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Wordsworth theory in his poem
William Wordsworth analysis of his poetry
Critical evaluation of wordsworth
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In the poem “For Once, Then, Something,” the speaker recalls a time when he had encountered something in a well, and his uncertainty about the something at the bottom of the well led to his desire to have his knowledge confirmed. Frost’s choices of words, images, diction, and tone in the narrative poem “For Once, Then, Something” reflects the uncertainty of the speaker. Through Frost’s diction, imagery, and allusions, the speaker seeks the truth and clarity of knowledge that creates tones of wistfulness and desire. The poem’s diction is fairly simple so that educated and uneducated people alike would be able to read and understand the poem somewhat easily. Because Frost prided himself upon being accessible and relatable to all people, …show more content…
The speaker sees his “godlike” face reflected upon the water, looking through “a wreath of fern and cloud puffs” (5). The comparison of the speaker’s face to a “godlike” face is a very bold and implies the speaker’s self-centered and egotistical attitude. The first line of this image shows the speaker’s indifference to others taunting him, and it appears that the speaker seems to prioritize his knowledge or assumed knowledge over the people who taunt him. The speaker never mentions that he looks into the well from a different angle, possibly because of his refusal to view the well from the perspective of those who taunt …show more content…
Once, while looking into the well, the speaker sees beyond the surface and notices something white. Yet before he can clearly see the something and analyze it, a water droplet falls from a fern into the well and the ripples obscure the speaker’s vision once again. The speaker is very uncertain as to what he finally sees but recognizes that it’s something from the depths of the water, unlike his reflection on top of the
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
Frost first presents this idea by metaphorically discussing the spectacular abilities his daughter possesses but refuses to use. In the first quatrain, the poet suggests that his da...
Frost’s application of diction in “Acquainted With the Night” expresses the meaning that hard times provides isolation through key words that provide the audience with proof that the speaker is communicating a detached mood. In line 1, “acquainted,” is a vital use of diction to show the meaning. The word acquainted means to know very well. When the speaker is saying he is “acquainted with the night” in line 1, he is indicating that he is familiar with the lonely night. By being “acquainted” with darkness, or the night, in his life, the speaker is illustrating how being in an isolated state of life is not new to him. The meaning of detached feelings because of hardships is revealed
Frost endeavored to approximate his poetry style to take a form of a conversation, whereby the verses in his poems were aimed at restoring sounds that underlie the words and enhance meaning through a vocal gesture. The style Frost used emphasized that his ear must be sensitive to his voice so as to capture with the word that is written the significance of sound in word that is spoken, (Frost, 1986). “The Death of the Hired Man” for example consists a dialogue almost as a whole between Warren the farmer husband and Mary his wife, an instance is, “‘when was I ever anything but kind to him? But I’ll not have the fellow back,’ he said.” M...
... so it can be easily understood and deciphered. The ending leaves the reader thinking and applying the poem to their own lives which I really enjoyed because I found myself spending 5 or so minutes thinking about the “less traveled paths” I have taken in the course of my life and what differences they have made. Frost’s poetry is generally similar with themes and imagery which makes picking it apart easier without taking away from the significance of it as well as the quality of it which makes it my favorite reading of the semester by far. Overall this semester for English was one of my favorites and in terms of skills gained and overall improvement it was my best. I will continue to mature as a writer and use the skills I learned this semester and year as a whole in Business Writing next semester as I continue to move towards my goal of graduating a Business Major.
Frost's poem addresses the tragic transitory nature of living things; from the moment of conception, we are ever-striding towards death. Frost offers no remedy for the universal illness of aging; no solution to the fact that the glory of youth lasts only a moment. He merely commits to writing a deliberation of what he understands to be a reality, however tragic. The affliction of dissatisfaction that Frost suffers from cannot be treated in any tangible way. Frost's response is to refuse to silently buckle to the seemingly sadistic ways of the world. He attacks the culprit of aging the only way one can attack the enigmatic forces of the universe, by naming it as the tragedy that it is.
