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Gender in literature
Gender issue in literature
Gender issue in literature
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In the play A Doll’s House, Henrik Ibsen seems to show very little of who Nora really is in the beginning. At first Nora seems to be selfish and silly, but then we come to find that she is hiding something and is that way because she has made sacrifices to save her husband's life and pay back a secret loan. By the end of the play, Nora is a changed woman and shows her true strength and becomes an independent woman. Torvald, Nora’s husband for all his mistakes, appears to be an affectionate, dedicated and bighearted husband. But we later come to see that he is a shallow man that cares solely about his reputation. The Helmer marriage appears loving, but turns out to be based on lies, play-acting and an unfit relationship.
At the start
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It seems as though Christine thinks that Nora is so lucky not to have to deal with any mature adult troubles and that doesn’t set to well with Nora. She says to Christine “you ought not to be so superior” (I,22), taking what Christine said to her as an insult. Nora has been treated like a lesser human being and treated as a if she were a child for so long that she finally feels like she has something worth confessing. This is shown when she says “I have something to be proud and glad of” (I,24) referring to this secret she’s been keeping for so long. At the start of Torvald and Nora’s marriage he had to leave his job due to the fact that his body was overworked and if he didn’t leave he could die. The doctor suggested that instead of medicine that he go on a trip to a warmer climate, which would be a very expensive trip that the Helmer’s couldn’t afford. Nora was faced with a tough decision of her husband dying, her and her husband’s reputation, and legal consequences for borrowing money to have for Torvald to go on this trip. In this day which was 1879 a woman could not get a loan on her own, she had to have a male co-signer. The only male that Nora could think of was her father who was dying and she didn’t want to ask him to sign for her so she forged his signature. This …show more content…
He then sends a letter to Torvald explaining what crime that his wife had committed and delivered to their mailbox. When Torvald sees the letter he is infuriated by what Nora did and humiliated that it could tarnish his reputation. Later a letter comes that shows that Nora’s debt has been paid and that she would be cleared of her crime. After reading it, Torvald then began to see why his wife did it and he was relieved that the debt was paid. After that Torvald expresses to Nora “you don’t understand how to act on your own responsibility? No, no; only lean on me; I will advise you and direct you. I should not be a man if this womanly helplessness did not just give you a double attractiveness in my eyes” (III). This set Nora off and finally had had enough of her husband treating her as if she were a child. She then decides that she is going to leave her family and she is going to find herself and become a strong independent
In Henrik Ibsen’s play A Doll House, Ibsen tells a story of a wife and mother who not only has been wronged by society, but by her beloved father and husband because of her gender. Nora left her father’s house as a naïve daughter only to be passed to the hands of her husband forcing her to be naïve wife and mother, or so her husband thinks. When Nora’s husband, Torvald becomes deathly ill, she takes matters into her own hands and illegally is granted a loan that will give her the means to save her husband’s life. Her well guarded secret is later is used against her, to exort Torvald, who was clueless that his wife was or could be anything more than he made her. However, Nora has many unrecognized dimensions “Besides being lovable, Nora is selfish, frivolous, seductive, unprincipled, and deceitful” (Rosenberg and Templeton 894). Nora is a dynamic character because her father and her husband treat her as a child and do not allow her to have her own thoughts and opinions, as the play progresses she breaks free from the chains of her gender expectation to explore the world around her.
In A Doll’s House, Henrik Ibsen wrote a play that showed how one woman, Nora Helmer, stood up to her husband after feeling like she was useless to their marriage and their family. Nora’s husband, Torvald Helmer, was the man of the house and would make every decision for the family, especially for Nora. He supported her financially, but not emotionally. He always took it upon himself to do everything a man was supposed to do at the time, but never let Nora explore herself. He made sure she was kept as just a wife and nothing more. As it was mentioned in the play, Nora was arranged into the marriage by her father. While going through eight years of marriage, she finally felt it was time to find herself as an independent woman in...
Throughout A Doll’s House, Henrik Ibsen illustrates through an intriguing story how a once infantile-like woman gains independence and a life of her own. Ibsen creates a naturalistic drama that demonstrates how on the outside Nora and Torvald seam to have it all, but in reality their life together is empty. Instead of meaningful discussions, Torvald uses degrading pet names and meaningless talk to relate to Nora. Continuing to treat Nora like a pampered yet unimportant pet, Torvald thoroughly demonstrates how men of his era treat women as insignificant items to be possessed and shown off. While the Helmer household may have the appearance of being sociably acceptable, the marriage of Torvald and Nora was falling apart because of the lack of identity, love, and communication.
