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Essays of frost poetry
Robert frostst poems
Frost as a American poet essay
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Robert Frost, well known American poet of 191 poems, has a common message in his writing. Focusing mainly on Birches, The Road Not Taken, Dust of Snow, Stopping by Woods on a Snowy Evening, Beech, Come In, and In Winter In, his main message is to always focus on the positive when everything else is trying to pull you down. This idea could also be seen as trying to always keep a positive attitude. The thesis above can be proven through a textual analysis. The shortest poem we will be focusing on, Dust of Snow, even proves the thesis to be right. In the beginning of the poem, Frost states, “The way a crow Shook down on me,” (Frost, Lines 1 and 2). Frost could be hinting at him feeling pressure or stress from an outside source. Further down, …show more content…
This poem is darker than most of Frost’s poems. One of the most depressing lines that are in this poem is, “Now if it was dusk outside Inside it was dark,” (Frost, Lines 3 to 4). From this line, the reader could take that even though there is some happiness outside, all Frost feels on the inside is sadness. It comes up in the poem that it is easier to feel sad than to be happy. In the middle stanza of the poem is when Frost’s positivity starts to reveal itself. He states, “The last of the light of the sun That had died in the west Still lived for one song more In a thrush’s breast.” (Frost, lines 9 to 12). From this statement, it can be gathered from the light that had died still living on. Even though it can’t be seen, Frost still knows that it is there. This is a main focus point of the poem. Having been sad for so long, it is a nice feeling to be happy. Frost is holding on to the feeling of it because he so desperately wants to be happy. This stanza gives a glimpse of hope to the readers, and that is the focus point of Come In, the poem written by Robert …show more content…
The poem is showing how many people are questioning the way Frost conducts himself and his happiness. Everything in Frost’s poem up until the last stanza is dark and depressing. An example of this is, “Between the woods and frozen lake The darkest evening of the year.” (Frost, Lines 7 and 8). Frost is so consumed in the sadness, that its very dark around him. The last stanza is where Frost’s hopefulness is presented. The happiness is hinted towards, “The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.” (Frost, Lines 13 to 16). He has promised himself to always keep moving forward and focusing on the goodness that life has to offer. Frost knows that he isn’t quite there yet, but he will not give up. He emphasizes his perseverance by reaping himself twice when he says “And miles to go before I sleep,” (Frost, Line 15). He had a break through and knows that he cannot give up. He is taking the little bit of happiness he knows to transform his life completely too where he is happy with every aspect of it. He is taking the hope that he does have and running with it, not looking back at the despair he feels that surrounds
In the eulogy that President John F. Kennedy gave for the lately departed poet, Robert Frost, only three out of the four common elements that Kunkel and Dennis found in eulogies can be found in this specific eulogy. The elements I found in this eulogy are positive reappraisal, praise, and problem-focused coping while self-disclosure of emotion, credibility, affirmation of vivid past relationships, and continuation of interactive bonds could not be found. John Kennedy imminently starts off with a positive reappraisal: “Robert Frost was one of the granite figures of our time in America. He was supremely two things—an artist and an American,” (lines 3-4). Kennedy is telling the thousands listening that Robert Frost not only had a good life but
The night is a symbol for dark moments of solitude during the speaker’s life. Through being “acquainted with the night” (line 1), the speaker is saying that he is familiar with darkness, proving how symbolism brings out a detached tone with the help of diction, saying that isolated darkness is something the speaker experiences regularly. The exertion of the night as symbolism creates an image for readers to realize that Frost did not actually mean nighttime in his poem; he used the night as symbolism to provide deeper insight and bring the image of our own dark times to describe as “the night”(line 1) just as the speaker of “Acquainted With the Night” did. Symbolism goes on to present itself in line 2, the “rain” is used as a symbol for tears and melancholy. The rain was not meant to be read literally, but rather symbolically as tears, or times of mourning over the harsh struggles in life, just as the speaker did when he “walked out in rain and back in rain” (line 2) meaning he walked into and out of life’s struggles. If the weather is cold and rainy, no one goes outside because of the gloomy clouds and cold rain. Similarly, no one reached out to the speaker in “Acquainted With the Night” during his gloomy periods of “rain”(line 2) or sadness, which expresses
Robert Frost is regarded as one of the most distinguished American poets in the twentieth century. His work usually realistically describes the rural life in New England in the early twentieth century and conveys complex social and philosophical themes. But his personal life was plagued with grief and loss, which is also reflected in his poems and the dark energy distinguishes Robert Frost’s poems, frequently conveyed in the use of lexical words like dark and its derivatives or synonyms, woods, snow, night, and so on. (Su, Y)
