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Cultural variance between china and america
Gender issues in literature
Gender issues in literature
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This narrator portrayed a true China’s unique tradition by telling the story about her aunt. Even though the narrator and her aunt differ in the cultural region and the age, the narrator who is Chinese American she heard and learned many labels on women such as frivolous, docile, and vulnerable because Chinese culture is an a part of her. In other words, stereotypical notion of fragile women has stood as part of their cultural and ethnic identity. However, she also tried to show the endeavor to find women’s true identity. The narrator was reluctant to be a one of the village people who represent traditional Chinese. Instead, she concerned about the silence. She tried to get her aunt’s voice. The story clearly presented dark side of Chinese
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
It is common knowledge that communist countries often do not keep their promise of utopia for the common man, abundance and equality for all. China in the 1900s, as described in I Love Dollars: And Other Stories of China, published in 2007, is no exception. The story takes place in a power plant factory in which many workers experience a living hell of corruption on a daily basis. The government does not care for the workers, and for one of them, Xie Weigang, even leaving the factory is a difficult task. According to Jonathan Spence, Zhu Wen, the author of the aforementioned book, “is from a third generation. He was born in 1967, at the beginning of the Cultural Revolution, and raised during that period of frenzied trashing of China’s traditional
Maxine, being of the first generation of her family to be born in America, only knows about China from what she hears in her mother’s “talk-stories.” These stories are told to act as lessons on how the Chinese people were and should be, and are often vary critical. In “No Name Woman,” the tale of Maxine’s aunt who was shunned from her family for having an affair shows how careful young women must be when growing up in Chinese culture. “My aunt haunts me—her ghost drawn to me because now, after fifty years of neglect, I alone devoted pages to her…” (17). Maxine feels remorse and can relate to her aunt because she too feels a sense of alienation from her traditional Chinese and seemingly narrow-minded heritage.
In a village left behind as the rest of the China is progressing, the fate of women remains in the hands of men. Old customs and traditions reign supreme, not because it is believed such ways of life are best, but rather because they have worked for many years despite harsh conditions. In response to Brother Gu’s suggestion of joining communist South China’s progress, Cuiqiao’s widower father put it best: “Farmer’s have their own rules.”
Lindo Jong provides the reader with a summary of her difficulty in passing along the Chinese culture to her daughter: “I wanted my children to have the best combination: American circumstances and Chinese character. How could I know these two things do not mix? I taught her how American circumstances work. If you are born poor here, it's no lasting shame . . . You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head . . . In America, nobody says you have to keep the circumstances somebody else gives you. . . . but I couldn't teach her about Chinese character . . . How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best”(Tan 289).
In 2005, Chile and China signed a free trade agreement, the first agreement of its type ever signed in Latin America. Since the agreement was signed, trade between China and Chile has grown exponentially. Chile is the leading country in Latin America that has maintained good relations with China, beginning in 1970 when Chile was the first South American country to recognize the Peoples Republic of China (Jenkins 2009). Over the years their relationship has continued to develop through the many rounds of discussions that have taken place since the FTA was first established. By examining the economic implications the China-Chile FTA has had on the Chilean economy, it is seen that while both countries trade markets are benefiting, the Chilean market is facing more negative impacts than the Chinese economy. Although both countries have solid reasoning to invest with one another, China has had much more to gain from entering into this trade relationship.
Chinese Cinderella is a compelling autobiography by Adeline Yen Mah, a struggling child, yearning for acceptance and love in her dysfunctional family. In this novel of “a ‘secret story of an unwanted daughter”, Adeline presents her stepmother Niang, as a violent, impatient, biased, domineering and manipulative demon. Analysing the language used by the author, we can discover how effectively she does this.
The Chinese belief is that they must use fear of shame and be involved in each other's lives as a system of control for their tight knit community. This system helps not only to shape Kingston's aunt's community, however also shows how they resolve conflicts of moral and ethical descent. It entails for everyone to follow these rules or else suffer the consequences of being a burdensome "ghost" and bringing shame and danger to the community. Kingston makes a bold statement, by breaking the silence-breaking tradition and telling us-the public, her aunt's shameful, forbidden story. She steps out of the role that her Chinese society had prescribed for her. She breaks the silence of her family and of her community; she breaks the unwritten rules of the system of control, which her society has chosen for her, a person of Chinese ethnicity.
Kingston uses the story of her aunt to show the gender roles in China. Women had to take and respect gender roles that they were given. Women roles they had to follow were getting married, obey men, be a mother, and provide food. Women had to get married. Kingston states, “When the family found a young man in the next village to be her husband…she would be the first wife, an advantage secure now” (623). This quote shows how women had to get married, which is a role women in China had to follow. Moreover, marriage is a very important step in women lives. The marriage of a couple in the village where Kingston’s aunt lived was very important because any thing an individual would do would affect the village and create social disorder. Men dominated women physically and mentally. In paragraph eighteen, “they both gav...
Communism is a system of government, a political ideology that rejects private ownership and promotes a classless, stateless society based on common ownership of all property and the means of production, where by all work is shared and all proceeds are commonly owned. Communism is practised in China, North Korea, Vietnam, Laos and Cuba. However most of the world’s communist governments have been disbanded since the end of World War II. Soon after the Japanese surrendered at the end of World War II, Communist forces began a war against the Kuomintang in China. The Communists gradually gained control of the country and on the 1st October, 1949, Mao Zedong announced the victory of the Communist party and the establishment of the People's Republic of China. China has been ruled by the Communist party ever since.
n “Song FOR My Father”, Eric Liu talked about how his father illness has changed the life of his family and how he viewed his father differently inasmuch as the clash of his Chinese heritage and his identity as an Asian American. He also mentioned the power of love by using his personal experience to describe the pain he was suffering at that time. In “No Name Woman”, Maxine Hong Kingston referred to how her family and neighbors created a new identity for her aunt in the view of the fact that her behavior has violated the traditions and history of Chinese culture. She also stated how the family betrayed her aunt by deliberately forgetting her. From these two essays, we can understand how crucial our heritage and families to everyone as they
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).
In Maxine Hong Kingston story, “No Name Woman,” the author told a story of her aunt who was punished for committing adultery and died in order to express her thought and spirit of revolt of the patriarchal oppression in the old Chinese society. My essay will analyze the rhetoric and the technique of using different narrators to represent the article and expound the significance of using those methods in the article.
In the film Light the Red Lantern and the novel Family by Pa Chin both deal with conflicts and contradictions between China’ old cultural traditions and materialization of new culture movements. The old traditions causes a cultural block between the older generation and the younger generation. These two works demonstrate this as oppression in the expectations of the family traditions upon the younger generation and the treatment of women.
Ryan, T. (2009). China Rising. Collingwood, VIC: History Teachers’ Association of Victoria. P. 235-237, 241-246, 260-263