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Character analysis of torvald
Character traits of Torvald
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In Henrik Ibsen’s A Doll’s House, many characters perform actions that end up costing them literal money, morals, and even friendships. One of these characters is Torvald, whose dislike for anything “ugly,” cost him relationships with many other characters in the play. It is hinted throughout the play that Torvald never wants to be around anything ugly, and it is clear that the other characters know about this fetish for beauty. The first place where this impartiality towards ugliness is present is where Krogstad tells Nora that he plans on telling Torvald about their contract if she doesn’t get him his job back, and Nora explains her feelings about this. “To think of his learning my secret, which has been my joy and pride, in such an ugly, …show more content…
Rank tells Nora about how he is dying of consumption of the spine, he also says to her, “Helmer's refined nature gives him an unconquerable disgust at everything that is ugly; I won't have him in my sick-room.” [38] Dr. Rank does not want Torvald near him as he is on his deathbed, despite Dr. Rank being Torvald’s closest friend. There are a few logical reasons why Dr. Rank might not want people around while he is dying; perhaps because it would be too sad and he wanted his last moments to be pleasant ones. However, the fact that Rank doesn’t want Torvald in his sick-room because he knows of Torvald’s disgust with ugliness, brings back up the friendships that this repulsion towards ugly things costs him. It would be expected for one to want to be with their dearest friend during the last moments of that friend’s life, but because Torvald is so opposed to unattractiveness, Rank thinks it would be best if he stayed away, even though it costed Torvald the time he could have spent with his dying friend. Finally, Torvald’s opposition towards ugliness is brought up again after Torvald receives the cards from Dr. Rank announcing his death, and he is processing this information. “NORA: With the thought of your friend's
Dr. Rank’s death can be seen as a symbol for Nora and Torvald’s marriage, since he dies around the same time as when Torvald reads Krogstad’s
In the play A Doll’s House by Henrik Ibsen, several literary lenses can be used to better help understand the storyline. The most prominent lens used throughout this play is gender. It plays a large role in the story A Doll’s House. Nora, the protagonist is faced with many challenges because of the normalities of 19th century society. She must overcome these difficulties throughout the play.
Through their everyday conversation, Nora and Torvald reveal that they have a relationship full of meaningless talk and games. “Is that my little squirrel bustling about?” (2), Torvald questions Nora. “Yes!” (2) She answers, running up to Torvald like a puppy. Because of her whimsical attitude, Torvald had assumed that Nora was always happy and carefree, so what reason would there be for meaningful conversation? Their relationship consisted of nothing truly real. Everything was fun and games and for show. Torvald scolded Nora like he would a child, “Hasn’t Mrs. Sweet Tooth been breaking rules today in town…” (4). Then, Nora would respond as a young child would facing punishment, “I should not think of going against your wishes” (4). This type of communications cannot be healthy in any relationship, and greatly hindered the relationship between the two.
In “A Doll’s House”, when Torvald learns of her secret affairs concerning Nora forging her father’s signature to get a loan to save Torvald’s life, he began to treat her horribly, insulting her in every way that is possible. In that moment, Nora realized that she could no longer live a life as Torvald’s wife anymore. He wanted to live a life in which no one in the society would know what had happened. They would act like they were a happily married couple in public, but in private they would act as though they were brother and sisters. Torvald cared about his image rather than
He then sends a letter to Torvald explaining what crime that his wife had committed and delivered to their mailbox. When Torvald sees the letter he is infuriated by what Nora did and humiliated that it could tarnish his reputation. Later a letter comes that shows that Nora’s debt has been paid and that she would be cleared of her crime. After reading it, Torvald then began to see why his wife did it and he was relieved that the debt was paid. After that Torvald expresses to Nora “you don’t understand how to act on your own responsibility? No, no; only lean on me; I will advise you and direct you. I should not be a man if this womanly helplessness did not just give you a double attractiveness in my eyes” (III). This set Nora off and finally had had enough of her husband treating her as if she were a child. She then decides that she is going to leave her family and she is going to find herself and become a strong independent
Torvald calls Nora by pet-names and speaks down to her because he thinks that she is not intelligent and that she can not think on her own.