Frost's use of imagery and parallelism of what the dark night sky looks like indicates that he is often alone and wanders the empty, cold streets late at night. This also makes it seem as though he was the only one out at night this late and that he feels depressed about his devastating situation. His uses of, "I have been..." repeatedly in lines 1-7 suggests that his depression is ongoing from the past, unclear if he would recover from his depressing past. The reader can feel through his words that even though he can hear sounds of people ("an interrupted cry") on the streets and occasionally bumps into people, he feels alone in this world. Through his actions, Frost makes it seem as though no one in the world cares for him and he is completely isolated and restricted from interacting with people. At one point in the poem, he hears a cry from a nearby street, but realizes that it was not meant for him and that no one is ever waiting for him. He uses the phrase, "I have passed by the watchman on his beat/And dropped my eyes, unwilling to explain, " to show his experiences with depression and how it has made him incapable of interacting in normal society. While normal people are typically associated with the day, enjoying happiness, sunlight, and optimism, he focuses the narrator to being solely with the night, finding
Frost begins the poem by describing a young boy cutting some wood using a "buzz-saw." The setting is Vermont and the time is late afternoon. The sun is setting and the boy's sister calls he and the other workers to come for "Supper." As the boy hears its dinnertime, he gets excited and cuts his hand on accident. Immediately realizing that the doctor might amputate his hand, he asks his sister to make sure that it does not happen. By the time the doctor arrives, it is too late and the boy's hand is already lost. When the doctor gives him anaesthetic, he falls asleep and never wakes up again. The last sentence of the poem, "since they (the boys family and the doctor) were not the one dead, turned to their affairs" shows how although the boys death is tragic, people move on with their life in a way conveying the idea that people only care for themselves.
Frost is far more than the simple agrarian writer some claim him to be. He is deceptively simple at first glance, writing poetry that is easy to understand on an immediate, superficial level. Closer examination of his texts, however, reveal his thoughts on deeply troubling psychological states of living in a modern world. As bombs exploded and bodies piled up in the World Wars, people were forced to consider not only death, but the aspects of human nature that could allow such atrocities to occur. By using natural themes and images to present modernist concerns, Frost creates poetry that both soothes his readers and asks them to consider the true nature of the world and themselves.
Frost uses a religious allusion to further enforce the objective of the poem. Whether Frost's argument is proven in a religious or scientific forum, it is nonetheless true. In directly citing these natural occurrences from inanimate, organic things such as plants, he also indirectly addresses the phenomena of aging in humans, in both physical and spiritual respects. Literally, this is a poem describing the seasons. Frosts interpretation of the seasons is original in the fact that it is not only autumn that causes him grief, but summer.
wisdom Do you think that is true of the poems of Frost and the other
Frost created many poems with a correlation to death. A poem that easily displays this theme is “A Soldier” because it deals with the falling of a soldier at war. As Karen Hardison explains that “"A Soldier" is composed around an extended metaphor that is introduced in the first line: "He is that fallen lance ...." The soldier is compared to a fallen lance, a weapon, that lies on the ground” (1). Most of this poem involves a metaphor and imagery, which help the reader understand the theme. The fallen soldier lies dead on the ground and as time passes he begging to deteriorate yet he remain in the same location, just like the lance. Frost also condemns war and all of the consequences that occur because of it. Furthermore, another of Frost poem that containing the theme of death is “Nothing Gold Can Stay’, the poem indirectly references the theme of death. The poem states that everything eventually comes to an end and that not even gold can remain unchanged. The poem explains this theme with many metaphors about everything’s coming to an end. Freeman explains that “Even the poem's rhymes contribute to this sense of inevitability: Nature's gold we (or She) cannot hold; the flower lasts only an hour; the post flower leaf is like Eden's grief; the coming of day means that dawn's gold cannot stay”(2). The poem explains that everything has a natural cycle and that nothing last forever. When the poem states “nothing can
