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Essay western culture
Affects of colonization on aboriginal culture
Essay western culture
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An Allegorical Scene of History Unfolding (2010) is an artwork produced by Danie Mellor that explores the history between indigenous and western cultures, focusing in particular on the colonial era. The artwork is currently on display at the University of Queensland Art Gallery in Mellor’s exhibition: Exotic Lies Sacred Ties. The work was created using pastel, pencil, glitter, Swarovski crystal and wash on Saunders Waterford paper. An Allegorical Scene of History Unfolding is a landscape-orientated drawing bordered by a vintage floral pattern, set in a baroque gold frame. The drawing depicts a company of men in early European-styled clothing and an aboriginal man with a blindfold on. They have gathered in a lodge, furnished by curtains, chairs, a tracing board, and a framed painting of two indigenous men. The artwork is mostly blue and white, excluding the intricate detail of gold glitter and the hues of brown and orange colouring the indigenous people. The title, An Allegorical Scene of History Unfolding orientates the work in historical context and emphasises that the work has a...
When the world was created there was chaos, that chaos has since persisted throughout the course of human history. In Giuseppe Piamontini’s twin pieces, The Fall of Giants and The Massacre of Innocents, he shows two pivotal moments in human history that have forever shaped society through a single action: the creation of the religious world. The use of cold dark bronze in these works helps display the gloom and terror of the scenes. While the intense detailed expressions on the characters faces conveys their horror, grief, or insatiable lust for violence. Piamontini does a fantastic job showing these violent beginnings will have violent ends, there is no escaping it as the cycle will always repeat.
At first glance, John Taylor and Howling Wolf’s visual representations of the treaty signing at Medicine Creek Lodge appear very different from one another. It is more than apparent that the two artists have very different interpretations of the same event. This paper will visually analyze both works of art by comparing and contrasting the compositional balance, medium, and use of color, as well as how the artists narrated their views using different visual elements.
Through the three pieces, the landscapes reflect a painting style is more often associated with European Romantic art, however, unlike the others, the central piece showcases the sky painted with miniscule dots, a technique common within Indigenous art (Lingard 2014, 44). However, the fact that the sky is the only piece of the composition painted with this technique and is placed in the background while more European inspired art and images are placed in the foreground is potentially symbolic of the marginalisation of Indigenous people and their culture in contemporary Australian society. Within Bennett’s own life, he was brought up without his Aboriginal heritage ever being spoken of, describing it himself as “overwhelming Euro-Australian” (McLean 1996, 20). Thus, within his artworks, a dotted circle at the top of each composition includes black footprints facing away from the circle, which matches his personal experience of Indigenous culture being ‘left behind’ in contemporary Australian society. The artist lived in a time where he was connected to a variety of Indigenous experiences including his own as well as the servitude of his mother, and thus through the combination of these varying art techniques, Bennett evokes both discord and further represents the marginalisation of Indigenous culture
The concept of journey is represented in both “The Conciliation” by Benjamin Duterrau and “The National Picture” by Geoff Parr. Both texts represent journey in a different way but still use a variety of techniques such as symbolisation, setting, mood and costume in order to convey this to the viewer. “The National Picture” also uses elements of “The Conciliation” in a way that conveys the concept of journey in the piece.
Social history, which looks at the way ordinary people live their lives can be more revealing and engaging than traditional historical approaches, which examine momentous events or periods.’ (Rankin, S., 1999:135). Social historical stories can be successfully presented through the monodrama form. ‘Monodrama is a complete theatrical work and performed by one actor who portrays either a single character, or multiple characters in the dramatic situation.’ (Mackenzie, D., 1996:46). Leah Purcell and Scott Rankin’s Box the Pony (1999), and Sancia Robinson and Wendy Harmer’s What is the Matter with Mary Jane? (1996) are two very exceptional, yet adversative styles of monodrama. Both play-texts carry personal, positive and affirming messages demonstrated through the use of significant themes, distinctive style, clever structure, valuable language techniques and strong symbolism. The use of these elements determine which monodrama best encapsulates the audience’s attention as a monodrama.
Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
The characters of a modernist narrative reflected a new way of thinking. A summery no longer highlighted meaning, it was ambiguous. The ambiguity portrayed unmanageable futures. The Modernis...
Allusions, by definition, are literary devices with casual references to other people, places, or events in history and literature; however, Swiss author Friedrich Durrenmatt relies upon the classical device not only to interconnect stories but also to support his life views in the plot of the play The Visit. The play follows the townspeople of Güllen, a dilapidated German village, and their succumbance to temptation as billionairess Claire Zachanassian returns and offers one billion dollars for salvation. However, she demands the death of the town’s most popular man--and her former lover--Alfred Ill, for denying a paternity case when she was seventeen. Originally apathetic, the town slowly grows in “debt and prosperity” (49), causing Ill to panic and ask authoritative figures to arrest Claire and prevent his death, to no avail. Reflecting his views of infinitely changing life, Durrenmatt, born in 1921 in Switzerland, created The Visit to portray the central theme that money would corrupt even the most morally strongest, in the case of the Teacher. Classical literary strategies prove essential not to extent of driving the plot, but to allow a deeper understanding of the individual within a society. In The Visit by Friedrich Durrenmatt, the author utilizes allusions to reinforce the characterization of challenging fate; perversion of religious motifs juxtapose the increasing corruption and happiness of the town.
The narrator of this story is omniscient and narrates the events in the first person , in the narrative, there is a definite plot , but corresponds perfectly with the fable : we can therefore speak of a parallel totale.La story is divided into three main sequences : the first serves to give the reader , the definition of the moment in which the story takes place , and announces what is happening in the narrative ; The second part contains a description of the abbey and its inhabitants ; in the third sequence , the more narrative , there is the unfolding of the whole story : with the arrival of death and its consequences .
This is an odd little book, but a very important one nonetheless. The story it tells is something like an extended parablethe style is plain, the characters are nearly stick figures, the story itself is contrived. And yet ... and yet, the story is powerful, distressing, even heartbreaking because the historical trend it describes is powerful, distressing, even heartbreaking.
The use of a third person objective viewpoint is effective in the conveyance of the novel’s themes. This view gives the audience the ability to look in from the outside and draw t...
Throughout history there have been many dystopian societies, societies with major flaws. In these societies actions occurred which caused harm to the citizens such as murder, destruction of property and other unfortunate consequences. These events are often portrayed in novels to point out the consequences of these societies. The novel Legend by Marie Lu contains events and situations based on historical occurrences such as World War II, North Korea and Tiananmen Square in order to point out societal flaws in real dystopian societies.
Anreus, Alegandro, Diana L. Linden, and Jonathan Weinberg. “Come out from Behind the Pre-Cambrian Shield: The Politics of Memory and Identity in the Art of Paraskeva Clark.” The Social and the Real: Political Art of the 1930s in the Western Hemisphere. University Park, PA: The Pennsylvania State University, 2006. 223-240. Print.
Literary masterpieces are a reflection of society that helps educate by using spiritual, intellectual, and political themes. According to Woolf (2014), “…masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice” (para. 12). This paper will explore the powerful literary masterpieces from different cultures where their lessons are still relevant today. The characters and their interactions make the story entertaining, while the lesson to be learned from the characters makes it a masterpiece. Societies come and go, but the lessons from these stories never change. The purpose of this paper is to define what a masterpiece is, how it reflects on society, the qualities it contains, and how they are still relevant today.