In the book The Woman Warrior, by Maxine Kingston, a story of a girl trapped between the culture of her family’s past and the culture currently surrounding her is presented. The girl, Maxine, enters into conflict with her mother and what can be explained as an old and traditional China. Maxine’s own beliefs are found in the newer American way of life with her attempts to assimilate to the culture, making it difficult for her to feel any relation between the two very different environments. It is through these tribulations that Maxine is a “woman warrior” coming to age as a Chinese-American.
Maxine, being of the first generation of her family to be born in America, only knows about China from what she hears in her mother’s “talk-stories.” These stories are told to act as lessons on how the Chinese people were and should be, and are often vary critical. In “No Name Woman,” the tale of Maxine’s aunt who was shunned from her family for having an affair shows how careful young women must be when growing up in Chinese culture. “My aunt haunts me—her ghost drawn to me because now, after fifty years of neglect, I alone devoted pages to her…” (17). Maxine feels remorse and can relate to her aunt because she too feels a sense of alienation from her traditional Chinese and seemingly narrow-minded heritage.
With the start of “At the Western Palace,” an encounter between Brave Orchid, Maxine’s mother, and Moon Orchid, her other aunt, shows Maxine how far removed from Chinese culture she really is. The daily routines, clothing, foods, and the style of eating all seem normal to Maxine, but are a real culture shock for recently arrived Moon Orchid. The false assumptions about American life that her mother helped plague her mind with, begin to die. America represents the new life and change, which Maxine and eventually her family long to be a part of. “Oh, Sister, I am so happy here. No one ever leaves. We are all women here.”
Though struggles about her mother’s talk-stories, and her experiences in America with her family, Maxine works toward knowing what it is to be a Chinese-American.
Growing up in California, Tan continued to embrace the typical values of Americans. She had taken on American values as her own identity, completely ignoring most of her Chinese heritage. In fact, young Amy Tan would answer her mother’s Chinese questions in English (Miller 1162). Teenage Amy Tan lost both her father and sixteen-year-old brother to brain tumors. Soon after that, she learned that she had two half-sisters in China from her mother’s first marriage (“Amy Tan Biography”). In 1987, Tan made a trip to China to meet those very same ...
Since people who have different identities view the American Dream in a variety of perspectives, individuals need to find identities in order to have a deep understanding of obstacles they will face and voices they want. In The Woman Warrior, Maxing Hong Kingston, a Chinese American, struggles to find her identity which both the traditional Chinese culture and the American culture have effects on. However, in The House on Mango Street, Sandra Cisneros clearly identifies herself as a Hispanic woman, and pivots to move up economically and socially to speak for her race. Even though both Kingston and Cisneros look for meanings of their identities, they have different approaches of reaching the full understanding.
The “prodigal” aunt in Maxine Hong Kingston’s essay No Name Woman, was shunned from her family and ultimately ended up taking her life and her bastard child’s, as a result of public shaming. Instead of being heralded as a heroine and champion of women’s rights, the aunt’s legacy is one of shame and embarrassment that has been passed down through generations. While this story’s roots are Chinese, the issue at hand is multi-cultural. Women suffer from gender inequality worldwide.
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
A Pair of Tickets”, by Amy Tan, is a brief narrative about the conscience and reminiscence of a young Chinese American woman, Jing-Mei, who is on a trip to China to meet her two half-sisters for the first time in her life. Amy Tan is an author who uses the theme of Chinese-American life, converging primarily on mother-daughter relationships, where the mother is an emigrant from China and the daughter is fully Americanized --yellow on the surface and white underneath. In this story, the mother tries to communicate rich Chinese history and legacy to her daughter, but she is completely ignorant of their heritage. At the opening of the story "A Pair of Tickets" Jandale Woo and her father are on a train, the are destined for China. Their first stop will be Guangzhou, China where father will reunite with his long lost aunt. After visiting with her for a day they plan to take a plane to Shanghai, China where Jandale meets her two half-sisters for the first time. It is both a joyful time and yet a time of contrition, Jandale has come to China to find her Chinese roots that her mother told ...