Upon reading “A Doll’s House” by Henrik Ibsen, many readers may find the character Nora to be a rather frivolous spending mother of three who is more concerned about putting up a front to make others think her life is perfect, rather than finding herself. At the beginning of the play, this may be true, but as the play unfolds, you see that Nora is not only trying to pay off a secret debt, but also a woman who is merely acting as her husbands “doll” fulfilling whatever he so asks of her. Nora is not only an independent woman who took a risk, but also a woman whose marriage was more along the lines of a father-child relationship.
When confronted by Krogstad, who tells her it is against the law to sign someone else's signature, she responds, "This I refuse to believe. " A daughter hasn't a right to protect her dying father from anxiety and care? A wife hasn't a right to save her husband's life. I don't know much about laws, but I'm sure that somewhere in the books these things are allowed. " Nora simply does not understand the ways of the world, and the final realization that she is in real danger of risking hers and her husband's reputation, and worse, makes her snap out of the childish dream she had been living. & nbsp; Kristine, Nora's childhood friend, is the wisdom and support Nora needs to grow up.
In Ibsen’s play A Doll’s House we encounter the young and beautiful Nora on Christmas Eve. Nora Helmer seems to be a playful and affectionate young woman full of life and zeal. As the play progresses, we learn that Nora is not just a “silly girl” (Ibsen) as Torvald refers to her. She learns of the business world related to debt that she acquired by taking out a loan in order to save her beloved Torvalds life. Although Krostad’s blackmail does not change Nora’s whimsical nature it opens her eyes to her underappreciated potential. “I have been performing tricks for you, Torvald,” (Find diff quote perhaps?) she exclaims in her confrontation with Torvald. She realizes that she has been putting on a facade for
Very early on in this part of the text, the reader is able to identify signs that show Torvald may not fully love Nora at this point. Torvald announced, “It is to get about now that the new manager has changed his mind at his wife’s bidding” (Ibsen 45). He is trying to say he will not listen to Nora because of what others will think. Even if people might not agree, he should still listen to his wife if he truly loved her. At the same time, Nora as begins to show she might not feel the same way about Torvald as she did before. Nora noted, “My husband must never get to know anything about this. Because she is wanting to hide something from Torvald, the reader is shown she does not fully love Torvald enough to even trust him. While it is shown that they do not feel the same way about each other, Ibsen does indicate that both Nora and Torvald do still somewhat love each other. Nora explains, “Torvald loves me; he would never for a moment hesitate to give his life for me” (Ibsen 50). This quote tells the reader directly that Torvald not only still loves Nora, but still loves her enough to give his life up for her. While their feelings towards each other have changed, they still care about one
Nora is a dynamic character. When the play begins Nora is viewed and presented as a playful and carefree person. She seems to be more intent on shopping for frivolous things. But, as time goes on it becomes apparent that Nora actually has a certain amount of seriousness in her decisions and actions in dealing with the debt she incurred to save Torvald’s life. Nora’s openness in her friendship with Dr. Rank changes after he professes his affections toward her. Her restraint in dealing with him shows that Nora is a mature and intelligent woman. Nora shows courage, not seen previously, by manipulating her way around Krogstad and his threats to reveal her secret. After feeling betrayed by Torvald, Nora reveals that she is leaving him. Having
Nora was wife of Helmer and a mother of 3 children. They lived in a house where their nurse Anne-Marie took care of the children and Helene which was their maid took care of the house work. Nora was a stay at home mother and would occasionally take on little jobs in order to make ends meet. Nora has lived her whole life as a puppet. Her life has always been controlled by someone else; first by her father and then by her husband Helmer. “Her whole life is a construct of societal norms and the expectations of others” (Wiseman). “Nora’s father would force his beliefs on her and she would comply with them lest she upset him; she would bury her personal belief under Papa’s. According to Nora, Torvald was guilty of the same things” (Wiseman). Nora has always lived her life according to the beliefs of someone else. She didn 't know how to live life any other way because this is how she was raised. She felts trapped in the life she lived because she knew no other way of living besides her current lifestyle. Due to Nora being controlled her whole life she seemed childish and lacked knowledge of the world outside her house. At the end of the story Helmer decides to show his true colors once his future was threatened. This made Nora realize that she does not love her husband nor does he love her, and decides that is not the life she wants to live. “Helmer: You talk like a child. You don 't know anything of the world you live
Lastly, the amount of deception and dishonesty between Nora and Torvald would have broken the marriage even without Krogstad’s extortion plot. Both Nora and Torvald are living in a world of lies, and both of them are not honest with each other and themselves. In the beginning of the play, Torvald and Nora are portrayed to be a perfect couple with a perfect life. Nora is seen returning home after a day of shopping and is greeted lovingly by her husband. Even though they seemed to have had some financial troubles in the past, Torvald just received a new job as a bank manager and everything seemed to be alright, but behind the scenes nothing was alright.
