The Love song of J. Alfred Prufrock is a poem that was written by T. S Eliot. The poem introduces the character, Prufrock, as a man who is very pessimistic about everything and is incapable of change. Prufrock sees the society he lives in as a place that is full of people who think alike, and he thinks he is different from them. Though Prufrock, realizes that the society he is associated with needs a change and have more people who think differently, but the fact that he is very concerned about what people would think of him if he tries to speak up to make a change or that he would be ignored or be misunderstood for whatever he says hindered him from expressing himself the way he would like to. Prufrock then decides not to express himself in order to avoid any type of rejection. In the poem, Prufrock made use of several imagery and metaphor to illustrate how he feels about himself and the society he is involved in. Prufrock use of imageries and …show more content…
For example, in the poem, Prufrock made mention of how “ There will be time, there will be time/ To prepare a face to meet the faces that you meet”(27-28). In the quote the image “Face” used, means a facade. What Prufrock is actually trying to say is that people in the society are not exactly what they portray to be and that everyone is just putting on a mask or putting on an appearance to cover up the unpleasant and credible reality of their lives. Therefore, he means that people only pretend to be who they are not and hide their real identity or personality. Consequently, since he believes that everyone is just putting on a facade, he then feels that he would also have time to be able to prepare himself to have another personality, he would portray when he meets other people who have also created another false identity of
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
Eliot, T.S.. "The Love Song of J. Alfred Prufrock." An Introduction to Poetry. 13th ed. Kennedy, X. J., and Dana Gioia. Boston: Little, Brown, 1966. 369-372. Print.
Alfred Prufrock always had a low self-esteem, and no confidence to take a chance with these girls. The reason why Prufrock was intimidated to go talk with these women is that he was scared to be turned down. He did not want to ask her on a date, and then the women reject him. “And should I then presume?/And how should I begin?” (Eliot 68-69). This quote is demonstrating how Prufrock is debating on whether and how he should approach a girl. He does not know how to start a conversation with a girl. He goes through these questions every day, and the result is the same every day. He is nervous and self conscious that the women will notice the bald spot on the back of his head and his thin physique. He is trying to find love, but his lack of confidence is holding him back. “And I have known the eyes already, known them all” (Eliot 55). Eliot is explaining how Prufrock knows all of the women who go through the coffee shop each day. He recognizes their eyes because because he sees them so often. As bad as he wants to go and talk with these women, he still will not do it in fear of being rejected. His scarce of being turned down makes his life lonely in a coffee shop for the rest of his life. J. Alfred Prufrock wants to be a hero and tries to compare himself to John the Baptist, Lazarus, and Hamlet. But his low self-esteem and self-consciousness caused him to think low of himself “Prufrock realizes that the best he can do in Shakespeare’s play is to be Polonius, who talks too much, annoys everyone, and is finally killed by accident when he is eavesdropping on Hamlet and his mother.” (Frazer, Timothy
T.S. Eliot’s breakthrough poem “The Love Song of J. Alfred Prufrock” is expertly crafted to have a complex structure with various hidden themes. The poem acts as an inner monologue for the titular character, appearing as lyric-narrative poetry. However, it does appear to lean towards a lyric poem, with the hazy plot consisting of Prufrock describing what his life has been like, in retrospect to speculating on what is to come next. The monologue throughout is melancholy in nature, with Prufrock dwelling on issues such as unrequited love, his frail body, his looming demise, and a dissatisfaction with the modernist world. Eliot uses a variety of metaphor within the poem to showcase Prufrock’s indecision, between being unable to fully live, while
By a correct reading of "Prufrock," I mean a reading consistent with the central theme of the poet's belief made mute because the poet lives in a culture of unbelief--that is, the "silence" of the poetic vision in modernity. Prufrock renounces his inherited, romantic role as "poet as prophet" and renounces poetry's role as a successor to religion. The future of poetry may have once been immense, but that future no longer exists for Prufrock, who is faced not only with the certainty of the rejection of his poetic vision but also with a situation in which there are no grounds for rhetoric: "That is not what I meant at all. / That is not it, at all." Fear of rejection leads Prufrock to the ultimate silencing of the prophet and hero within himself, to being "a pair of ragged claws." He cannot share his poetic vision of life: to do so would threaten the very existence of that life. Paradoxically, not to share his light, his "words among mankind," threatens the loss ...
