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Gender norms on the yellow wallpaper
Gender norms on the yellow wallpaper
Gender norms on the yellow wallpaper
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Characterization of Women in The Yellow Wallpaper and Desiree's Baby
There was a time (not so long ago) when a man's superiority and authority wasn't a question, but an accepted truth. In the two short stories, "Desiree's Baby", and "The Yellow Wallpaper", women are portrayed as weak creatures of vanity with shallow or absent personalities, who are dependent on men for their livelihood, and even their sanity. Without men, these women were absolutely helpless and useless. Their very existence hinged on absolute and unquestioning submission…alone, a woman is nothing.
The setting of both stories reinforces the notion of women's dependence on men. The late 1800's were a turbulent time for women's roles. The turn of the century brought about revolution, fueled by the energy and freedom of a new horizon…but it was still just around the bend. In this era, during which both short stories were published, members of the weaker sex were blatantly disregarded as individuals, who had minds that could think, and reason, and form valid opinions.
Also, in both tales, the characters are removed from society. In "Desiree's Baby", the plantation is bordered by a field and a bayou, isolating its inhabitants from the world. The narrator of "The Yellow Wallpaper" tells us, "Out of one window I can see a garden…out of another I get a lovely view of the bay and a little private wharf" (161). They are out in the country, where the modern city can't touch them, or begin to mold their sexist ways and old fashioned ideals into contemporary mindsets. This seclusion also ensures that no outside forces threaten the men's absolute and total control of their weak, defenseless charges.
In addition to their surroundings, the homes themselves...
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...no worth.
It's very sad to think that a woman and a man could have ever thought this way. However, it's even sadder to think that some still do. Women everywhere suffer abuse, mental or otherwise, at the hands or their (pri)mates every day. They must find the strength in themselves and the confidence to know that THEY are the ones who determine their own fate…and to realize that no one has the right to put them down. Our foremothers worked hard to make sure that we had choices-- not obligations. And when we let someone else take those choices from us, they are really taking our freedom, and our life.
Works Cited:
Chopin, Kate. “Désirée’s Baby.” 1893. 8 Apr. 2003
Gilman, Charlotte Perkins. "The Yellow Wallpaper." 1892. The New England Magazine. Reprinted in "Lives & Moments - An Introduction to Short Fiction" by Hans Ostrom. Hold,
Orlando, FL 1991.
Fass, P. S. (1977). The Damned and the Beautiful: American Youth in the 1920s. New York: Oxford University Press.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
Gilman, Charlotte Perkins. "Why I Wrote 'The Yellow Wallpaper'" Ed. Catherine Lavender; The College of Staten Island of the City University of New York, Fall Semester, Oct. 1997. (25 Jan 1999) http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html
Ogloff, J. R. (2006). Psychopathy/antisocial personality disorder conundrum. The Royal Australian and New Zealand College of Psychiatrists, (40), 519-528.
Wohlpart, Jim. American Literature Research and Analysis Web Site. “Charlotte Perkins Gilman, “The Yellow Wallpaper.”” 1997. Florida Gulf Coast University
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Zimmerman, Kim. "Ganymede: Facts About Jupiter's Largest Moon." Space.com. N.p., 13 Feb. 2014. Web. Feb. 2014.
Wagner-Martin, Linda. "The Yellow Wallpaper." Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 1994. 981- 982.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
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