Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
T s eliot the love song of j alfred prufrock poem analysis
The love song of j alfred prufrock conclusion
Literary criticism essay on the love songs of j. alfred prufrock
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In T.S. Eliot’s The Love Song of J. Alfred Prufrock many people see Prufrock as the ultimate loser. He’s too scared to step out and take a chance to court a woman. He is bogged down with critizing homself. He is divided, wanting to sing with the women, but also wanting to hide away from everyone. But is he really such a loser? Many parts of his song say that this may not be the case. Prufrock tells his long song he isn’t talking to no one, nor is he keeping his fears hidden. Prufrock is talking to us. He is walking with us. He is inviting us into his life. We get to see all the good and bad that make up Prufrock. In the beginning we go with him through the streets of England. He is taking us on a physical journey and a spiritual journey. He slowly introduces his fears and his short comings. We feel his anguish. We learn his wishes. All because he is openly telling …show more content…
He is a crab who wants to hide at the bottom of the sea. He is wearing casual clothing walking along the beach. He dreams of the mermaids singing to him. The sea is an immeasurable expanse he is lost in. It is his unknown that he is afraid of and fears losing himself in. All of these descriptions bring us closer to Prufrock. They show us the world through his eyes. The wonder and the fear of the yellow fog. The vastness and limits of time. His vision of himself as crab. The generic nature of the women as mermaids. And his feeling of loneliness in the huge sea. He doesn’t discuss other people’s opinions because all that matters is Prufrock’s opinions. There is no omniscient narrator looking down at Prufrock and telling us about the poor life of Prufrock. The narrator could describe Prufrock’s actions and maybe give us a glimpse into his thoughts, and that would have given us a story about a down trodden man. This poem is told in a more intimate manner. We are hearing Prufrock’s story through his words and
The title of the poem itself dictates the simplicity Bishop wishes to convey regarding the narrator's view of his catch. A fish is a creature that has preceded the creation of man on this planet. Therefore, Bishop supplies the reader with a subject that is essentially constant and eternal, like life itself. In further examination of this idea the narrator is, in relation to the fish, very young, which helps introduce the theme of deceptive appearances in conjunction with age by building off the notion that youth is ignorant and quick to judge.
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
The Love song of J. Alfred Prufrock is a poem that was written by T. S Eliot. The poem introduces the character, Prufrock, as a man who is very pessimistic about everything and is incapable of change. Prufrock sees the society he lives in as a place that is full of people who think alike, and he thinks he is different from them. Though Prufrock, realizes that the society he is associated with needs a change and have more people who think differently, but the fact that he is very concerned about what people would think of him if he tries to speak up to make a change or that he would be ignored or be misunderstood for whatever he says hindered him from expressing himself the way he would like to. Prufrock then decides not to express himself in order to avoid any type of rejection. In the poem, Prufrock made use of several imagery and metaphor to illustrate how he feels about himself and the society he is involved in. Prufrock use of imageries and
In his poem Eliot paints the picture of an insecure man looking for his niche in society. Prufrock has fallen in with the times, and places a lot of weight on social status and class to determine his identity. He is ashamed of his personal appearance and looks towards social advancement as a way to assure himself and those around him of his worth and establish who he is. Throughout the poem the reader comes to realize that Prufrock has actually all but given up on himself and now sees his balding head and realizes that he has wasted his life striving for an unattainable goal.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.
Prufrocks next thoughts tell of his old age and his lack of will to say what is on his mind. He mentions his bald spot in his hair and his thin arms and legs. This suggests that he knows he is growing old, and therefore contradicts what he had mentioned earlier in the poem about having plenty of time. Throughout the poem he is indecisive and somewhat aloof from the self-involved group of women. One part of him would like to startle them out of their frustratingly polite conversations and express his love for her, but to accomplish this he would have to risk disturbing their ?universe? and being rejected. He also mentions ?sprawling on a pin?, as though he pictures himself being pinned in place and viciously analyzed like that of an insect being literally pinned in place. The latter part of the poem captures his sense of overwhelming lack of willpower for failing to act daringly, not only at that tea party, but throughout his life.
