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Importance of thought structure in poems
Poem analysed structurally
Poem analysed structurally
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Rhythm Rhyme and Structure
Poetry is the expression of feelings and ideas through different styles of writing; this can be presented in many different fashions. An artist of poetry uses distinct structural patterns such as rhymes, meter, symbolism or tone to convey their message to the reader. For this essay I will demonstrate how the use of these patterns help and or hinder the reader’s experience in understanding the meaning; I will be reviewing and analyzing two specific pieces of work; Robert Frost’s Acquainted with the Night and T.S. Eliot’s The Love Song of J. Alfred Prufrock.
Frost’s poem Acquainted with the Night expresses sadness and unhappiness. The poem reflects an empty feeling of loneliness and being surrounded by darkness. The rhyme in stanza one, ending with night and light, is important to the tone because it helps the reader understand the feeling frost is trying to convey. The contrast between light and dark has often been used to describe feelings of sadness or loneliness. In this use, it conveys the absence of light, furthering the idea of loneliness. The use of the word “I” repeatedly emphasizes the fact that he is alone. This sets the tone of the poem and the structure reflects on this tone.
Frost wrote Acquainted with the Night in iambic pentameter, which is shown by the characteristic that each line contains exactly 10 syllables. This is important because the steady pattern gives a sense of rhythm to the poem and can be related
to the footsteps of the narrator as he walks through the night. The pattern of using end-stop lines in this poem also help with the steady rhythm that Frost was trying for. This structural aspect helps the reader acquire the feeling of the world that Frost wanted to portray...
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...ut how Prufrock thinks the mermaids will not sing to him. This brings the reader a sense that Prufrock has extremely low self-esteem without actually having to say it in the poem. Although this is a great way to get the reader to be more interactive with the piece, by using this method, a negative effect for the reader could occur. If the reader does not understand the references and inferences being made about the narrator, than the message that T.S. Eliot is trying to make would become completely lost.
The rhyme scheme and meter of this poem is irregular but not random. Parts of the poem may resemble free verse while other parts have bits and pieces of rhymes. the enjambment of every line couples with the end-rhymes of "pane" and "drain," "leap" and "asleep" to swell the stanza forward. Numerous other examples of the poem's "butt-ends" emerge throughout the poem.
In “We Grow Accustomed to the Dark” and “Acquainted with the Night” the darkness or night is the most prominent topic throughout the poems but have different meanings. While both poets address this topic in their poems, Dickinson transitions from an attitude of nerves to one of inspiration, while Frost turns to the night as a getaway from harsh society. The night is used in both as negative symbol. The use of imagery and structure are very important to help get the message of darkness across to the readers. Even though the authors have a similar theme, Frost is specific and to the point, while Dickinson’s makes her poetry more broad and can relate to a variety of readers.
The night is a symbol for dark moments of solitude during the speaker’s life. Through being “acquainted with the night” (line 1), the speaker is saying that he is familiar with darkness, proving how symbolism brings out a detached tone with the help of diction, saying that isolated darkness is something the speaker experiences regularly. The exertion of the night as symbolism creates an image for readers to realize that Frost did not actually mean nighttime in his poem; he used the night as symbolism to provide deeper insight and bring the image of our own dark times to describe as “the night”(line 1) just as the speaker of “Acquainted With the Night” did. Symbolism goes on to present itself in line 2, the “rain” is used as a symbol for tears and melancholy. The rain was not meant to be read literally, but rather symbolically as tears, or times of mourning over the harsh struggles in life, just as the speaker did when he “walked out in rain and back in rain” (line 2) meaning he walked into and out of life’s struggles. If the weather is cold and rainy, no one goes outside because of the gloomy clouds and cold rain. Similarly, no one reached out to the speaker in “Acquainted With the Night” during his gloomy periods of “rain”(line 2) or sadness, which expresses
The poem’s diction is fairly simple so that educated and uneducated people alike would be able to read and understand the poem somewhat easily. Because Frost prided himself upon being accessible and relatable to all people,
Frost's use of imagery and parallelism of what the dark night sky looks like indicates that he is often alone and wanders the empty, cold streets late at night. This also makes it seem as though he was the only one out at night this late and that he feels depressed about his devastating situation. His uses of, "I have been..." repeatedly in lines 1-7 suggests that his depression is ongoing from the past, unclear if he would recover from his depressing past. The reader can feel through his words that even though he can hear sounds of people ("an interrupted cry") on the streets and occasionally bumps into people, he feels alone in this world. Through his actions, Frost makes it seem as though no one in the world cares for him and he is completely isolated and restricted from interacting with people. At one point in the poem, he hears a cry from a nearby street, but realizes that it was not meant for him and that no one is ever waiting for him. He uses the phrase, "I have passed by the watchman on his beat/And dropped my eyes, unwilling to explain, " to show his experiences with depression and how it has made him incapable of interacting in normal society. While normal people are typically associated with the day, enjoying happiness, sunlight, and optimism, he focuses the narrator to being solely with the night, finding
Frost uses different stylistic devices throughout this poem. He is very descriptive using things such as imagery and personification to express his intentions in the poem. Frost uses imagery when he describes the setting of the place. He tells his readers the boy is standing outside by describing the visible mountain ranges and sets the time of day by saying that the sun is setting. Frost gives his readers an image of the boy feeling pain by using contradicting words such as "rueful" and "laugh" and by using powerful words such as "outcry". He also describes the blood coming from the boy's hand as life that is spilling. To show how the boy is dying, Frost gives his readers an image of the boy breathing shallowly by saying that he is puffing his lips out with his breath.
