald murdered his wife, most of his assumptions
bank. Marion went home there was a close up shot on the money then on
Rear Window and the works of Hopper are both required with confinement. Disregarding its blended utilize land setting, Early Sunday Morning does not pass on a warm, fluffy feeling of group. In like manner, in Rear Window, the inhabitants of the lofts are confined from each other. Apartment Houses is additionally for the most part viewed as another antecedent to Rear Window. Large portions of Hopper's night settings portray scenes from New York City and Night Windows is no special case. The lady in this work of art is totally unconscious of the stage she is on and the front line situate its eyewitness involves. Its semi-sexual story is resounded in Rear Window, and it catches strikingly the experience of living in New York: the a large number
As the credits roll we see the blinds of a three-pane window slowly being lifted up, after they finish the camera moves forward revealing to our gaze the reality on the other side of the open window. It faces the back of many other buildings, the courtyard they enclose, and a sliver view of the backstreet. More importantly, it faces many other windows just like it. Behind each one of those there are people, going about their day, doing mundane tasks, unaware of being observed. In his 1954 movie “Rear Window” Alfred Hitchcock invites us to engage in the guilt free observation of the lives of others. The main character, photographer L. B. Jefferies, is home stuck with a broken leg encased in a cast that goes all the way to his hip, providing the perfect excuse for him to amuse himself in this hot Manhattan summer by engaging in the seemly harmless act of looking into the many windows he can see from his back apartment. Casual, harmless, voyeurism has been part of the human behavior for ages but in the sixty years since the movie was released it has gained increasing traction. Reality television, Movies, TV shows, YouTube, blogging, Instagram and Facebook are examples of modern tools that allow us to engage in the observation of others while remaining protectively hidden from their returning gaze. In its essence the casual voyeuristic actions we engage in while observing others when using these new media tools follows the same pattern of behavior described in the movie, with the same positive and negative consequences. Casual voyeurism distinguishes itself from pathological voyeurism, which is characterized by a preference in obtaining sexual gratification only from spying others, by the removal of the sexual component from the equat...
Cinema’s director Alfred Hitchcock is one of the most important and influential filmmakers of all the times. Using revolutionary techniques and controversial topics, Therefore, Hitchcock captivated the public as no other director of his time. One of the techniques that he made famous, his use of the hearing as a voyeur of the action on the screen. Hitchcock used this technique to dim the line between the innocent and the guilty. As well as to the public in the position where they were personally involved in the characters of the film. In the Alfred Hitchcock movies, you can see how many of its protagonists “look”. In RearWindow (1954) the protagonist observes his neighbors through binoculars. Moreover, The man who knew too much (1956) Ben McKenna
object as she slowly takes a sip. In a later scene, Mrs. Sebastian pours the
on a beautiful summer day in a small town. The author describes the day as very
As a filmmaker, whose individual style and complete control over all elements of production, Alfred Hitchcock implied a great deal in the motion pictures that he made.