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Describe symbolism in doll's house
Analysis of the doll's house
Analysis of the doll's house
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The truth always has a way of coming out, no matter how hard one tries to keep it hidden. In Henrik Ibsen’s compelling play, A Doll’s House, the truth that Nora has been hiding comes to light through Krogstad and his deceitful actions. However, one may propose the question of Krogstad’s necessity in Nora’s action of leaving her family. Certainly, Krogstad acted as a catalyst in the story and pushed Nora to make the decision to leave, but Nora still would leave her family even without help from Krogstad. Her husband’s attitude towards her, her defiance against Torvald and ultimately society, and her thirst for independence and self-actualization prevail above everything else in her life, causing her to desert her husband and their doll house. Throughout …show more content…
When Torvald asks, “ ‘Hasn't Miss Sweet Tooth been breaking rules in town today … taken a bite at a macaroon or two?’ ”(Ibsen 4). Nora replies saying, "No, Torvald.”(Ibsen 4). This lie opens the door to a flood of more lies and deceit that push Nora to finally slam the door on her family. This action further exposes Nora’s rebellious side. This so-called side comes out again as Nora says, “ ‘Well, I'm damned!’ ”(Ibsen 16). Saying a prohibited word reveals Nora’s daring side, the side that Nora exhibits when she leaves her husband. Her nature and personality demonstrate her ability to leave her family without the help of Krogstad’s letter. In addition to Torvald’s manner towards Nora and her defiance against him, she longs for independence and the fulfillment of her potential. Her love for individuality appears as she tells Kristine of her devotion to working and earning money. She describes her work saying, “ ‘It was a tremendous pleasure to sit there working and earning money. It was like being a man’ ”(Ibsen 13). This bold statement describes her pleasure in independence. Staying in her marriage, Nora would never be able to do something that makes her …show more content…
Most importantly, she desires to complete the levels of the hierarchy by finding self-actualization. The need to fulfill one's potential or to achieve one’s capability drives Nora to leave her family behind. Analyst Kristin Brunnemer states, “For Nora to achieve self-actualization, she must leave behind Torvald, who desires only her willingness to engage with him at the Deprivation-Love level upon which they have built their marriage”(Brunnemer). Nora longs for a life of discovering her talents and living up to her potential, like the many others seeking to conquer the last level of Maslow’s Hierarchy. If she stays with Torvald, Nora will not be capable of achieving her dreams. Nora feels a calling to explore her true identity as she states, “ ‘I have other duties just as sacred…duties to myself’ ”(Ibsen 68). In staying with Kristine instead of staying in the doll’s house with Torvald, Nora takes the first step in her journey to find her identity as a strong, independent woman. Nora’s actions that sprout from her independent drive, will remain, even without Krogstad’s urge, and will ultimately force her to leave her family
Throughout her life Nora had spent her time pleasing the men around her, first her father and then Torvald. As the reality erupted that her marriage to Torvald was loveless and not salvageable, she ignored Torvald's demand that she not leave him. He even made attempts to sway her decision by insinuating they could go on in the house as brother and sister. Her need to be a valued human in society had prevailed over the dependent, frail, creature that once belonged to Torvald. She set out to find her independence in spite of the limitations that society had placed on women. Her displeasure had burned a path beyond her little, secure world and the burden of being a plaything was lifted.
Nora Helmer was a delicate character and she relied on Torvald for her identity. This dependence that she had kept her from having her own personality. Yet when it is discovered that Nora only plays the part of the good typical housewife who stays at home to please her husband, it is then understandable that she is living not for herself but to please others. From early childhood Nora has always held the opinions of either her father or Torvald, hoping to please them. This mentality makes her act infantile, showing that she has no ambitions of her own. Because she had been pampered all of her life, first by her father and now by Torvald, Nora would only have to make a cute animal sound to get what she wanted from Torvald, “If your little squirrel were to ask you for something very, very, prettily” (Ibsen 34) she said.
...m” (Ibsen 1494). She wants to have an opinion based on what she learns and experiences. In order to fulfill her sacred duty, Nora is willing to depart from her playful wedlock.
