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The role of the woman in literature
How women are oppressed by female writers in literature
Role of women in general literature
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The Obstacle Course of Human Nature
Since the origin of humanity it has been an inevitable phenomenon that the human race will constantly be in a state of conflict. For whatever specific reason one side may have, people in general feel the need to do whatever they can to come out of a struggle on top gloriously and victoriously. No battle throughout all of the ages has been larger, perhaps, than the battle between the male and female gender. In numerous of James Thurber's stories, he tells the stories of men in their daily lives. Thurber has created a very vivid picture of men and women which are referenced throughout the literary world as the "Thurber men and women." The "Thurber men" are also coined with the term "little man" due to their inferiority placed upon them by their female opposites. The "Thurber women" are known as being the holders of power in life in society, and life between them and their man. However, Thurber's men in his stories take neccessary steps to dethrone women from their stronghold. In the stories "The Catbird Seat," "The Unicorn in the Garden," and " The Secret Life of Walter Mitty," James Thurber comically manifests man's triumph over adversity through the image of the powerful dominant female character.
Thurber portrays man's trouncing of female dominance actively in the story "The Catbird Seat." The story is about a quiet man named Erwin Martin who has a nice, typical office job running his filing department. Mr. Martin has the earned reputation for being very organized, on task, and being a well respected individual. His boss, Mr. Fitweiler said "'Man is fallible but Martin isn't'" (Thurber, "The Catbird" 9.) Mr. Martin is considered one of the main representations of Thurber's "little ...
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...these stories, Thurber portray's women as the root of all unhappiness in life for men by the females antagonizing words and actions. Although the men in these stories have much wieght placed upon them by these women, they find a way to overcome the testing obstacle. In "The Catbird Seat,"
the quiant Mr. Martin comically dominishes the female tyrant Mrs. Barrows. "The Unicorn in the Garden" shares a common plot with "The Catbird Seat" in the the husband in the story manipulates his way into getting rid of his wife forever. Finally, "The Secret Life of Walter Mitty" explores one man's way of asserting his masculinity over his controlling wife. All these stories share a common motif of man's conquest to be an individual, to be held down by no one, no woman. In short, every man wants his freedom, and every man is willing to do what is neccessary to get what they want.
In the book “The Things They Carried” four female characters played an important role in the lives of the men. Whether imaginary or not, they showed the power that women could have over men. Though it's unknown if the stories of these women are true or not, they still make an impact on the lives of the soldiers and the main narrator.
Like the Good Other Woman, the Evil Other Woman often spends much of her life hidden away in the castle, secret room, or whatever, a fact suggesting that even a virtuous woman’s lot is the same she would have merited had she been the worst of criminals. The heroine’s discovery of such Other Women is in the one case an encounter with women’s oppression-their confinement as wives, mothers, and daughters-and in the other with a related repression: the confinement of a Hidden Woman inside those genteel writers and readers who, in the idealization of the heroine’s virtues, displace their own rebellious
The females begin responding “stiffly” rather than “quietly”(7) as before. This adjective usage serves to support the speech even more by allowing readers to see the progression from silence to a bold rebellion in the women regarding their husbands, for “by hiding the canary Mrs. Hale and Mrs. Peters are also going against their husbands” (Bee2). Indeed, this act was the major act of defiance that secured the women’s strengthened devotions to each other rather than their husbands. Peters especially undergoes a drastic transformation when she eventually joins in as “support of her fellow oppressed women” (Block B 1). When, at the climax of the story, the bird is hidden from the men in the sentimental tin box, Glaspell exhibits the tension with the selection of detail. She chooses to focus on the clammy hands of Mrs. Peters as she stuffs the tin away and the quivering voice of Mrs. Hale as she denies knowing any information about the crime. The descriptions of the seemingly miniscule and weakening objects around her house match the “quiet desperation” (Schotland 3) Foster repressed until it overflowed the night before. Considering that the adjectives show how burdensome it is for the women to conceal the evidence, it truly demonstrates how strong the relationships between them has grown based
Though, when one examines their true purpose and commentary it is revealed to be a direct assault on the principles of what it means to be a man. Both short stories depict men whose only purpose is to impress females; or, men who are simply foolish. While both stories are misogynistic superficially as the men treat the women as sex objects, the true offence is the misandristic stereotype that this is what a typical teenage boy would do. This idea permeates through the entirety of both stories. This irresponsible idealism negatively effects ones view of males as a gender. This leaves one question, if the misogyny of the stories is widely reputed, why is the misandry blatantly
Kristjana Gunnars suggests that “Canada is an unhappy country. No, better still, the Prairies are unhappy. Canadian women are especially unhappy” (Gunnars 122). In Margaret Laurence’s A Bird in the House, the women are indeed unhappy. In the end, however, it is the women who triumph because of their solidarity. The men, due to their solitary states, are unable to maintain their traditionally powerful roles. In these short stories, the men appear to be the leaders of the household, but the women have the greater but subtler power. The men do not lend each other support, while the women are often willing to lend each other a shoulder to cry on. Thus, because of their bluntness and solitariness, the men in A Bird in the House are dethroned from their traditional seats of power in male-female relations, male-male relations, and in female-female relations where their absence is not missed.
