A Freudian Analysis of Ode to the Death of a Favorite Cat (Favourite)
"Ode to the Death of a Favorite Cat" can be a poem that represents a sexist view of women while identifying the three psychological entities; the id, ego, and superego.
The cat in the poem represents the human female. Throughout the poem it is referred to as a "she", and identified with similar, sexist traits that women have. These traits are laziness, the need for shiny, pretty objects, and an unquenchable desire for material goods. Just as the cat is drawn by the gold fish so is a woman's attention drawn to this glimmering metal. Just as line 24 says "What female heart can gold despise." The cat's desire for the glistening fish ultimately ends in its death. This is similar to what will happen to a woman if left to her desires unchecked. This cat has nothing in its life to prevent it from its folly. A woman needs a man to set her on the right path. If left to her own devices it will mean her end, or so that's what the poem implies of women. I the end a universal moral is introduced that can be applied to the human world, "Not all that tempts your wand'ring eyes, and heedless hearts is lawful prize, nor all that glisters gold." (lines 40-42)
This then leads into a perfect comparison of women and men as two psychological entities, the id and superego. Since the cat in the poem is so consumed by its desire that it impulsively acts on its greed and is a representation of the human female then obviously women can be considered representations of the Id. They impulsively act on their desires and ultimately, like the cat, are consumed by these desires if left unchecked. This is where man comes in. Men must be there and act as the superego holding back a woman's natural desire for material gain. Since both represent a different entity respectively then obviously the union of man and woman must be the ego. A balance between the two. A woman's desire for material gains and a man's natural inclination for law and order. This then does bring in the idea that certain human traits can be identified not only as manlike and womanlike but also things that are naturally inclined towards the superego and the id.
...es her. The imageries of pink Mustang signifies her social class, while “Road” indicates her location as nowhere within a community. The commodification of her body means it can be touched in ways derogatory to her dignity whether she likes it or not because it is a saleable commodity that doesn’t belong to her. Her silver painted nipples identifies silver coins. Silver coins represent monetary value put on her body. Silver painted nipples also mean the attractive way in which a product is packaged. The poem also depicts the defiance of women against how she has been treated. She identifies man as the one that kisses away himself piece by piece till the last coin is spent. However, she cannot change the reality of her location, and temporal placement.
...seful miscommunication between men and women. Lastly, when looking through the imagined perspective of the thoughtless male tricksters, the reader is shown the heartlessness of men. After this reader’s final consideration, the main theme in each of the presented poems is that both authors saw women as victims of a male dominated society.
The submission of women is demonstrated in the text through the symbolic colors of the couple’s bedroom. Indeed, as the young woman’s husband is asleep, the wife remains wide-awake, trying her best to provide the man with comfort, while enjoying her newlywed life. As she opens her eyes to contemplate “the blue of the brand-new curtains, instead of the apricot-pink through which the first light of day [filters] into the room where she [has]
The influential roles of women in the story also have important effects on the whole poem. It is them that press the senses of love, family care, devotion, and other ethical attitudes on the progression of the story. In this poem the Poet has created a sort of “catalogue of women” in which he accurately creates and disting...
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Maya Angelou, a poet and award-winning author, is highly known for her symbolic and life-experienced stories. In her poem Men, she shows the theme of men domination over women, through her personal struggle. She makes her writing appealing and direct to the reader. With the use of various literary devices (similes, metaphor, imagery, and symbolism), sentence length, and present to past tense it helps the readers understand the overall theme in Men.
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However, one might ask why Lydia claims this particular picture as her own. If Lydia claims the picture as her own, there must be proof to back up that point, and finding proof within the novel can be difficult. The reason why she claims the portrait as her own is because she feels a deep connection with her sister. It takes Lydia a long time to finally acknowledge the connection that May has with Degas, and once she comes to terms with the truth of their relationship, she cannot erase the image from her mind. “I feel that I’ve become caught in a picture, or else this picture has been thrust into my face, and I must hold my eyes open to see” (98). Lydia does not realize what the interactions between May and Degas are actually saying at first, but once she does the perception of her sister changes, making it so that she views her sister’s actions in a new way. The image of May and Degas becomes thrust into her face. Seeing that May and Degas have feelings for one another occurs rapidly to Lydia because she stopped thinking about love after Thomas died and believed that she would never find true love again. Perhaps not thinking about her own love life had made her oblivious to the love of those who were around her. Because she did not end up with her love, she ignored the fact that young love still exists, which is why the image of Degas and
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