The manner in which Torvald talks down to his wife and the apparent. unopposed acceptance of this by his wife, is evidence that, at least. Initially, power firmly rests in the grip of Nora’s husband. Nora’s language is full of indefinite, qualitative statements, demonstrated. especially when talking about Torvald's salary, however, when Torvald speaks.
Happiness through Self-Realization In Ibsen’s play A Doll’s House, we encounter the young and beautiful Nora on Christmas Eve. Nora Helmer is a playful and affectionate young woman full of life and zeal. As the play progresses, we learn that Nora is not just a “silly girl” (Ibsen) as Torvald refers to her. She learns of the business world related to debt that she acquired by taking out a loan in order to save her beloved Torvald's life.
...a that an idealistic lifestyle based off of lies and falsehood is in fact, not an idealistic lifestyle at all. At every opportunity Ibsen suggests that behind the façade of marriage, what exists is nothing close to what a marriage should be, and this is exactly what Nora comes to realize nearing the end of the play. The one miracle she had hopped to occur, was that their “Living together could be a true marriage.” It is undeniable that the ideas Ibsen develops that truth plays a crucial role in idealistic living; and when such idealistic lifestyles are built on deceit an individual will eventually undergo an epiphany resulting in a radical understanding of reality. In the case of this play, Nora and Torvald’s relationship disintegrates and she leaves him to find herself and to find a true idealistic lifestyle. As for Nora and Torvald, their marriage is destroyed.
Nora is a dynamic character. When the play begins Nora is viewed and presented as a playful and carefree person. She seems to be more intent on shopping for frivolous things. But, as time goes on it becomes apparent that Nora actually has a certain amount of seriousness in her decisions and actions in dealing with the debt she incurred to save Torvald’s life. Nora’s openness in her friendship with Dr. Rank changes after he professes his affections toward her. Her restraint in dealing with him shows that Nora is a mature and intelligent woman. Nora shows courage, not seen previously, by manipulating her way around Krogstad and his threats to reveal her secret. After feeling betrayed by Torvald, Nora reveals that she is leaving him. Having
At the beginning of the play, Nora is already seen defying Torvald’s wishes by eating some macaroons. Not only that, but when Torvald reminds Nora about last Christmas and how Nora “locked [herself] up every evening, till way past midnight, making flowers for the Christmas tree” (1.125-127). Nora told Torvald that she “wasn’t bored at all” (1.129). This small act of defiance towards Torvald might seem like nothing special, but it is a subtle hint that Nora no longer wants to be Torvald’s plaything. Another instance of defiance happens right after, when Nora discusses her loan with Mrs. Linde.
In Henrik Ibsen’s A Doll House, a drama written in the midst of an 1879, middle-class, suburban Europe, he boldly depicts a female protagonist. In a culture with concern for fulfilling, or more so portraying a socially acceptable image, Nora faces the restraints of being a doll in her own house and a little helpless bird. She has been said to be the most complex character of drama, and rightfully so, the pressure of strict Victorian values is the spark that ignites the play's central conflicts. Controversy is soon to arise when any social-norm is challenged, which Nora will eventually do. She evolves throughout the play, from submissive housewife to liberated woman. It seems as though what took women in America almost a century to accomplish, Nora does in a three-day drama. Ibsen challenges the stereotypical roles of men and women in a societally-pleasing marriage. He leads his readers through the journey of a woman with emerging strength and self-respect. Nora plays the typical housewife, but reveals many more dimensions that a typical woman would never portray in such a setting.
In his play, A Doll 's House, Henrik Ibsen develops the character of Torvald’s wife, named Nora. Nora struggles to define her individuality as she seems to play two different characters. Partly living as Torvald 's perfect wife, while also living day by day to attempting to conceal a big secret from her husband that could potentially destroy his business. While trapped within Nora 's degrading marriage that consists of many animal names, secretly, her character develops into determined and intelligent women. It is in this secret, that Nora recognizes she must break away from her marriage and follow her dreams of being a strong independent woman.
