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Expressionism essays
Critical essays about Abstract Expressionism
Abstract expressionism
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American abract work has became more acceptable for some artists who all had something in common. It gave artist their own emotional them of how he or she feel. Most of the Abstract Expressinism matured in the early 1900s and it came to be more personal to them. By the 1940s most artist has left their styles behind and also learned much from their early work. It also encouraged them create something new that he or she has never done before. It also made it easier for them blend more colors and add more colors to their work to creat a new theme or colors all away around. Most European modernists began to come to New York in the 1930s and 40s to escape a upheaval and war. New York was a things for artists to become famous and show their artwork. …show more content…
He or she wanted to go out there and explore what was out there and who would buy their paintings and how he or she can be known in a big city.
The artist I chose is Max Weber. He was the first few Americans to exhibit at the Museum of Modern Art in 1930. Although, he nevered painted a great picture, but on the other hand, he created the Chinese Restaurant that was placed in the story of early abract art in America between 1915 and 1919. and his painting that I chose is …show more content…
called the Interior with men. In the painting I see it looks like a bunch of pictures cluttered together to create different aspects of men faces. What I am thinking is when he created this painting is that he wanted to show there are different shapes and sizes of men.
However, you can actually see diffrent picture frames, like a bulding at the botton and at the top it looks like there is a door with windows. Max Weber choose to work on this style because he enjoy working on water colors and he want to let his audience to see what he has created. There are some paintings that he has created could be due to how he felt on his painting and so forth. What meaningful to Weber is that he goes from landscapes, to portraits, figures to a city view and lastly to complete abraction. However, there are barely any places that the eye can comfortably alight that his paintings are nothing but much clutter. The response that I have is his paintings are different and takes some time to think about of what the painting is about or what Max Weber is telling in his paintings. After looking at so many paintings that he had, I enjoyed looking at and there were a few that were kind of confusing and not quite exciting. What I have learned about Max Weber was that he was making a living out of himsef. However, he was being looked over
because of his paintings were not exciting and people were too confused about what the naked eye could see. But, when he started to explain more what his painting is all about, people started to notice what he saw and what questions and opinions each person had for that perticular art.In conclusion, Weber was a great artist. I have learned what some of his paintings were talking about and I would enjoy more of his paintings or like for him to create some more paintings that can be more understandable. He also created more animated images of musicians and other seated figures for example, the two dancers who might either were reciteing a ballet rehearsal or it could that both were on stage performing their recital. When Webster found the Cubism that suited him the best, it was based on exploding reality and more on carefully reassembling it. His paintings has also made it to the Brooklyn Museum. Retrieved from http://www.nytimes.com/1992/11/13/arts/review-art-one-brief-and-shining-cubist-moment.html Retrieved from http://www.theartstory.org/movement-abstract-expressionism.htm
Surprisingly, fifty years later, artist John Sloan happen to meet all the qualifications Baudelaire has designed for Monsieur G— making urban life observations and drawing from memory. Sloan adopts and employs Baudelaire’s idea of urban watching and further expands it for an American audience. Born and raised in Philadelphia, John Sloan first begun his art career as a newspaper illustrator. After years of working, he developed his own artistic style and started making paintings and etchings. When he moved from Philadelphia to New York, he has found that city life scenes of great interest that he then started observing and making etchings for scenes of modern life. He was well-known and celebrated as the founder of the Ashcan School and was most celebrated for this urban genre scenes. (Lobel, Chapter1)
“Dance is movement aware of itself. Dance is purposeful movement that employs artful communication to express ideas and feelings, meaning that aesthetic intention is present” (Cornett, 2014, p 394). Art could be anywhere and anything it just needs to have creativity in order to make it unique and beautiful. One simple art form, could speak for a thousand words and convey many significant messages such as the art form of dance. Baile Folklorico is a great example of communicating in a unique and a stunning art form. Baile Folklorico is a folk dance that elaborates different dances, music and costumes to represent a Latin or Mexican culture.
The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.