The first technique he uses is imagery. Frost does this at the beginning of the poem by talking about all of the beauty of nature that is around the boy. For example, he talks about the mountains in the distance that the boy does not see because he is too busy working. Another example and the most important use of imagery in this poem is the snarling and rattling of the saw. This is essential because it gives the readers a since of life to the saw. Lastly, the sweet-scented stuff when the breeze drew across it gives the reader not only smell but also touch. All of these examples of imagery helps set the mood for the reader and puts them into the poem as an onlooker. Another technique that he uses is figurative language. The saw “snarled and rattled” is the use of figurative language and onomatopoeia because it represents the fate of the boy and the animal-like noise that accompanies the fate. Also, “Call it a day” is figurative language because this represents that if the boy was told to stop working earlier he might have never lost his and hand and would not have died. Frost also uses figurative language when he wrote “The life from spilling” meaning that literally the blood is gushing from his arm and so his life is quickly fading away because the more blood loss the faster arrival of death will come. Irony can also be found in “Out, out” when the boy laughs after his hand is cut off by the saw. This ironic because usually people do not laugh at these types of situations and have the complete opposite reaction which is usually panic. Frost also uses blank verse and no stanzas to convey emotion throughout the poem. He does this by showing the light heartedness of the setting at the beginning of the poem and is invested in the boy, but then as the poem continues he detaches himself from the emotional aspect of the situation the boy is in. For example, when is says, “Call it a day , I
In his narrative poem, Frost starts a tense conversation between the man and the wife whose first child had died recently. Not only is there dissonance between the couple,but also a major communication conflict between the husband and the wife. As the poem opens, the wife is standing at the top of a staircase looking at her child’s grave through the window. Her husband is at the bottom of the stairs (“He saw her from the bottom of the stairs” l.1), and he does not understand what she is looking at or why she has suddenly become so distressed. The wife resents her husband’s obliviousness and attempts to leave the house. The husband begs her to stay and talk to him about what she feels. Husband does not understand why the wife is angry with him for manifesting his grief in a different way. Inconsolable, the wife lashes out at him, convinced of his indifference toward their dead child. The husband accepts her anger, but the separation between them remains. The wife leaves the house as husband angrily threatens to drag her back by force.
In his poem 'Mending Wall', Robert Frost presents to us the ideas of barriers between people, communication, friendship and the sense of security people gain from barriers. His messages are conveyed using poetic techniques such as imagery, structure and humour, revealing a complex side of the poem as well as achieving an overall light-hearted effect. Robert Frost has cleverly intertwined both a literal and metaphoric meaning into the poem, using the mending of a tangible wall as a symbolic representation of the barriers that separate the neighbours in their friendship.
Although this poem also is connected with nature, the theme is more universal in that it could be related to Armageddon, or the end of the world. Even though this theme may seem simple, it is really complex because we do not know how Frost could possibly relate to the events leading to the end of the world. It is an "uncertain" and sometimes controversial topic, and even if everyone was certain it was coming, we do not know exactly how it will occur and when. Therefore, how did Frost envision this event? Is he portraying it in a religious context, a naturalistic one, or both? The last line (14) speaks of God putting out the light, which brings out a religious reference, but the bulk of the poem deals with nature entirely. Physical images of water, clouds, continents, and cliffs present a much more complex setting than the simple setting in "Stopping by Woods on a Snowy Evening" or the yellow wood in "The Road Not Taken."
Robert Frost wrote poetry about nature and it is that nature that he used as symbols for life lessons. Many critics have been fascinated by the way that Frost could get so many meanings of life out of nature itself. Frost‘s poetry appeals to almost everyone because of his uncanny ability to tie in with many things that one is too familiar with and for many, that is life in itself. “Perhaps that is what keeps Robert Frost so alive today, even people who have never set foot in Vermont, in writing about New England, Frost is writing about everywhere” (294).
Nature is an important theme in every frost poem. Nature usually symbolizes age or other things throughout Frost’s poems. In lines 5-10 it says, “Often you must have seen them loaded with ice a sunny winter morning after a rain. They click upon themselves as the breeze rises, and turn many-colored as the stir cracks and crazes their enamel. Soon the sun’s warmth makes them shed crystal shells.” This demonstrates how nature can sometimes symbolize something. Also in lines 29-33 it says, “ By riding them down over and over again until he took the stiffness out of them, and not one but hung limp, not one was left for him to conquer. He learned all there was to learn about not launching too soon.” In lines 44-48 it says, And life is too much like a pathless wood where your face burns and tickles with the cobwebs broken across it, and one eye is weeping from a twig’s having lashed across it open. I’d like to get away from earth for a while.”