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The love song of j alfred prufrock conclusion
The love song of j alfred prufrock explained
The love song of j alfred prufrock explained
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The Genius of Klassik Komix
In "Klassik Komix" Steven Millhauser uses the well-known poem, "The Love Song of J. Alfred Prufrock" by T. S. Elliot, to create an intermediary between complex poetic prose and the simplicity of the classic comic book. He uses descriptive language to beautifully capture the importance a writer's medium in the literary interpretation of his/her work while also demonstrating his love for the imagination.
The original form of "The Love Song of J. Alfred Prufrock" is a poem, made up of poetic prose. Prose can vary in lexical makeup, which is decided by the writer, but usually consists of descriptions of subjects that allude to, and are analogous of, the underlying thoughts of the writer. This gives the lines a sense of vague beauty that allows the reader to interpret meanings in his/her own mind in contrast to simply spelling out the meanings. Poetry has the ability to evoke upon the reader a sense of reflection and deep thought in an effort to understand the message that the writer is delivering.
The classic comic book is a polar opposite of the complex nature of poetry. The comic book is designed for the younger reader and possesses a simplistic nature that allows the creator to use visual media combined with short written dialog to tell a story. The pictures in a comic book are an integral part of the makeup of a comic book. The pictures allow the creator to portray the protagonist and antagonist in a way that is common to all readers. This however inhibits the use of imagination by the reader. The pictures are all an artist's interpretations of the actions and settings that make up each scene. When a person reads descriptive text with no pictures, it allows the reader to build a mental picture of each scene that is unique to his/her own personality. The comic book does not allow for this expressiveness in its prefabricated structure.
Millhauser elegantly combines these two literary vehicles in his work "Klassik Komix" in a way that simplifies the form but still allows the reader to use his/her mind to draw its own pictures. "In the room women come and go / Talking of Michelangelo"(stanza 3).
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
Eliot, T.S.. "The Love Song of J. Alfred Prufrock." An Introduction to Poetry. 13th ed. Kennedy, X. J., and Dana Gioia. Boston: Little, Brown, 1966. 369-372. Print.
The Love song of J. Alfred Prufrock is a poem that was written by T. S Eliot. The poem introduces the character, Prufrock, as a man who is very pessimistic about everything and is incapable of change. Prufrock sees the society he lives in as a place that is full of people who think alike, and he thinks he is different from them. Though Prufrock, realizes that the society he is associated with needs a change and have more people who think differently, but the fact that he is very concerned about what people would think of him if he tries to speak up to make a change or that he would be ignored or be misunderstood for whatever he says hindered him from expressing himself the way he would like to. Prufrock then decides not to express himself in order to avoid any type of rejection. In the poem, Prufrock made use of several imagery and metaphor to illustrate how he feels about himself and the society he is involved in. Prufrock use of imageries and
In graphic novels you don’t get as much freedom of imagination as you read. This is because they give a visual connected to the dialogue, in the point of view of the character. In this instance the imagination of the reader is limited. This is demonstrated in Frankenstein adapted by Lloyd S. Wagner inside the panels are illustrations presenting transitions which are moment to moment. In this case, it doesn’t really give the reader freedom to put him or herself in the story to actually experience and fathom the plot. On the contrary the original text of a novel gives the reader an appreciable amount of language which will advocate imagination. In Frankenstein written by author, Mary Shelley she writes “Everywhere I turn I see the same figure—her bloodless arms and relaxed form flung by the murderer on its bridal bier. Could I behold his and live?” On account of the original text containing more explanation and detail, the reader’s imagination can go
Peterson, M. Jeanne. “Gentlewomen at Work.” Family, Love, and Work in the Lives of Victorian Gentlewomen. Indianapolis : Indiana University Press, 1989. 132-161.
