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Indian feminism in literature
Indian feminism in literature
What are the reasons for the emergence of indian women writers
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A Hot Noon In Malabar
By Kamala Das
Kamala Suraiya or better known as Kamala Das is a well known female Indian writer writing in English as well as Malayalam, her mother tongue.
She is considered one of the outstanding Indian poets writing in English, although her popularity in Kerala is based chiefly on her short stories and autobiography .
She had begun her carrer by writing short stories in Malayalam before she published her first book of poems, "Summer In Calucutta" which apperared in 1965 . Her unique style of writing and thought won her the fame and recognition of a potential female Indian poet.
The striking features of her works are the outpouring of personnel sorrows and feelings etc. portrayed
without any modification and known for its frankness and intensity of feelings . Kamala Das is probably the first Hindu woman to openly and honestly talk about love and sexual desires.Her poems can be described as confectional poetry straight from her heart without any adulteration.The confectional nature of her works is akin to Slyvia Plath who worked on personnel traumas.
A Hot Noon In Malabar is an intensively emotional and personnel poem.It's one of her typical works evoking malabar landscape and its lush greenery.
This poem very powerfully evokes her sense of belonging to the Malabar of her childhood and Malabar and the Alappat tharavad form the core symbols of this poem.In this poem she retraces her lost childhood in the tides of time but it still remains etched so deeply in her heart.
The nostalgic essence of this piece of work highlights the idyllic times she had as a young child. The Allapat tharavad where she spent her childhood stands as a symbol of joy of youth, for the beautiful experinces of a growing child,for the security,belonging, last not the least as a symbol of innocence .
Recollecting the old days, she remembers the totally unrestrained and unresticted life she had lead in Malabar.Kamala das have chosen words carefully to recreate and pour out the same feelings that had made those days memoriable and extraordinary.The intimacy with which she potrays her feelings are prominent and very clear to visualise.It helps in creating a panorama of varied experiences she had in her childhood.
By means of this her work shows enamour for unusual remnants that the society saw as useless understood by their actions of discarding these and offers a new strongly held perspective that allows us to see into the perspective of the world from a different angle, that at time was not seen as a tradition.
As might be expected of one of her background and artistic gifts it is in the Part Three "The Guide" we see poetic, rhythmic and musical qualities at its best. She uses words with a keen sense of their rhythmic and musical potentialities: her style is richly figurative.
In the poem, Harjo portrays the importance of recalling the past to help shape one’s identity. She uses the repetition of the word “Remember” to remind that while the past may be history, it still is a defining factor in people’s lives (l. 1). This literary technique
When Sripathi and his family receive the news of Maya’s and her husband’s fatal road accident, they experience a dramatic up heaval. For Sripathi, this event functioned as the distressed that inaugurated his cultural and personal process of transformation and was played out on different levels. First, his daughter’s death required him to travel to Canada to arrange for his granddaughter’s reverse journey to India, a move that marked her as doubly diasporic sensibility. Sripathi called his “foreign trip” to Vancouver turned out to be an experience of deep psychic and cultural dislocation, for it completely “unmoors him from the earth after fifty-seven years of being tied to it” (140). Sripathi’s own emerging diasporic sensibility condition. Not only must he faced his own fear of a world that is no longer knowable to him, but, more importantly, he must face his granddaughter. Nandana has been literally silenced by the pain of her parent’s death, and her relocation from Canada to Tamil Nadu initially irritated her psychological condition. To Sripathi, however, Nandana’s presence actsed as a constant reminder of his regret of not having “known his daughter’s inner life” (147) as well as her life in Canada. He now recognizeed that in the past he denied his daughter his love in order to support his
...own life and the research of others’ are two of her prime techniques in writing her world-famous poetry.
However Indian sources were even more interesting as commenting about her role, and on the fact of her fame
...fted them to be an experience and journey to the reader. Though the world may never know why she chose not to marry, her vast collection of love poems and her other poems of different matters is what she is remembered by and carry on her legacy of being one of the best poets of her generation.
Early in her life Sonia felt the love and affection of a role model who did nothing but love her. In her book Sonia touches on the topics of how her grandmother helped guide her through her childhood and was the role model that she needed. Sonia said “I have come to believe that in order to thrive, a child must have at least one adult in her life who shows her unconditional love, respect, and confidence. For me it was Abuelita (her grandmother)” (pg ). When Sonia said this it showed how her grandmother shaped her and helped make her into the person that she is today. Sonia’s grandmother was someone that Sonia inspired to be like because she was very close with her grandmother. Another role model that Sonia had was her mother because of how hard she worked to support her family. Sonia’s mother always wanted the best for her family, this shows when Sonia said “She was the one who moved us to the projects. Unlike my aunt, she chose to work. She was the one who insisted we go to Catholic school” (pg 16). With these two role models in her life Sonia was greatly helped on her path to being successful later in
stands first. Her poems are praised not only in India, but all over the world. Though she has
Her poetry is also influenced by fashions in writing. Her style is very modern and contrasting to pre-20th century poets, and this enhances younger reader's appreciation of the text. In conclusion, Moniza Alvi was privileged to have lived between two cultures because it meant that she was welcomed into two communities and had the opportunity to experience different ways of life. However, all good things come at a price and for this she suffered the issues of not knowing where she fit in, which values she held and having high family expectations.
The woman narrator of ‘‘Yellow Woman’’ does not reveal what she is running away from when she leaves her home and family. In fact, she does not seem to know what is wrong with her, or what the importance of the old stories might be in her life. Catherine Lappas explains in an essay excerpted in this volume, that ‘‘Hers is a condition born of cultural dislocation: She is an Indian woman living in a Western world that dismisses all stories as irrelevant.... In her Indian world, however, stories have an ongoing connection to people's lives.’’ Or do they?
Uniyal, Ranu. Women In Indian Writing: From Difference to Diversity. New Delhi: Prestige, 2009. Print.
Mahasweta Devi, always writes for deprived section of people. She is a loving daughter, a clerk, a lecturer, a journalist, an editor, a novelist, a dramatist and above all an ardent social activist. Her stories bring to the surface not only the misery of the completely ignored tribal people, but also articulate the oppression of w...
The opening of the poem the woman is explaining why painting her nails red is sophisticated “Because a bit of colour is a public service”(1). In line two Satyamurti calls attention to the role of women in the society and in the family- that while they are not being paid for work they do everyday of their lives, it should not be neglected. She acknowledges by “Because I am proud of my hands”, she is explaining that women ar...
Both of her parents were born and raised in India. Her father is a librarian and mother is a professor of Bengali Language in USA. She took to writing in an early age with the school newspaper. She graduated from Barnard College in English Literature. Lahiri has gained M.A (English, M.F.A in Creative Writing, M.A in Comparative Literature and PhD in Renaissance Studies from Boston University. Lahiri taught Creative Writing at Boston University and Rhode Island School of Design. Lahiri is perhaps the first Indian to have won Pulitzer Prize for fiction in 2000, America’s highest literary honour, equivalent of a Nobel