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
On the other side, Coleridge is raised in rural London and expresses his idea that, as a child, he felt connected to nature when looking above the sky and seeing the stars. Unlike Wordsworth, who felt freedom of mind, Coleridge felt locked up in the city. Since he did not have any experience with nature, he did not get the opportunity to appreciate nature until he became an adult. In Coleridge’s poem “Frost at Midnight,” readers see how the pain of alienation from nature has toughened Coleridge’s hope that his children will enjoy a peaceful nature.
In his narrative poem, Frost starts a tense conversation between the man and the wife whose first child had died recently. Not only is there dissonance between the couple,but also a major communication conflict between the husband and the wife. As the poem opens, the wife is standing at the top of a staircase looking at her child’s grave through the window. Her husband is at the bottom of the stairs (“He saw her from the bottom of the stairs” l.1), and he does not understand what she is looking at or why she has suddenly become so distressed. The wife resents her husband’s obliviousness and attempts to leave the house. The husband begs her to stay and talk to him about what she feels. Husband does not understand why the wife is angry with him for manifesting his grief in a different way. Inconsolable, the wife lashes out at him, convinced of his indifference toward their dead child. The husband accepts her anger, but the separation between them remains. The wife leaves the house as husband angrily threatens to drag her back by force.
Frost's use of detailed description in this poem is quite interesting. It helps provide the reader with a better visual image of the poem. He doesn’t go too far though as to tell the reader exactly what’s going on, he leaves the poem open to interpretation so that the reader can decide for himself what is truly going on between the neighbors. On one hand, Frost tells us specifically what is going on in the poem, the two neighbors meet together at the beg...
To begin with, the understanding of loneliness and desolation is identified through the use of the dark night in one of Frost’s most popular poems, “Acquainted With the Night.” Briefly, this poem revolves around a lonely speaker who is endlessly taking a walk beyond the city he or she lives in but is not able to locate anything or anyone that would comfort the speaker in his or her stage of depression. Loneliness and isolation are actually two of the crucial themes associated with this poem. The speaker is being “acquainted with the night,” because the night shares the same emotion that the speaker carries. They carry the same emotion because from personal references, the nighttime is often referred to as the time of reflection, sadness, loneliness, and indeed isolation. There is and evident choice of diction to depict isolation like, “the furthest city light,” (L3) as the speaker grows farther away from the city and loses light, which contributes more to the idea of the dark night. This also heightens the understanding of the speaker’s depression and isolation. “The s...
Both Browning and Eliot seek to improve upon the nature of the dramatic monologue. Browning emphasizes structure and a separation between the poet and the character which is reiterated by Eliot’s poem. Browning’s influence on Eliot can be seen by the form and structure of “The Love Song of J. Alfred Prufrock” adding working intrinsically with the theme and subject of the work. However, Eliot deviates slightly from Browning by the portrayal of his characters, and the amount of information that he is willing to share with the reader. The intended message of Browning’s poem is much more apparent than Eliot’s who creates an open ended poem that can be interpreted differently by each reader.
T.S. Eliot is often considered one of the greatest and most influential poets of the 20th Century. Not only were his highly regarded poems such as “The Wasteland” and “The Love Song of J. Alfred Prufrock” influential to the literary style of his time, but his work as a publisher highlighted the work of many talented poets. Analyzing his poem, “The Love Song of J. Alfred Prufrock,” with psychoanalytic criticism reveals several core issues in the speaker of the poem, and may reflect Eliot himself.
par. 1). With clever poetic purpose, Frost‘s poems meld the ebb and flow of nature to convey
This poem is darker than most of Frost’s poems. One of the most depressing lines that are in this poem is, “Now if it was dusk outside Inside it was dark,” (Frost, Lines 3 to 4). From this line, the reader could take that even though there is some happiness outside, all Frost feels on the inside is sadness. It comes up in the poem that it is easier to feel sad than to be happy. In the middle stanza of the poem is when Frost’s positivity starts to reveal itself. He states, “The last of the light of the sun That had died in the west Still lived for one song more In a thrush’s breast.” (Frost, lines 9 to 12). From this statement, it can be gathered from the light that had died still living on. Even though it can’t be seen, Frost still knows that it is there. This is a main focus point of the poem. Having been sad for so long, it is a nice feeling to be happy. Frost is holding on to the feeling of it because he so desperately wants to be happy. This stanza gives a glimpse of hope to the readers, and that is the focus point of Come In, the poem written by Robert
T.S Eliot, widely considered to be one of the fathers of modern poetry, has written many great poems. Among the most well known of these are “The Waste Land, and “The Love Song of J. Alfred Prufrock”, which share similar messages, but are also quite different. In both poems, Eliot uses various poetic techniques to convey themes of repression, alienation, and a general breakdown in western society. Some of the best techniques to examine are ones such as theme, structure, imagery and language, which all figure prominently in his poetry. These techniques in particular are used by Eliot to both enhance and support the purpose of his poems.