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Gender roles of women in literature
Gender roles of women in literature
Gender and its roles in literature
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Submission is a set of dominant behaviors involving the obedience of one person to another, which can be considered nowadays as an immoral intolerance. Submissiveness, generally directed towards women, has always existed throughout history. Even Sidonie-Gabrielle Colette’s short story “The Hand” brings out this oppressive notion at her times. Through the use of literary devices such as symbolism and characterization (which might also involve imagery), the author portrays this idea of women’s submissiveness to their husband’s dominance in a marriage. The submission of women is demonstrated in the text through the symbolic colors of the couple’s bedroom. Indeed, as the young woman’s husband is asleep, the wife remains wide-awake, trying her best to provide the man with comfort, while enjoying her newlywed life. As she opens her eyes to contemplate “the blue of the brand-new curtains, instead of the apricot-pink through which the first light of day [filters] into the room where she [has] …show more content…
Through the use of symbolism, and characterization that involves an instance of imagery, the author advocates this notion through the newlywed’s decision of neglecting her personal feminine taste to make her husband’s preferences her own, and embracing her title of submissive partner by kissing the hand. Also, the choice of words to describe each partner differs tremendously, as the author seems to give more importance to the man by making him appear handsome, and particularly strong. On the contrary, the young woman appears to be weak and minor, which supports this idea of submissive women in a couple through the perception of the woman being way behind her husband. This story demonstrates a great symbolic significance when it comes to the hand, which can lead to other important ideas surrounding the message the author is trying to
The readers are apt to feel confused in the contrasting ways the woman in this poem has been depicted. The lady described in the poem leads to contrasting lives during the day and night. She is a normal girl in her Cadillac in the day while in her pink Mustang she is a prostitute driving on highways in the night. In the poem the imagery of body recurs frequently as “moving in the dust” and “every time she is touched”. The reference to woman’s body could possibly be the metaphor for the derogatory ways women’s labor, especially the physical labor is represented. The contrast between day and night possibly highlights the two contrasting ways the women are represented in society.
“The Story of an Hour” and “The Hand” both has remarkable similarities and differences. They share a common theme of women and marriage and the sacrifices they make for their family. The setting in both stories is significant to understand the role of women hundreds of years ago. The symbolism portrayed in “The Hand” is about relationships and marriage. When a relationship is new and everything is wonderful there are not any fears or regrets. As time goes by even the most desirable qualities in someone will begin to be an annoyance rather than a joy.
A lady is an object, one which men attempt to dominate. A man craves to get a hold of this being beneath his command, and forever have her at his disposal. In her piece “Size Six: The Western Women’s Harem,” published in 2002, Fatema Mernissi illustrates how Eastern and Western women are subjugated by the control of men. Mernissi argues that though she may have derived from a society where a woman has to cover her face, a Western woman has to face daily atrocities far worse then ones an Eastern woman will encounter. Moreover, Mernissi’s core dogma in “Size 6: The Western Women's Harem” is that Western women are not more fortunate than women raised into harems in other societies. Additionally, she asserts that though women in the Western world are given liberties, they coincide with the unattainable ideals of what is aesthetically pleasing. Furthermore, to strengthen her argument towards her wavering audience, Mernissi’s main approach in her paper is to get the reader to relate with her issue by means of an emotional appeal, while also utilizing both the ethical and logical appeal to support her thesis.
According to “The American Heritage Dictionary of the English Language”, the word “feminity” is defined as “the quality or condition of being feminine or a characteristic or trait traditionally held to be female.” Further speaking, feminity is formed by various socially-defined and biologically-created gender roles played by women influenced by a number of social and cultural factors. For example, the traditional gender roles of women include nurturer, birth giver, homemaker and caregiver. However, marked by a series of women's rights movements starting from the 19th century, women’s gender roles, as well as the ways how society and men perceive women, have been largely changed. This significant change, described as a process of female awakening, was widely reflected in many contemporary literature works. This essay will specifically focus on the construction of feminity in two short stories, “Hills Like White Elephants” by Ernest Hemingway and “The Stoy of an Hour” by Kate Chopin through examining how the authors define “feminity” in their treatment of female characters.
The movement for female right is one of the important social issue and it is ongoing reaction against the traditional male definition of woman. In most civilizations there was very unequal treatment between women and men with the expectation being that women should simply stay in the house and let the men support them. A Doll's House by Henrik Ibsen, and Trifles, by Susan Glaspell, are two well-known plays that give rise to discussions over male-female relationships. In both stories, they illustrate the similar perspectives on how men repress women in their marriages; men consider that women should obey them and their respective on their wives is oppressed showing the problems in two marriages that described in two plays. Therefore, in this essay, I will compare two similar but contrast stories; A Doll's House and Trifles, focusing on how they describe the problems in marriage related to women as victims of suppressed right.
Immediately, the narrator stereotypes the couple by saying “they looked unmistakably married” (1). The couple symbolizes a relationship. Because marriage is the deepest human relationship, Brush chose a married couple to underscore her message and strengthen the story. The husband’s words weaken their relationship. When the man rejects his wife’s gift with “punishing…quick, curt, and unkind” (19) words, he is being selfish. Selfishness is a matter of taking, just as love is a matter of giving. He has taken her emotional energy, and she is left “crying quietly and heartbrokenly” (21). Using unkind words, the husband drains his wife of emotional strength and damages their relationship.