This year we have been studying natural forms, this has involved using many new and different materials and techniques.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
For the New York School, as they came to be called, art was personal, and displayed the artist’s own expressive gesture. Though they were considered a group, rather than adhering to a unified, cohesive style, Abstract Expressionists strove to create their own, individualized form of expression. Two Abstract Expressionist groups developed. For Action Painters, such as Jackson Pollock, Willem de Kooning and Franz Kline, art was all about the gesture and the process. No preparatory sketches were made, rather, the art flowed out of the artist’s brush, often by means of non-traditional painting techniques. Color Field painters like Mark Rothko and Barnett Newman created canvas surfaces to evoke emotion and mood through the use of all-over color. With the advent of Abstract Expressionism – Jackson Pollock in particular – art critic Clement Greenberg argued that the art world had finally achieved true modernist painting with Abstract Expressionism’s all-over, flattened image that drew attention to the canvas and the paint itself, rather than portraying illusionistic
The artist I chose was Ellsworth Kelly. Ellsworth is an American artist that was born on May 31, 1923 in New York, Newburgh. He was the second out of the third childs. He died on December 27, 2015 in Spears town, New York. Growing up he watches birds and insects on his T.V. The nature of animals inspired Ellsworth to disctivinive art. After kelly had graduated from high school he went to Pratt Institute for two years to study technical art and designing. On 1943, Kelly had enlisted into the army. Kelly had entered the Camouflage until called “the Ghost Camp”. Throughout his service, kelly had went to France, England and not but not least Germany. Kelly also stayed at Paris but not for long. The places he went inspired kelly more for his visual of art.
The introduction of American Pop art resulted in a major reaction against abstract expressionism, which had dominated painting in the United States during the later 1940s and 1950s. During the later 1950s, there were many indications that American painting would return to a new kind of figuration. Pop art brought art back to the material realization of everyday life, to popular culture in which ordinary people derived most of their visual language in what perceived to be the real world of shopping, movie stars, and car advertisements.
Young children are typically horrible at art. If you’ve ever known a child, you probably know this already. They draw people about as unrealistically as you can get, with circles for eyes, triangles for noses, and lines for fingers. But parents always praise their children. Even though their artistic skills are not yet developed, kids have to be encouraged to try again and again until they learn how to draw more accurately. Professional artists must go through the same process of revising their style until they get it right. This is where the saying comes from: “practice makes perfect.”
All five of the archetypal shapes are in my self-portrait. First of all, the outside appearance is that of a square of rectangle. I feel that people who do not know me do not perceive any of the characteristics that the other shapes represent. Stability is the only characteristic represented by the shapes that people perceive of me. Inside my stable world is a circle in the middle of the bottom of the box. Within the circle is a triangle. This represents how spirituality is the center of my inner self and I find balance within my spirituality. Coming up from the center of the box is a spiral. As the spiral reaches its apex, there is an equidistant cross. This represents how I am constantly growing in order to reach a critical decision-making time of my life (what I want to do for the rest of my life).
The artist I have selected was Damien Hirst. Damien Hirst is a British artist that specializes in the fields of conceptual art, installation art, and paintings. Hirst was born on June 7, 1965 in Bristol, England to Mary Brennan and his father Mr. Damien. He grew up in city of Leeds, England and in 1988; he attended the Goldsmiths, University of London. During this time, he curated the now renowned student exhibition, Freeze, held in east London. Hirst brought together a group of young artists who (he thought) would come to define “cutting-edge contemporary art” in the 1990s.
During the 19th century, a great number of revolutionary changes altered forever the face of art and those that produced it. Compared to earlier artistic periods, the art produced in the 19th century was a mixture of restlessness, obsession with progress and novelty, and a ceaseless questioning, testing and challenging of all authority. Old certainties about art gave way to new ones and all traditional values, systems and institutions were subjected to relentless critical analysis. At the same time, discovery and invention proceeded at an astonishing rate and made the once-impossible both possible and actual. But most importantly, old ideas rapidly became obsolete which created an entirely new artistic world highlighted by such extraordinary talents as Vincent Van Gogh, Eugene Delacroix, Paul Gauguin, Paul Cezanne, Toulouse-Lautrec, and Claude Monet. American painting and sculpture came around the age of 19th century. Art originated in Paris and other different European cities. However, it became more popular in United States around 19th century.
Although choosing one piece of art when there are so many can be a bit problematic as well as downright frustrating when you are stuck between the top three choices, but there is usually one that stands out the most. For me, that is The Old Guitarist by, Pablo Picasso. Picasso was born on October 25, 1881, in Spain. Picasso painter, sculptor, and stage designer. He was considered one of the greatest influential artists of the 20th century. Picasso devoted himself in many artistic ways, many which were considered superstitious as people believed it would keep him alive, which contributed to modern art in the 20th century. One which lasted from 1901 to 1904 and is named his "Blue Period," one of the many paintings of that
For my evaluative essay I chose to pick a piece of work from Pablo Picasso. He was one of the most influential painters in the 20th century, as well as the father of cubism. At a young age Picasso was attracted to the arts and soon went to fine art schools. However, he would always get bored of the classroom and skip class to paint what he saw.
In order to explore new venues of creativity Modernists tinkered with the perception of reality. During the Renaissance, the depiction of a subject was very straight forward. A painting had to look like what it represented. The truth was absolute and right and wrong were clearly defined. For Modernists, the world is much more obscure. In Impressionist paintings, lines are not definite and things tend to blur together. Faces usually do not differentiate one person from another.