The Rage in Albion - By Cecelia Peters

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Before the ‘The Rage in Albion’ was published Cecelia Peters was already famous with the publication of her first poetry book 'The Muse' which signals a Poetess in the making. It was pleasures reading her new book at one go, as the pages fly by. The poem is a combination of beauty and poignancy. It is a discovery in a trajectory path of rise and fall of human values and modernity. She is a sole traveler, a traveler apart in a literary romp afresh, tracing the thinning line of time and action. A voice for voiceless which she finds from nowhere. Rarely a "homeless Man under the Bridge" could arouse such an inspiration to make him one of the most widely read poem of recent times. She tries to find the unwritten pages of life of a man who almost delivered a judgment on the masked masses of Britain. Cecelia's memories are horribly selfish which gives us an extraordinary glimpse of her poetic soul. The flyover at Great West Road is now a symbol of modern 'Tintern Abbey' where one can see the vividly contrasted images and the agony of mankind which forced Cecelia to stop and stare and intone the world to feel the Rage inside you. ‘Can I Call You “Madiba”?’ is another masterpiece by the Poetess where she pours out her heart to the Father of South Africa, Nelson Mandela. You never stop until you finish reading the whole as if the world has already written his obituary and cunningly decided not to invite such souls again to this earth. The “Public Prisoner” Mandela as she proudly calls him is a living symbol of slavery and discrimination who remained only a "friend" now. "The Woman Who Cried" exemplifies the womanhood in post modern times. She is here searching her "self" which is sadly broken into pieces.Man has a new defin... ... middle of paper ... ...gularly featured on the Internet, where she has a Facebook Page, Cecelia's Poetry Page, encouraging fellow authors and friends to contribute their own rhymes and works, together with her Author Page, Cecelia Grant-Peters (Author). As might be expected of one of her background and artistic gifts it is in the Part Three "The Guide" we see poetic, rhythmic and musical qualities at its best. She uses words with a keen sense of their rhythmic and musical potentialities: her style is richly figurative. It is divided into five parts ‘The Encounter’, ‘Philemon’, ‘The Shore’, ‘The Woods’, and ‘The Lost Children’, These profoundly crafted rhythmic lines will endure and resonate forever in the souls who read it. Rarely does a reader encounter such sheer beauty of timeless and compelling imagery in her debut book to stand apart as foremost publication in English literature.

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