At the beginning of "A Doll's House", Nora seems completely happy. She responds to Torvald's teasing, relishes in the excitement of his new job, and takes pleasure in the company of her children and friends. Nora never appears to disagree with her doll-like existence, in which she is cuddled, pampered and patronized. As the play progresses, Nora's true character appears and proves that she is more than just a "silly girl" as Torvald calls her. Her understanding of the business details related to the dept she incurred in taking out a loan to help Torvald's health shows her intelligence and her abilities beyond being merely a wife. The secret labor she undertakes to pay off her dept demonstrates her determination and ambition. In addition, her willingness to break the law in order to aid her...
After asking his wife if she understands what she has done Nora answers “[Looking squarely at him, her face hardening] Yes. I am beginning to understand everything” (835). This statement might be the key phrase of Nora’s realization. The double- meaning implies Nora’s understanding of the actual situation as well as her awareness that her marriage, even though it conforms with social expectations, is far from perfect. She now doubts the depth of her love for Torvald and becomes calm with comprehension as she begins to recognize the truth about her marriage. While she expects compassion for her sacrifice, she is none given. Instead of sacrificing anything to help Nora out of her predicament, Torvald is only worried about himself and appearances. It becomes very clear, after the second letter from Krogstad arrives, that her well-being always comes second “I’m saved. Nora, I’m saved! You too, of course” (836). Throughout the conversation with Torvald, Nora finally realizes, she needs to rearrange her life and priorities to be happy. This implies independence and self-awareness. While Nora finally understands the situation, she is in and what she needs to do but Torvald defines her new attitudes as madness “You’re ill, Nora; you’re feverish; I almost think you’re out of your mind” (840). “However, the characterization has been tied to the fact that she is breaking taboos or challenging conventions” (Langås 160). Torvald is still stuck in his fantasy world of how a wife should talk and act per his standard and the society he stands for. “Nora still has no way of knowing that she is not endangering her children with her presence and in the end, she feels impelled to leave, and her decision is less an act of defiance against her husband and society than an attempt to save the lives of her children” (Brooks
Torvald expects Nora to agree with what he says and thinks, and commit her life to keeping the family happy by being a housewife. But Nora defies the roles that she is expected to have as being a wife, a woman, and a friend. As a wife, Nora spends Torvald’s money on macarons which are forbidden and attempts to earn her own money while going against what her husband tells her, because she wants to be an independent person with her own opinions. The trip to the south and borrowing money was all done by her, and in the end of the play Nora ultimately goes against the expectations set upon her by leaving the house to live on her own to gain knowledge and experience, but leaves behind her husband and children who she is responsible for taking care of. As a woman, she does not have the authority to disagree with her husband or try to influence his actions. Torvald says, “If it ever got around that the new manager had been talked over by his wife…” (Ibsen 42) showing that it would be a laughing matter if a woman had an idea, but Nora still makes many attempts to persuade her husband. As a friend, Nora is expected to know her role which is a listener and supporter for Mrs. Linde and just an acquaintance to Dr. Rank, but the relationship with Dr. Rank goes beyond what is acceptable. When Dr. Rank confesses his feelings for Nora she is very upset because they can no longer flirt with each other now that the feelings are real. Her role is to be a loyal wife to her husband, which she is, but Ibsen uses the flirtatious dialect between the two to show that there are mutual feelings and that confessing them brings the relationship beyond what is allowed. As Nora challenges all of these roles, she is gradually becoming more stressed and eventually breaks down and leaves her husband, which demonstrates the effect of the unrealistic expectations to uphold the roles of
The most noticeable occurrence that influenced Nora’s feelings to alter was her husband’s reaction to the letter from Krogstad. Instead of defending Nora, Torvald simply blamed and ridiculed her for her illicit actions. Nora explains, “When Krogstad’s letter was lying out there, never for a moment did I imagine that you would consent to accept this man’s conditions” (Ibsen 79). Once Nora realized that Torvald would have shunned her and stripped her of her rights, Nora immediately retracts her love towards Torvald. For example, Nora realized how she was Torvald’s trophy wife.
She chooses the difficult path to pay off the debt, which shows the bravery and will of Nora. What Nora has does in the scene is surprise for the audience. Ibsen establishes the stereotypical gender roles as it was in late nineteenth century, and then suddenly he brings