Nora is a dynamic character. When the play begins Nora is viewed and presented as a playful and carefree person. She seems to be more intent on shopping for frivolous things. But, as time goes on it becomes apparent that Nora actually has a certain amount of seriousness in her decisions and actions in dealing with the debt she incurred to save Torvald’s life. Nora’s openness in her friendship with Dr. Rank changes after he professes his affections toward her. Her restraint in dealing with him shows that Nora is a mature and intelligent woman. Nora shows courage, not seen previously, by manipulating her way around Krogstad and his threats to reveal her secret. After feeling betrayed by Torvald, Nora reveals that she is leaving him. Having
Torvalds wife Nora Helmer is a typical women for her time; She is a housewife. She allows Torvald to be controlling of her; molding who she is. She is not allowed to freely think and behave as she wants. Torvald confronts Nora, suspecting her of eating macaroons and asks if “little Miss Sweet Tooth been breaking rules in town today?” (I.142-I.143) This confrontation shows the debasing affiliation that these two have. This proves he sees her nothing more than a “doll wife”. Torvald using the word “little” followed by the pet name “sweet tooth” when referring to Nora is proof she is portraying the role of a “doll wife” which she willingly fulfills. Torvald is a typical husband during a time when the opinion of society meant everything to a man. His eagerness for social acceptance essentially causes the demise of their marriage. When Torvald finds out about the forgery and the loan which is the big secret Nora withholds from him, he berates her for it even though her actions saved his life. His acceptance by society is ruined in his eyes. Torvald is furious and tells Nora she took away his “happiness” and she has ruined his “whole future.” (III.464-III.465) His narcissistic side is exposed in this encounter. Torvald selfishly reacts to the secret that saved his life when he was very ill. Torvald’s selfish behavior causes Nora ...
This shows that Torvald is more interested in Nora physically than emotionally. He feels that it is one of Nora's main duties as his wife to physically pleasure him at his command.
Torvald is extremely cautious about how he is perceived by other people. He would do anything to keep his honourable image, even if it involves him doing something dishonourable. Another way the relationship between Nora and Torvald will end is from Nora’s desire for her own identity. Even though it might seem that without Krogstad’s extortion plan, Nora would have never developed her need for an identity, but she has shown signs of a new identity well before Krogstad tried to extort Nora from his job.
He is shocked that Nora doesn’t already know because he expects. everyone to have the same views as he does. Helmer sees himself as above Nora, this wasn’t unheard of in this era, men went to work. whilst the women stayed at home and looked after the children. We can tell that Torvald see’s himself as superior to Nora, he thinks shes not.
She starts to play more attention to Torvald after Krogstad threatens to tell her secret. Nora realizes that Torvald only sees her as a child that needs his help with everything she does. As she said,” I have existed merely to perform tricks for you, Torvald. But you would have it so” (720). She comes to understand that she was merely a doll to him, and that’s all he’s ever going to want her to be. Once Krogstad reveals the secret she decides to leave Torvald when he fails to prove that he truly loves her. As she said, “when the wonderful thing did not happen; then I saw you were not the man I had thought you” (722). She wanted him to show her that he would protect her and instead he got furious at her.
He specifically shows his selfishness in the way he treats Nora. First, he treats her more as child then an adult. At points, Torvald calls Nora names such as, “My little Nora” and “Little Miss Stubbornshoes” (35). Torvald’s relationship with Nora seems more like father and daughter, rather than husband and wife; and because of this Torvald doesn't treat Nora like a true husband should. Torvalds selfishness correlates with his love for Nora and the way he treats her. Torvald doesn't truly love Nora. Instead, he uses her as a decoration, making him feel good about himself and his appearance in society. In addition, his selfishness is shown when he receives Krogstad's letter regarding Nora's forgery. Torvalds self-centered personality can be shown as he accuses her of damaging his good name rather than being grateful for the loans. Instead of acting calm about the situation he insults Nora and screams at her. As Torvald expresses, “You’re speaking like a child. You don’t understand the society you live in” (64). He once again, refers to her as a child and attempts to remind Nora of the kind of society they live in, in efforts to not ruin his own reputation. In addition he says, “You that I carried with my two hands throughout our entire marriage. Do you understand what you’ve done to me?” (59) Ultimately he doesn't show love for Nora and instead selfishly blames her for jeopardizing
Nora’s husband, Torvald Helmer, considers her not as a person, but as a toy, a "doll". For eight years of living together, Torvald never spoke with Nora seriously. Torvald’s attitude towards his wife is also revealed when he took Nora away from the masquerade as soon as tarantella was finished to "save effect" created by her. Such Torvald’s behaviour depicts the general position of the woman in that society, which consider that the main task of the women is to take care of the children and husband, but not to become a real person. The role of the woman in this play is to show how the world is in wrong order where women cannot be equal to the man.
We see a woman who is making a bold action against gender inequality and the position society and culture has given her. As for Nora, we see in this first conversation that she seems entirely dependent on Torvald for her money, her food, and her shelter, despite the fact that she is keeping a secret. This secret is the kernel of her individuality and her escape from the doll’s house. While it is easy to paint Helmer as a tyrant and Nora as the naïve wife who suffers under his control, one must not forget that torvald is not aware of any damage he is causing. His greatest sin is perhaps his ignorance. The shock he shows at Nora’s revelation shows that he has no awareness that there is anything wrong with the status balance in his