In T.S. Eliot’s The Love Song of J. Alfred Prufrock many people see Prufrock as the ultimate loser. He’s too scared to step out and take a chance to court a woman. He is bogged down with critizing homself. He is divided, wanting to sing with the women, but also wanting to hide away from everyone. But is he really such a loser? Many parts of his song say that this may not be the case.
On the surface, ?The Love Song of J. Alfred Prufrock? is about an older man who is distressed by his own inability to tell a woman of his desire for her. He tries to relay his feelings to her but comes up with all kinds of excuses not to, and ultimately does not. The speakers? real problem is not that he is just too timid to confess his love for this particular woman, it is that he has a somewhat unproductive, bleak life and has a lack of willpower and boldness to change that life.
prophet like Lazarus or a prince like Hamlet, and he slips into the safety of a
Eliot paints a picture of the opening scene that depicts a drab neighborhood of cheap hotels and restaurants where Prufrock lives in his solitary gloom. He invites the reader to make a visit with him to a place that Prufrock imagines is filled with women having tea and engaging in conversation. Prufrock procrastinates on the visit and says, 'There will be time, there will be time / To prepare a face to meet the faces that you meet:'; (lines 26-27) indicating to the reader that he is afraid of showing his real self to these participants. He further indicates his hesitation by stating, 'Time for you and ...
Those sides of Prufrock's character are shown only to the reader. The ladies have to judge him on his appearance and his behavior during the evening out. He is an older man, his hair is growing thin, and he is skinny. Eve...
He does not ask questions such as a “Do I dare?” The poem also relates Prufrock’s shameful life to Dante’s Inferno. In regards to the fact that he is in a dark lonely place where his life has no meaning and has little sureness in himself. Dante’s is confined to hell, where Prufrock is living a lonely life within the city. Another reference to Dante’s Inferno quotes a false counselor in Hell who will tell his crime only to those he thinks will keep it a secret. Prufrock, too, would not want his story of his life to be known he wants to create “To prepare a face to meet the faces that you meet” but what he has to hide is insignificant. There is also reference to the Italian renaissance painter Michelangelo with the women coming and going talk to Michelangelo, that gets you to think that these women can be those of higher class. This may be in regards to the fact that Prufrock may be afraid of the fact that he will not fit the needs of these
The original form of "The Love Song of J. Alfred Prufrock" is a poem, made up of poetic prose. Prose can vary in lexical makeup, which is decided by the writer, but usually consists of descriptions of subjects that allude to, and are analogous of, the underlying thoughts of the writer. This gives the lines a sense of vague beauty that allows the reader to interpret meanings in his/her own mind in contrast to simply spelling out the meanings. Poetry has the ability to evoke upon the reader a sense of reflection and deep thought in an effort to understand the message that the writer is delivering.
Reinforcing the central idea of the poem through fragmentation techniques, and through commentary from Eliot about the social world of Prufrock, The Love Song of J. Alfred Prufrock by T.S. Eliot is of a man in a human connection voided modern society’s inability to take decisive action. Through Eliot’s fragmentation, the social world of Prufrock is seen as disordered, empty, repetitive, chaotic, judgmental, isolated and a couple others, but nonetheless, he painted a good portrait of the society and has a good sense of the society in which Prufrock inhabits.
T.S. Eliot is often considered one of the greatest and most influential poets of the 20th Century. Not only were his highly regarded poems such as “The Wasteland” and “The Love Song of J. Alfred Prufrock” influential to the literary style of his time, but his work as a publisher highlighted the work of many talented poets. Analyzing his poem, “The Love Song of J. Alfred Prufrock,” with psychoanalytic criticism reveals several core issues in the speaker of the poem, and may reflect Eliot himself.
T. S. Eliot's poem "The Love Song of J. Alfred Prufrock" reveals the unvoiced inner thoughts of a disillusioned, lonely, insecure, and self-loathing middle-aged man. The thoughts are presented in a free association, or stream of consciousness style, creating images from which the reader can gain insight into Mr. Prufrock's character. Mr. Prufrock is disillusioned and disassociated with society, yet he is filled with longing for love, comfort, and companionship. He is self-conscious and fearful of his image as viewed through the world's eye, a perspective from which he develops his own feelings of insignificance and disgust. T. S. Eliot uses very specific imagery to build a portrait of Mr. Prufrock, believing that mental images provide insight where words fail.