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Doll house analysis
Gender roles in 20th century literature
Women and the family in the 19th century
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In the play A Doll’s House by Henrik Ibsen, several literary lenses can be used to better help understand the storyline. The most prominent lens used throughout this play is gender. It plays a large role in the story A Doll’s House. Nora, the protagonist is faced with many challenges because of the normalities of 19th century society. She must overcome these difficulties throughout the play. Since the play took place in the 19th century the role of women was limited to housework, raising children, and meeting their husbands commands.“Marriage was described as 'legalised prostitution' or slavery. The protagonists had a sense of being pioneers, participating in journeys or quests. However, most female rebels became utterly weary and disillusioned and were doomed to failure.” (Forward). Nora is a perfect example of a women from that time period, having to live under their husbands supervision and obey orders. Her husband called her names that undermined …show more content…
In the nineteenth century, female independence was considered unimaginable and was deemed as wrong. Nora’s desire to leave her home life was obvious throughout the play, but she had constant doubts. The slam of the door, in the last scene, is very significant because a woman walking out on her family was such a rare occurrence.”To desert your home,your husband and your children!And don’t you consider what people will say.”(807). As said before,Torvald seemed extremely worried over how his peers would view him as a divorcé. Torvald is simply “preoccupied with work and money leading to a reduction of values from a moral to a material plane” (Literary Resource Center). Though, Torvald’s worries were not uncommon, many men upper class men were expected to have happy family lives. In the nineteenth century, women were not expected to make a living, providing for their families was a responsibility left for the man of the
In his play, A Doll's House, Henrik Ibsen depicts a female protagonist, Nora Helmer, who dares to defy her husband and forsake her "duty" as a wife and mother to seek out her individuality. A Doll's House challenges the patriarchal view held by most people at the time that a woman's place was in the home. Many women could relate to Nora's situation. Like Nora, they felt trapped by their husbands and their fathers; however, they believed that the rules of society prevented them from stepping out of the shadows of men. Through this play, Ibsen stresses the importance of women's individuality. A Doll's House combines realistic characters, fascinating imagery, explicit stage directions, and an influential setting to develop a controversial theme.
He is a smug bank manager. With his job comes many responsibilities. He often treats his wife as if she is one of these responsibilities. Torvald is very authoritative and puts his appearance, both social and physical, ahead of his wife that he supposedly loves. Torvald is a man that is worried about his reputation, and cares little about his wife's feelings.
Patriarchy's socialization of women into servicing creatures is the major accusation in Nora's painful account to Torvald of how first her father, and then he, used her for their amusement. . . how she had no right to think for herself, only the duty to accept their opinions. Excluded from meaning anything, Nora has never been subject, only object. (Templeton 142).
At the beginning of the play, Nora and Helmer’s relationship appears to be a typical marriage in the 1800s. Helmer, as the man, is the head of the house and Nora is portrayed as the naïve, “spendthrift” wife who has no dealings with the financial situation of the family. However, as the story evolves, a different side of Nora emerges. She attempts to conform to society’s views of gender roles in order to keep her “beautiful and happy home” and fears that telling her husband about what she did will “completely upset the balance of [their] relationship” (891). ...
The theme in the play is widely centered on independence, as Nora shares her experiences with it during the beginning of the play. In Act I, it is Christmas Eve and Nora is decorating the house while Dr.Rank and Mrs. Linde visit the household. Nora and Mrs. Linde began talking, and Nora starts to reminisce about the time when she and Torvald had first gotten married and she was required to work to earn extra money because they were having financial difficulties. Nora looks back on that moment and has fond memories although the working world is seen as a “man’s” world; she reveled in the independence to make...
...nancial needs or just in the home men held the advantage. "A Doll's House," by Henrik Ibsen portrays the genders role of nineteenth century women and men in society. Torvald's perception of his wife of how she is a helpless creature shows the overall role which women filled. Women were responsible for the purity of the world through their influence in the home and through the upbringing of her children. They had to beg and ask for permission to do certain activities and essential things. Men were the ones in the family who worked and provided for his family's wellbeing. Because of the family's economic dependence on the husband, he had control over all of all his family members. This showed the amount of progress needing to come in the future to allow woman to start receiving some of the many rights they deserved which men had and so frequently took for granted.
