Analysis Of The Love Song Of Prufrock

The analysis between“The Love Song of J. Alfred Prufrock” and“Something Whispered in the Shakuhachi”
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but

Alfred Prufrock”indicates the spiritual emptiness and disillusionment of people , chaos, and futility of modern life and nothingness of human existence on a meaningless world. This is what the poet intends to disclose. And love songs, as many expect, must be very sweet and romantic. Love must be connected with something pleasant. Yet the love song of Prufrock seems very sentimental and sorrowful. The first stanza of the poem presents an unpleasant sight to us.“when the evening is spread out against the sky, Like a patient etherized upon a table”, Prufrock perceives the sunset as a patient oozing on the operation table. Through Prufrock’ s“stream of consciousness”,“ half-deserted streets, cheap hotel, dust restaurants”-the living conditions of the poor appear before him. The situations and the atmosphere are not in harmony with a real love song. This reveals the state of mind of Prufrock, who is not happy, but in a melancholy mood. There is a repetition of the line“In the room the women come and go Talking of Michelangelo”demonstrates the women of fashion pose as a lover of culture and show off their culture accomplishment. They pretend to be educated and converse with so-called civilized gentlemen to relieve their boredom. People in the genteel society in the party eat, drink, dance, and talk to kill much time. This description of the life of genteel society forms a sharp contrast to the poor district with its

I found there is a consistent theme of the being the "other" and never being fully accepted into mainstream society. Hongo said: “My project as a poet has been motivated by a search for origins of various kinds, a quest for ethnic and familial roots, cultural identity, and poetic inspiration—all ultimately connected to my need for an active imaginative and spiritual life. I write to be a voice that I can listen to, one that makes sense and raises my own consciousness.” Hongo uses descriptive lists and repetitious word order and phrasing. His language is elegant and lyrical. “Something Whispered in the Shakuhachi”in Yellow Light in 1982 by Garrett Hongo. It is an intimate poem. In its focus on one elderly and enfeebled man, Hongo is able to show a strength of spirit that can transcend the most challenging and demeaning of conditions. In that poem, Hongo talks about an old man hanging over his sleep, a metaphor for his own Japanese origins, which live in his heart. The old man delights in his talent for carving Shakuhachi. Rather than have his precious flutes destroyed, he burns them himself, but even after they are gone, he can hear their “wail like fists of wind whistling through the barracks.” After the war, when he returns home, the memory of the flutes and their