Women start sacrificing from the time they are born, from being taught how to dress up and taught all the house chorus instead of being educated. The father passes his daughter’s hand to their husband and tie her to another bond. In a marriage a strong foundation is required to build a stable relationship. Many times marriage is defined as the male being the dominant provider, while the female takes upon the rol...
Colette the author of “ The Hand” describes the newly found emotions of a teenage bride shortly after her wedding through the description of her husband’s hand. The young newly-wed at the beginning of the story looks around her new home and admires the differences between this home and her pre-marital home. The adolescent wife unable to sleep at night because of her excitement opens her eyes at night and “ savors, with astonishment, . . . the brand new curtains. . . instead of the apricot-pink. . . where she slept as a little girl”( Colette 55). The thrill of her new surroundings is an important setup for the rest of the story because it reveals to the reader how fresh this relationship is and the innocent ignorance between them.
Roles of the Sexes The submissive role of the female in a marriage or relationship is a common problem in many societies, including our own American society. This role has become so common that in fact it is now expected of the female. This male dominance goes as far back as the human race, to the beginning of relationships and marriage between the female and the male. Then, the physical prowess of the male led to his dominance in all situations and thus formed these roles. Even presently, with all our advances in equal rights and women’s’ advances in the work fields, this role of submission and passivity is still present among our society. Why do women accept this role? Why hasn’t it banished with the right to vote and her expansion into the male-dominated workplace? These roles are inbred into our society. The men are raised to lead and take charge. Women, on the other hand, are taught that their place is to keep peace, and in most scenarios that means conforming. There are many reasons women accept or allow this role. For many women, they find safety in allowing the male to dominate the relationship. The submissive role is familiar or so expected that the women fear changing the situation. Many authors illustrate this role of the sexes and portray some reasons and situations that are common in our society, such as Sidonie-Gabrielle Colette, in her story “The Hand”, and James Joyce, in “Eveline”. These two authors both, even though each describes a woman in a very different, yet remarkably similar, situation, discuss one of the major reasons women succumb to males. Colette was a significant feminist in the early 1900’s when the women’s right movement was in full swing. She fought for equal opportunities for women and proved it was possible when she was the first woman to be admitted to the Goncourt Academy. As a novelist, she used her writing to illustrate the assumed roles society has developed. The Compact Bedford Introduction to Literature remarks, “Her professional life and three marriages helped to shape her keen insights into modern love and women’s lives.” (Compact Bedford, 196). Colette understood the expected submission role because she had lived the role of the wife several times. Also, as one of the few women in the workplace, she was subjected to even more male supremacy. She could write about the reasons why women comply because she understood and had been a victim herself.
This play dates back to the Elizabethan era, a time when men and women lived in a patriarchal society. Under those circumstances, men were molded by traditional beliefs; their loyalty and their social ranking depended on honor, comradeship, and authority over women. Because men were viewed as the better sex, it was thought that women needed to be protected by men their entire life. In the case that a woman was unwed, the father, brother or another male relative was to care for her until a male companion showed up.
While it has traditionally been men who have attached the "ball and chain" philosophy to marriage, Kate Chopin gave readers a woman’s view of how repressive and confining marriage can be for a woman, both spiritually and sexually. While many of her works incorporated the notion of women as repressed beings ready to erupt into a sexual a hurricane, none were as tempestuous as The Storm.
... convey the ways and outcomes of patriarchal oppression. In the short story “The Yellow Wallpaper” the result was insanity, in the novel The Awakening death was the result and in “The Story of an Hour” the result was also death. These are not the only results of a sudden realization that men should not have all the power. Women have resisted patriarchal power and earned their power against oppression throughout the years that followed the 19th century.
The Wife prefaces her tale with a rather lengthy prologue, in which she recounts in detail the story of her five different marriages. The prologue might at first glance appear to have very little relevance to the actual tale, but in fact the Wife’s treatment of her husbands (and their responses to her) are echoed later when she begins her tale. The Wife’s husbands fall into two categories: the rich and elderly, or the “goode,” and the young and virile, or the “badde” (203). The older husbands, while wealthy, are unable to satisfy the Wife in the bedroom. However, she takes great pleasure in dominating these men in almost every aspect of each marriage. Sh...
...demonstrates the oppression that women had to face in society during the nineteenth century. The nursery room, the yellow wallpaper, and the windows, all symbolize in some way the oppression of women done by men. She bases the story on one of her life experiences. Charlotte Gilman wrote the story because she believed that men and women should be treated equally.
In the book, women have been given the ability to amass power and threaten the authoritarianism of men. On the other hand, the story revolves around the era of civil right. People are oppressed and threatened because of what they believe during this period. It is in the same process that the woman transforms into the victim and oppressed. It is through violence that the women undergo repression from men. In the same moment, it can be identified that the black community starts fighting for equality in the black community that became patriarchal (Shreerekha et al. 34). Throughout the