...ing line the eloquently depicts the act of daydreaming and having a quiet fantasy abruptly disturbed by reality (131-133). It is only in his ruminations that Prufrock can escape the demands of society and the expectation of rejection.
By a correct reading of "Prufrock," I mean a reading consistent with the central theme of the poet's belief made mute because the poet lives in a culture of unbelief--that is, the "silence" of the poetic vision in modernity. Prufrock renounces his inherited, romantic role as "poet as prophet" and renounces poetry's role as a successor to religion. The future of poetry may have once been immense, but that future no longer exists for Prufrock, who is faced not only with the certainty of the rejection of his poetic vision but also with a situation in which there are no grounds for rhetoric: "That is not what I meant at all. / That is not it, at all." Fear of rejection leads Prufrock to the ultimate silencing of the prophet and hero within himself, to being "a pair of ragged claws." He cannot share his poetic vision of life: to do so would threaten the very existence of that life. Paradoxically, not to share his light, his "words among mankind," threatens the loss ...
The first stanza introduces Prufrock’s isolation, as epitomized metaphorically by “half-deserted streets” (4): while empty streets imply solitude, Eliot’s diction emphasize Prufrock having been abandoned by the other “half” needed for a relationship or an “argument” (8). Hoping for a companion, Prufrock speaks to the reader when saying, “Let us go then, you and I” (1), as he needs to address his lament to an audience; conscious of the reader’s curiosity regarding the “overwhelming question,” (10) Prufrock answers, “Oh, do not ask, ‘What is it?’” (11). (The likely explanation for Eliot’s inconsistent use of you in this stanza is Prufrock probably meaning you as “To lead one,” as he refers to himself and not the reader in line 10.) Eliot continues the metaphor of Prufrock’s lonesomeness by anthropomorphizing the “yellow fog” and “smoke” (15, 16) to signify Prufrock, who interacts not with people, but only the environment in the third, fourth, and fifth stanzas. Clearly it is Prufrock who “rubs [his] muzzle on the window-panes” (15, 16), passively lets “fall upon [his] back the soot that falls from chimneys” (19), “slides along the street” (24), and performs the actions also described; also, the opacity of “fog” and “smoke” symbolizes the difficulty with which readers perceive Prufrock’s true character, further separating ...
There are a few instances in the poem that refer to Prufrock as an introverted person distinguishing him from typical people today. For instance, in the poem Prufrock says “I
“The Love Song of J. Alfred Prufrock” is hardly a love song at all. That irony is clear in that the narrator’s voice is anxious, self-conscious, and depressed. It seems he has wasted his life or that life was wasted on him, and he regrets not being born as a creature that lives on the bottom of the sea. The very last lines of the poem,
realizes that his entire existence has been controlled by others and he is now on a journey to
The title T. S. Eliot chose for his poem "The Love Song of J. Alfred Prufrock" is ironic. Mr. Prufrock does not love anyone, nor does he believe he is loved. He has disdain for the society of which he wishes he were a part, and he believes society views him no differently. The imagery of Mr. Prufrock's thoughts provide the audience a more detailed insight into his character than had Mr. Eliot simply listed Mr. Prufrock's virtues and flaws. Mr. Prufrock is seen as an exaggeration or extreme for the sake of literary commentary, but the world has many Prufrocks in many differing degrees, and T. S. Eliot has made them a little easier to understand.
Prufrock, the narrator of the poem, is a middle-aged man who is living a life void of meaning and purpose. His thoughts are depressing as he mulls over his dull, uneventful life. One of his most crippling traits is cowardice. He's v...
There are many instances in the poem that highlight Prufocks distain for societal norms and requirements. His expressed point of view on life is a narrow but understandable one. Prufrock is a self conscious and anxious person; this affects his view on society. If he were more self confident would he have the same perspective?