Conflicting Cultures in Gish Jen's Mona in the Promised Land Novels that illustrate a confrontation between disparate cultures provide particularly straightforward insights into basic human behavior. Characters confronted with a cultural conflict must explore basic human commonalities to breach the gap between the cultures. In doing so, one diminishes the differences between her culture and the unknown culture, ultimately bringing her closer to her raw humanity. Simultaneously, this sets the stage for countless sociological case studies that may illuminate important human behaviors that are otherwise masked by the bias of a dominating culture. A prime subject for one such examination is Mona Chang, a natural-born American who strives to overcome the cultural pressure posed by her Chinese immigrant parents so that she may be accepted by her peers.
Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture. As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.
The second and third sections are about the daughters' lives, and the vignettes in each section trace their personality growth and development. Through the eyes of the daughters, we can also see the continuation of the mothers' stories, how they learned to cope in America. In these sections, Amy Tan explores the difficulties in growing up as a Chinese-American and the problems assimilating into modern society. The Chinese-American daughters try their best to become "Americanized," at the same time casting off their heritage while their mothers watch on, dismayed. Social pressures to become like everyone else, and not to be different are what motivate the daughters to resent their nationality. This was a greater problem for Chinese-American daughters that grew up in the 50's, when it was not well accepted to be of an "ethnic" background.
In the chapter "White Tigers" from her book The Woman Warrior, Maxine Hong Kingston first fantasizes of a Chinese woman warrior before switching back to the reality of her American life as a woman. Using her imagination, Kingston dreams of a strong female avenger who manages to satisfy often opposing roles, such as warrior and mother and who receives honor and respect from her family. Yet in her true life, Kingston faces a much different world in which she struggles to fight for her beliefs and encounters disapproval from her parents. Employing her fantasy which starkly contrasts her real life, Kingston provides an alternate, more liberated view of a woman's role and abilities which reflects her own aspirations and wishes for an ideal life.
Throughout the book, The Woman Warrior, by Maxine Hong Kingston, the generation gap between the narrator and Brave Orchid is evident. The narrator feels that her mother's culture values have no relevance in America. In the chapter, At the Western Palace, Brave Orchid sends for her sister, Moon Orchid, to come to America and urges Moon Orchid to confront her sister's husband. The ideas that Brave Orchid has are bold and they conflict with Moon Orchid's nature. Brave Orchid and Moon Orchid are two Chinese women who live in two different countries. They are separated by a cultural gap rather than a generation gap. This gap between Brave Orchid and Moon Orchid has created two inimical viewpoints on the value of physical appearance, necessity versus extravagance, and modesty in manner.
In Maxine Hong Kingston’s memoir, The Woman Warrior, she intentionally blurs lines between truth and imagination in order to capture the readers with an engaging story while forcing them to take a closer look in order to figure out from whose perspective the story is being told. Especially in the chapter entitled “White Tigers”, this blurring technique benefits her work by adding emotion and her own opinion into the story, contrasting between a fantasy life in China versus her life in America, and Kingston’s personal connection to characters like Fa Mu Lan and later, Ts’ai Yen.
The Woman Warrior by Maxine Hong Kingston portrays the complicated relationship between her and her mother, while growing up as a Chinese female in an American environment. She was surrounded by expectations and ideals about the inferior role that her culture imposed on women. In an ongoing battle with herself and her heritage, Kingston struggles to escape limitations on women that Chinese culture set. However, she eventually learns to accept both cultures as part of who she is. I was able to related to her as a Chinese female born and raised in America. I have faced the stereotypes and expectations that she had encountered my whole life and I too, have learned to accept both my Chinese and American culture.
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).
She talks about the struggle of being a Chinese-American race. Chin states it was hard to maintain a Chinese culture while trying to assimilate into an American culture. Being a Chinese- American individuals had prejudice which lead to the stereotype of the “Model Minority.” The American race created the preconceived notion that Chinese-Americans are model students and had all the right materials to become successful. The reality of the situation Chin states, Chinese-Americas are regular people trying to acquire the American Dream of live, liberty and property.