“Poetry is when an emotion has found its thought and the thought has found words,” Robert Frost once said. As is made fairly obvious by this quote, Frost was an adroit thinker. It seems like he spent much of his life thinking about the little things. He often pondered the meaning and symbolism of things he found in nature. Many readers find Robert Frost’s poems to be straightforward, yet his work contains deeper layers of complexity beneath the surface. His poems are not what they seem to be at first glance. These deeper layers of complexity can be clearly seen in his poems “The Road Not Taken”, “Fire and Ice”, and “Birches”.
...ed by many scholars as his best work. It is through his awareness of the merit, the definitive disconnectedness, of nature and man that is most viewable in this poem. Throughout this essay, Frosts messages of innocence, evil, and design by deific intrusion reverberate true to his own personal standpoint of man and nature. It is in this, that Frost expresses the ideology of a benign deity.
Robert Frost uses metaphor and symbolism extensively in ‘Stopping by Woods on a Snowy Evening’, developing deeper and more complex meanings from a superficially simple poem. Frost’s own analysis contributes greatly to our appreciation of the importance of metaphor, claiming that “metaphor [is] the whole of thinking,” inviting the reader to interpret the beautiful scene in a more profound way. However, the multitude of possible interpretations sees it being read as either carefully crafted lyric, a “suicide poem, [or] as recording a single autobiographical incident” . Judith Oster argues, therefore, that the social conditions individual to each reader tangibly alter our understanding of metaphor. Despite the simplicity of language, Frost uses conventional metaphors to explore complex ideas about life, death and nature. The uncertainty, even in the concluding stanza, that encompasses the poem only adds to the depth of possible readings.
...to be. The characters of which Frost’s poems are about paint clear pictures of what he anticipates that the readers will get out of the poems. The characters could be nature, animals, or people that are used as symbols. The poems are always understandable, even if there is not a clear plot within the poem.
Frost’s use of comparisons helps the reader to better interpret the meaning of this poem. The picture created, with his use of imagery allows the reader to view his work from various perspectives. His analogies are very pragmatic. The reader is able to relate to the speaker’s feelings. After reading this poem it gives the reader a sense of understanding why the speaker wished he could go back to his past so much.
par. 1). With clever poetic purpose, Frost‘s poems meld the ebb and flow of nature to convey
Robert Frost’s poetry is what is is because it uses rural terms, phrases, and themes to make his great poetry. Urbanity is what he knows, he grew up in it. Most successful poems that are great, are great because they are personal to the author. He or she can’t write poetry if it doesn 't have something to do with them. This is why Frost’s poetry is meaningful, he puts in things that he knows and then puts in hidden meanings that makes the poem worth reading. Urbanity has a lot of different meanings that can be applied to real life. Frost takes this into account when he is writing poetry. Robert Frost also writes his poems in a way that makes them meaningful to everyone, not just the people that live in urban. This is why Frost is such a good writer. Another reason Frost’s poetry is meaningful because he goes from simple to the complex. This helps his poetry flow together and no matter what he or she will get something out of it. The
Frost uses nature as a reflection of human experiences; just like humanity it can have seasons and life cycles. He uses different scenes to depict a certain mood for readers to step into the psychological happening of a man. The idea of how seasons change, Frost compares it through the life cycles that humans encounter. Contrary to popular opinion, I believe that nature is not Frost’s central theme in his poetry; it is about the relationship that man has with nature in which can be seen from “Stopping by Woods on a Snowy Evening”, “The Road Not Taken”, and “An Old Man’s Winter Night.”
...uses his poetry to celebrate, compare, and contrast the beauty of nature and rural living. Throughout Frost’s poetry he draws upon the beauty of nature to build up vast amounts of scenery. To contrast from nature, Frost also uses the integration of industrialized rural life. Frost uses nature to build the beauty in his poetry, but also uses it to say things that cannot be said with words alone. Heller once wisely spoke: “Maybe freedom really is nothing left to lose. You had it once in childhood, when it was okay to climb a tree, to paint a crazy picture and wipe out on your bike, to get hurt. The spirit of risk gradually takes its leave. It follows the wild cries of joy and pain down the wind, through the hedgerow, growing ever fainter. What was that sound? A dog barking far off? That was our life calling to us, the one that was vigorous and undefended and curious.”