The setting of both stories reinforces the notion of women's dependence on men. The late 1800's were a turbulent time for women's roles. The turn of the century brought about revolution, fueled by the energy and freedom of a new horizon…but it was still just around the bend. In this era, during which both short stories were published, members of the weaker sex were blatantly disregarded as individuals, who had minds that could think, and reason, and form valid opinions.
Nora and Mrs. Wright’s social standing when compared to the men in each play is inferior. Both works expose their respective male characters’ sexist view of women diminishing the women’s social standing. Each work features egotistical men who have a severely inflated view of their self-worth when compared to their female counterparts. The men’s actions and words indicate they believe women are not capable of thinking intelligently. This is demonstrated in “Trifles” when Mr. Hale makes the statement about women only worrying about mere trifles. It is also apparent in “A Dollhouse” when Torvalds thinks his wife is not capable of thinking with any complexity (Mazur 17). Another common attribute is of the women’s social standing is displayed as both women finally get tired of feeling like second class citizens and stand up to the repressive people in the women’s lives (Mulry 294). Although both women share much in common in their social standing there subtle differences. Torvald’s sexist view of Nora is more on a personal level in “A Dollhouse” while the male characters’ sexist views in “Trifles” seem to be more of a social view that women are not very smart and their opinions are of little value. This attitude is apparent in “Trifles” as Mr. Hale and Mr. Henderson’s comments about Mrs. Wright’s housekeeping (Mulry 293). As the women in both works reach their emotional
What is it about a woman that defines them, by default, as the weakest gender? Whether it is by a father, boyfriend, or husband, there have been many accounts of women being overshadowed by men in literature and history. In many cases, men feel obligated to protect females, which makes them think they are superior or have power over women. However, men are not aware of the negative effects their "superiority" can have on women: alienation, low self-esteem, incompetence, and even insanity. Two women, from two different short stories, are classic examples of what can happen when women become victims of a patriarchal society. Although these women have their differences, both Emily Grierson, from William Faulkner 's "A Rose for Emily", and the narrator, from Charlotte Perkins Gilman 's "The Yellow Wall-Paper," are related as they are both held back by their dominant patriarchal societies, and in turn are forced into insanity.
There is a quote that goes "behind every successful man there is a woman”. This implies that the sexes are not credited equally, and gender shadows over success. Men and women are separated not only physically, but in other aspects. A male-dominated culture exists although women are capable of performing just as well as men. There are different situations where men overpower women. There is a stereotype that divides the sexes, ultimately harming both genders. Literary works brush upon the subject of men versus women, touching these components as storyline progresses. There is not a black and white division among the sexes; however, novels such as Geek Love by Dunn and Maus by Spiegelman expose the underlying power struggle among the genders,
Conflict theory in sociology suggests that the relationship between females and males has traditionally been one of unequal power, with men in a dominant position over women (Schaefer 278). By page one of the short story there are examples of this inequality and subordination. Speaking of her illness, the narrator states, “You see he does not believe I am sick! And what can one do? If a physician of high standing, and one's own husband, assures friends and relatives that there is ...
Life is about finding yourself, each other, and being true to one’s self. The Secret Life of Walter Mitty is an extremely original and creative story written by James Thurber. The movie, The Secret Life Of Walter Mitty, starring Ben Stiller, conveys a daydreamer escaping his typical life by disappearing into a realm of fantasies filled with heroism, romance and action. In both the movie and the book, the title character retreats into fantasy as an escape from his mundane reality because in the real world, he is ordinary, insecure, and passive. In the short story, Walter simply retreats into his daydreams and tolerates his domineering wife, while in the movie he actively pursues finding himself.
The folly of men is a persistent feature of the short stories in the collection. Men are portrayed as patronizing and oblivious at best and tyrannous and unfaithful at worst. The husbands and lovers in these stories behave so poorly that they arouse a defensive response from me as a male reader. I very much want to relegate their behavior to ...
Beauty’s sisters marry rich men, who seemingly have acceptably desirable attributes as husbands. One man is detailed as a man of good looks. The other man is noted for having great wit. The two possess qualities most women seek in a husband, but it is indicated in descriptions that the two sisters are both unhappy in their marriages. Although the first husband is handsome, this serves him as a drawback, for he is a narcissist, only concerned with himself. The second husband’s wit is also a severe disadvantage due to the fact he uses his wit to torment other people, including his wife. It is when Beauty reviews her sisters’ marriages and the unhappiness her sisters experience in relation to their husbands that helps Beauty realize The Beast’s true worth and her love for him: “I should be happier with the monster than my sisters are with their husbands; it is neither wit, nor a fine person, in a husband, that makes a woman happy, but virtue, sweetness of temper and complaisance and Beast has all these valuable qualifications.” (9). The juxtaposition made between the husbands and The Beast create the disclosure of the appropriate masculine qualities a man should encompass. De Beaumont presents the contrast of characters to the reader as a method of emphasizing the
Throughout history, women have struggled to become equals with men. Henrik Ibsen’s A Doll’s House and John Steinbeck’s “The Chrysanthemums” share a theme to their readers: feminism. The two authors placed their female protagonists in male dominated worlds of the 19th Century Norway and 20th Century America. They used these characters to rebel against the passive role of woman during their time. This theme is promoted through the narration of Nora and Elisa’s marriages, an epiphany that arose from initial disappointment in a male dominated society, and the use of symbolism throughout both works.