In his play, A Doll 's House, Henrik Ibsen develops the character of Torvald’s wife, named Nora. Nora struggles to define her individuality as she seems to play two different characters. Partly living as Torvald 's perfect wife, while also living day by day to attempting to conceal a big secret from her husband that could potentially destroy his business. While trapped within Nora 's degrading marriage that consists of many animal names, secretly, her character develops into determined and intelligent women. It is in this secret, that Nora recognizes she must break away from her marriage and follow her dreams of being a strong independent woman.
In "A Doll's House", Ibsen portrays the bleak picture of a role held by women of all economic classes that is sacrificial. The female characters in the play back-up Nora's assertion that even though men are unable to sacrifice their integrity, "hundreds of thousands of woman have." Mrs. Linde found it necessary to abandon Krogstad, her true but poor love, and marry a richer man in order to support her mother and two brothers. The nanny has to abandon her children to support herself by working for Nora. Though Nora is economically advantaged, in comparison to the other female characters, she leads a hard life because society dictates that Torvald be the marriages dominant member. Torvald condescends Nora and inadvertently forces Nora to hide the loan from him. Nora knows that Torvald could never accept the idea that his wife, or any other woman, could aid in saving his life.
After asking his wife if she understands what she has done Nora answers “[Looking squarely at him, her face hardening] Yes. I am beginning to understand everything” (835). This statement might be the key phrase of Nora’s realization. The double- meaning implies Nora’s understanding of the actual situation as well as her awareness that her marriage, even though it conforms with social expectations, is far from perfect. She now doubts the depth of her love for Torvald and becomes calm with comprehension as she begins to recognize the truth about her marriage. While she expects compassion for her sacrifice, she is none given. Instead of sacrificing anything to help Nora out of her predicament, Torvald is only worried about himself and appearances. It becomes very clear, after the second letter from Krogstad arrives, that her well-being always comes second “I’m saved. Nora, I’m saved! You too, of course” (836). Throughout the conversation with Torvald, Nora finally realizes, she needs to rearrange her life and priorities to be happy. This implies independence and self-awareness. While Nora finally understands the situation, she is in and what she needs to do but Torvald defines her new attitudes as madness “You’re ill, Nora; you’re feverish; I almost think you’re out of your mind” (840). “However, the characterization has been tied to the fact that she is breaking taboos or challenging conventions” (Langås 160). Torvald is still stuck in his fantasy world of how a wife should talk and act per his standard and the society he stands for. “Nora still has no way of knowing that she is not endangering her children with her presence and in the end, she feels impelled to leave, and her decision is less an act of defiance against her husband and society than an attempt to save the lives of her children” (Brooks
Nora is the beloved, adored wife of Torvald Helmer. He is well respected, and has just received a promotion to the bank manager. Torvald also obtains high moral standards but he is very controlling and materialistic. During the first scene the couple is discussing the issue of borrowing money. Torvald says to Nora "…you know what I think about that. No debts! Never borrow! Something of freedom’s lost-and something of beauty, too- from a home that’s founded on borrowings and debt. We’ve made a brave stand up to now, the two of us, and we’ll go right on like that the little way we have to."
As the play goes on, Nora seems to transform from her delicate little character into something much more. At the end of act one, Krogstad goes to Nora for the recollection of the money she had borrowed from him. "You don?t mean that you will tell my husband that I owe you money?" (21). Since Nora was wrong in doing so socially, she could not tell Torvald or anyone else about her problem. Not only would that affect their social standard but also Torvald's ego, which inevitably would happen anyway. After Krogstad threatens to expose Nora for forging her father's signature, she realizes that no matter what she does Torvald was going to know the truth. The flaw with...