Did you know that comics have been around for more than one thousand years? There are examples of narratives told using pictures in Rome. Today comics are looked at to be childish. People prefer to read books with only words than books with pictures. Scott McCloud is an American cartoonist and comic theorist. One of his comics is called Understanding Comics. It explores different aspects of comics, the history of comics, its vocabulary, and the different ways comics can be used. Scott McCloud believes that comics are a great way to tell a story. Using both words and pictures and a better way to tell as story rather than just using words by themselves. He shows this by giving the reader examples of different ways to use them
Gender decorum is one more form of decorum that has played a crucial role in this novel. In the midst of this era women were expected to be very reserved and well-mannered. In the beginning of the novel during a conversation between the Bingley’s, Mr. Darcy, and Elizabeth, the gender roles of women are discussed. The expectations of women are plainly exerted by Miss Bingley:
Eliot, T. S. "The Love Song of J. Alfred Prufrock" in An Introduction to Literature. Ed Sylvan Barnet et al. 13 ed. New York: Longman. 2004. 937-940.
T.S. Eliot’s poem The Love Song of J. Alfred Prufrock has a plethora of possible interpretations. Many people argue that the poem represents a man who appears to be very introverted person who is contemplating a major decision in his life. This decision is whether or not he will consummate a relationship with someone he appears to have an attraction to or feelings for. People also debate whether or not Prufrock from the poem is typical of people today. While there are a plethora of reasons Prufrock is not typical of people today the main three reasons are he is very reserved, he overthinks most situations and he tries avoid his problems instead of solve them.
“In the room the women come and go/talking of Michelangelo” 13/14 the speaker mentions repeats this twice, it’s the only conversation that sticks into his mind. To me this is suggesting he is not receiving the attention of these women. This makes speaker feel less confident maybe he does not have the same ‘Attractive’ looks compared The Statue of David. This gives the persona paranoia as he thinks he’s not sculpted to perfection. Another point to be made of this line, this standalone stanza has rhythm similar to a
The title of this poem makes us think that this is going to be a love story with him and a significant other. But these expectations are not fulfilled by the text starting in the introductory epigraph. The title is completely ironic because this is not a “love song”, yet this story is about a depressed, lonely and weak man. The title makes us think that this poem is going to be a serious love song about J. Alfred Prufrock, but instead it is more of a fake love song. From the third line of the poem he shows a man who is unable to communicate, much less sing, “love songs” to anyone.
What is accomplished by the lengthy description of the "evening" in the first few stanzas of "The Love Song of J. Alfred Prufrock"?
One of the most important things in literature is dialogue. Dialogue is what connects characters and adds depth to the plot. Comic books are known for their picture strips with a few words on each picture. This means that it’s difficult for comics to be compared to today’s soap operas on television because of the lack of communication with the characters. This contradicts soap operas in television and novels because they are...
T. S. Eliot's poem "The Love Song of J. Alfred Prufrock" reveals the unvoiced inner thoughts of a disillusioned, lonely, insecure, and self-loathing middle-aged man. The thoughts are presented in a free association, or stream of consciousness style, creating images from which the reader can gain insight into Mr. Prufrock's character. Mr. Prufrock is disillusioned and disassociated with society, yet he is filled with longing for love, comfort, and companionship. He is self-conscious and fearful of his image as viewed through the world's eye, a perspective from which he develops his own feelings of insignificance and disgust. T. S. Eliot uses very specific imagery to build a portrait of Mr. Prufrock, believing that mental images provide insight where words fail.
Most people believe that graphic novels are just an art book with minimal text. They believe it is just for entertainment for kids or young adults. They think that graphic novels are just like comics. But to get to the point, graphic novels are just like all the other novels. They are a piece of literature that tells a story and pulls out the reader’s imagination, so that they feel that they are a part of the story or can even relate to the story. Graphic novels have changed and developed into such remarkable pieces of literature and should be accepted by all scholars to be placed in that category. According to John Ridley, “There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are-at their best-an amazing blend of art, literature and the theater of the mind”.