Nora engages in a mutually dependent game with Torvald in that she gains power in the relationship by being perceived as weak, yet paradoxically she has no real power or independence because she is a slave to the social construction of her gender. Her epiphany at the end at the play realises her and her marriage as a product of society, Nora comes to understand that she has been living with a constr...
Patriarchy's socialization of women into servicing creatures is the major accusation in Nora's painful account to Torvald of how first her father, and then he, used her for their amusement. . . how she had no right to think for herself, only the duty to accept their opinions. Excluded from meaning anything, Nora has never been subject, only object. (Templeton 142).
In this time period women were not considered as equals to men. Nora is treated like a doll living in Torvald’ s doll house because he controls her actions and calls her pet names. He believes Nora’s only job is to please him. Torvald has the power to control Nora’s actions.
The women had very little influence on what their husbands thought, how they acted, or what they did. Nora followed many of Torvalds’s commands, allowing him to hear little of what she did behind his back. In a scene where Krogstad asked her for a favor to convince Torvald to let him keep his position at the bank, Nora responds with, “What should make you think I have any influence of that kind with my husband?” (24). This proves that Nora would have little effect on her husband. Many of the times she tried to talk to him, he would easily demean her. He would call her his “little skylark” or other names what would make her feel like a child with little power over him. During the 1870’s women had a hard time finding positions in their home and in life without the influence of their husband. It wasn’t until after the 1870’s that women officially started to gain more rights, such as voting, divorce rights, and property claims.
In addition to Torvald’s manner towards Nora and her defiance against him, she longs for independence and the fulfillment of her potential. Her love for individuality appears as she tells Kristine of her devotion to working and earning money. She describes her work saying, “ ‘It was a tremendous pleasure to sit there working and earning money. It was like being a man’ ”
Torvald is the personification of masculine authority of Ibsen’s context. He is a husband who is “proud to be a man”; and hence constantly patronizes Nora with a playful manner calling her “feather brain”, implying that as a feminine figure she is inferior to him. Although Nora is constantly chided as if she were a child, an audience with Ibsen’s context would see Torvald’s tr...
A Doll’s House by Henrik Ibsen was released in the 1870’s and became a controversial play because it challenges society’s beliefs on women and marriage. Nora, the protagonist, decides that duties to herself is more important than duties to her husband and children. This idea stemmed from the trials that Nora had to face as a woman who broke the law and hid it from her husband and society. When her secret is threatened to be revealed, she becomes desperate to maintain the beautiful home and marriage that she once had. Throughout the play, Ibsen questions society’s customs of marriage and women through Nora’s character which evolves from a helpless, childish, and dependent wife, to an independent, intelligent and brave woman.
She tells Torvald, “I have duties equally shared… Duties to myself… I believe that, before all else. I’m a human being, no less than you—or anyway, I ought to try to become one” (111 Ibsen). Her duties go beyond the duties to her children and husband.
Societal problems prevail throughout the history of the world and exist within all countries, regions, and cultures. The controversial aspects in societies are based on a large variety of subjects, and have to be identified in order to cause societal change. Therefore, Realism is the portrayal of difficulties in societies that are depicted in everyday life, which includes common situations and actions. Realism allows authors to describe and emphasize the incompetence of some aspects within communities, while enabling writers to call for societal reform. Henrik Ibsen portrays and addresses the concepts of Norway’s society in the 19th century in A Doll House, which is a tragic play translated by Rolf Fjelde. Ibsen desires to challenge assumptions as well as rules of Norwegian life, and most importantly wants to depict society accurately, as he meticulously incorporates everyday life. Therefore, A Doll House represents a Realistic drama due to the issues involving women, illnesses, and laws within the play, while conveying Ibsen’s desire of controversy and change in Norway’s society.